100 books like The Good Wife of Bath

I loved this book because it’s a World War II story (my favorite time period), which I can’t get enough of, and its protagonist, Marie-Laure, is a young blind girl. By the time she’s twelve, she has learned to navigate Nazi-occupied Paris from a miniature of the city her father has built for her.

This is a girl with many fears, her blindness being just one, but she pushes through them all in order to help her country overcome its worst nightmare. Her bravery is off the charts!

When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.

I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.  

I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.

I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.

Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.

I learned a lot about seventeenth-century Amsterdam when researching The Map Colorist, and I loved how Jessie Burton really brings the time and place to life.

There is the young Nella, caught in a marriage she doesn’t understand, and which will ultimately have dire consequences. There is also her sister-in-law, whom we come to really know only at the very end. Overlapping it all is the mysterious miniaturist, who presents Nella with new figures for the elaborate doll house that her husband gave her. The miniatures seem to predict the future!

Set amid the final days of the Second World Way in an abandoned Italian village, it tells the story of Hana, a nurse tending to her sole remaining patient. Rescued from a burning plane, the anonymous Englishman is something of a mystery. But with the help of a copy of Herodotus' The Histories, which the airman had on his person when rescued, Hana begins to piece together his life.

I felt the writing twists from moments of great beauty and clarity to whole sections that are almost impenetrable in their poetic depth. Switches of narrative viewpoint make the reader work hard at times, but it’s well worth the effort for this poignant tale that remains with you long after you have read the last page.

Manhattan Beach is less experimental and more conventional than Jennifer Egan's A Visit From The Goon Squad and The Candy House, but it is every bit as moving, rich, and textured as those justly celebrated novels, and it contains one of the most touching father/daughter relationships that I've ever encountered in fiction.

A historical novel set in Depression and World War II-era New York City, Manhattan Beach begins with almost 12-year-old Anna Kerrigan accompanying her rakish father, Eddie, on a mission to a wealthy gangster. A few years later, Eddie disappears after abruptly walking out on his family with no warning or explanation.

Has he been killed? Is he in hiding?  Why did he abandon a family he ostensibly loved? Plucky, brave Anna devotes herself to the search for her missing father with the ingenuity and zeal of the detectives she reads about in fiction.

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Thompson’s novel is another story about strong, intelligent, and powerful women who are manipulated and used by men. There have been numerous retellings of the birth of Mary Shelley’s novel, Frankenstein. The fact that it occurred on a dark and stormy night is literary folklore. However, Thompson’s tale is the first time it has been told for a YA audience and he puts a wicked spin on the well-known origin story. This appealed to me as an English teacher. The characters—Mary, the poet Shelley, Claire Clairmont, and Lord Byron—are given a contemporary vibe. Mary is a lonely and moody teenager, swept off her feet by Shelley who is characterised as the 19th century’s version of a brooding and insatiable rock star, part Mick Jagger and part Nick Cave. 

When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.

I first came across this short book when researching for stories set in the Anglo-Saxon kingdom of Northumbria. Kathleen Herbert, (herself a historical novelist) provided not only excellent information, but also a practical vision of the period specifically from a woman’s point of view. It is easy to read and presents the information in an accessible way; perhaps one of the earliest books focussed on women’s history.