Here are 100 books that The Good Wife of Bath fans have personally recommended if you like
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Let me tell you a story. Once upon a time, there was a young boy who made model airplanes and hung them on his bedroom ceiling with fishing lines and thumbtacks as if the planes were dogfighting. The aircraft were inspired by a movie called The Battle of Britain and were the same Messerschmitts, Spitfires, and Hurricanes. The boy grew up and began writing books for a living, making it his mission to help people love history as much as he did. One day, it dawned on him to write about his long-ago planes and their epic battle. I am that boy, and that's when I wrote my book.
I love well-researched fiction that reads like history. I love this book enough that I’ve read it twice. I keep it in a special section of my library reserved for books that I will never give away or loan to friends for fear of never getting them back.
I love that this book inspires me to write fiction, something I ought to get cracking on now that I’ve written almost thirty history books. I love the characters, I love that I can’t put them down (even when I know what is next), and I love revisiting my time with the good guys and bad guys as the story reveals itself.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I love to read and write historical fiction—seeing, hearing, smelling, tasting, and feeling the past—revealing the thoughts and emotions of characters real and imagined through psychological insights. My mentor Fawn Brodie wrote non-fiction, specifically psychobiography. Her Thomas Jefferson: an Intimate History introduced the world to the enslaved Sally Hemings. The seeds of my first novel The Woman Who Loved John Wilkes Booth were sown in Fawn Brodie’s UCLA lecture hall. I can only imagine what her historical fiction might’ve been. Now I wait for novels from historians Imani Perry South to America and Isabel Wilkerson Caste. Meantime there are so many wonderful novelists writing history.
When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.
From the author of the acclaimed YEAR OF WONDERS, a historical novel and love story set during a time of catastrophe, on the front lines of the American Civil War. Set during the American Civil War, MARCH tells the story of John March, known to us as the father away from his family of girls in LITTLE WOMEN, Louisa May Alcott's classic American novel. In Brooks' telling, March emerges as an abolitionist and idealistic chaplain on the front lines of a war that tests his faith in himself and in the Union cause when he learns that his side, too,…
When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
Well, perhaps her name isn’t unfamiliar anymore, and it wasn’t historical fiction when it was written. But this luscious, complex, and moving classic is about more than the titular Anna and her ill-fated romance. For me, the best parts were about Levin and his longing for a simpler life.
Maybe I’m projecting, but when compared with Moscow society's social climbing and deep disillusionment, it’s hard not to want to turn away and opt for an admittedly idealized simple life working the soil. Yes, I know it’s long, but it’s well worth reading—or rereading!
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.
I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.
Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.
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SHORTLISTED FOR THE WELLCOME BOOK PRIZE
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION
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'Quite simply one of the best novels I have read in years' - Elizabeth Day, Observer
'Charming ... extensively researched, compellingly readable' - Jane Shilling, Daily Telegraph
'Sumptuous ... Gilbert's prose is by turns flinty, funny, and incandescent' - New Yorker
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A captivating story of botany, exploration and desire, by the multimillion copy bestselling author of Eat Pray Love
Everything about life intrigues Alma Whittaker. Her passion for botany leads her far from home, from London to Peru to Tahiti, in pursuit of…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
I learned a lot about seventeenth-century Amsterdam when researching The Map Colorist, and I loved how Jessie Burton really brings the time and place to life.
There is the young Nella, caught in a marriage she doesn’t understand, and which will ultimately have dire consequences. There is also her sister-in-law, whom we come to really know only at the very end. Overlapping it all is the mysterious miniaturist, who presents Nella with new figures for the elaborate doll house that her husband gave her. The miniatures seem to predict the future!
The phenomenal number one bestseller and a major BBC TV series. Winner of the Specsavers National Book Award and Waterstones Book of the Year. A Richard and Judy Book Club selection.
Beautiful, intoxicating and filled with heart-pounding suspense, Jessie Burton's historical novel set in Amsterdam, The Miniaturist, is a story of love and obsession, betrayal and retribution, appearance and truth.
On an autumn day in 1686, eighteen-year-old Nella Oortman knocks at the door of a grand house in the wealthiest quarter of Amsterdam. She has come from the country to begin a new life as the wife of illustrious merchant…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Michael Ondaatje’s novel is one of the most beautiful books I have ever read. It is not a study or analysis of Herodotus’ history, and yet Herodotus’ spirit infuses virtually every page. Taking place during World War II, it explores the intertwined lives of four characters, including the unnamed English patient, who has survived the shooting-down of his plane, although he is severely burned.
He has nothing with him but his annotated copy of Herodotus’ Histories. I loved Anthony Minghella’s 1996 film adaptation of the novel, and it is no criticism of the film to say that it treats only one of the many strands one finds in the book. Meditating on space, time, identity, and truth, The English Patient is a book that I think Herodotus would have loved.
Hana, a Canadian nurse, exhausted by death, and grieving for her own dead father; the maimed thief-turned-Allied-agent, Caravaggio; Kip, the emotionally detached Indian sapper - each is haunted in different ways by the man they know only as the English patient, a nameless burn victim who lies in an upstairs room. His extraordinary knowledge and morphine-induced memories - of the North African desert, of explorers and tribes, of history and cartography; and also of forbidden love, suffering and betrayal - illuminate the story, and leave all the characters for ever changed.
I'm the daughter of a charismatic and complicated father, the late theater and literary critic and Yale School of Drama professor Richard Gilman. My memoir, The Critic's Daughter, tells the story of how I lost him for the first time when I was ten years old and over and over in the ensuing months and years; the book is my attempt to find him. I'm a former professor of English literature at Yale and Vassar, the mother of two boys, a book critic for the Boston Globe, and a literature, writing, and meditation teacher.
Manhattan Beach is less experimental and more conventional than Jennifer Egan's A Visit From The Goon Squad and The Candy House, but it is every bit as moving, rich, and textured as those justly celebrated novels, and it contains one of the most touching father/daughter relationships that I've ever encountered in fiction.
A historical novel set in Depression and World War II-era New York City, Manhattan Beach begins with almost 12-year-old Anna Kerrigan accompanying her rakish father, Eddie, on a mission to a wealthy gangster. A few years later, Eddie disappears after abruptly walking out on his family with no warning or explanation.
Has he been killed? Is he in hiding? Why did he abandon a family he ostensibly loved? Plucky, brave Anna devotes herself to the search for her missing father with the ingenuity and zeal of the detectives she reads about in fiction.
NEW YORK TIMES BESTSELLER • A New York Times Notable Book
Winner of the Andrew Carnegie Medal for Excellence in Fiction
The daring and magnificent novel from the Pulitzer Prize–winning author.
Named One of the Best Books of the Year by NPR, Esquire, Vogue, The Washington Post, The Guardian, USA TODAY, and Time
Anna Kerrigan, nearly twelve years old, accompanies her father to visit Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family. She is mesmerized by the sea beyond the house and by some charged mystery between the two men.…
My passion is for writing stories about strong women. Most of my favourite characters in literature are strong women—Jo March, Elizabeth Bennet, Jane Eyre. It's their intelligence, and spirit that hooks me. Even when they're misguided or confronting overwhelming odds, they pull themselves back from the brink to begin on a slightly altered path to achieve their purpose. It's the heroine’s journey that draws me into a novel, and it's her journey I wish to describe in my own books. Unfortunately, studying history has shown me there's still a long way women need to travel in the journey towards gender equity. Let’s hope these characters can teach us all something.
Thompson’s novel is another story about strong, intelligent, and powerful women who are manipulated and used by men. There have been numerous retellings of the birth of Mary Shelley’s novel, Frankenstein. The fact that it occurred on a dark and stormy night is literary folklore. However, Thompson’s tale is the first time it has been told for a YA audience and he puts a wicked spin on the well-known origin story. This appealed to me as an English teacher. The characters—Mary, the poet Shelley, Claire Clairmont, and Lord Byron—are given a contemporary vibe. Mary is a lonely and moody teenager, swept off her feet by Shelley who is characterised as the 19th century’s version of a brooding and insatiable rock star, part Mick Jagger and part Nick Cave.
Mary's life began in shadow. Unwanted and overlooked, her desire was to make something of her existence. So how would meeting a young poet change her path forever? Scandal. Passion. Desire. Mary's choices were clear - but would she ever be free of her loneliness? Tony Thompson's enthralling novel explores Mary Shelley's early life and the famous summer she spent with Percy Shelley, Lord Byron, John Polidori and her stepsister Claire Clairmont, which inspired her iconic novel Frankenstein.
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
Most books covering the early Middle Ages in Britain start with the fifth century and end around the tenth or eleventh. Edward James’s Britainis different, in that it embraces the Roman period too. Breadth on this level is stimulating, especially when (as here) it is accompanied by elegant and insightful prose that takes care to pay attention to diverse constituencies in society.
Ideal for undergraduates, this survey of medieval Britain is a coherent narrative of events between the two great invasions from continental Europe. It is unique both for its broad historical perspective and for its wide geographic coverage: it spans the 'long' millennium from the first century BC through the Norman conquest and covers events across the whole of Britain, from Cornwall to the Shetlands. Edward James provides the European context for events in England while also examining the many ways Britain differed from the rest of Europe. Students of medieval Europe will find his book an invaluable synthesis.
I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.
I first came across this short book when researching for stories set in the Anglo-Saxon kingdom of Northumbria. Kathleen Herbert, (herself a historical novelist) provided not only excellent information, but also a practical vision of the period specifically from a woman’s point of view. It is easy to read and presents the information in an accessible way; perhaps one of the earliest books focussed on women’s history.
An account of the earliest Englishwomen; the part they played in the making of England, what they did in peace and war, the impressions they left in Britain and on the continent, how they were recorded in chronicles and how they come alive in heroic verse and jokes.
