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The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Sheila Kohler, a mentor of mine whose work is featured in this thrilling collection, is fond of saying that suspense arises from putting a vulnerable character in a dangerous situation. A literary writer of the highest caliber, Sheila knows how to generate the suspense that keeps the page turning. Crime fiction has a long history going back to Dostoevsky and beyond, to the great tragedians—the commission of a crime entails motive, means, and is inherently dramatic. This eclectic selection of mystery and female noir, edited by Joyce Carol Oates, features superstar writers like Edwidge Danticat, Margaret Atwood, Sheila Kohler, Elizabeth McCracken, and Joyce Carol Oates herself. The writing is luminous, the themes are varied—from domestic horror to the erotic to dark fairy tales—and the tales keep the reader turning the page.
A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors.
Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
As a writer, I am always pondering the question of how our lives inform our work. As one of my fellow writers, Melissa Ostrom, put it, our experience is the rich compost from which we form our fictional narratives. To use a Freudian dream analogy, I like to think that our lives are the “day residue” of the work—elements from daily life show up in different contexts or transformed in some other way. The twentieth-first century has witnessed an explosion of so-called auto-fiction, fiction that more consciously underscores this process of transforming life into art—think of the work of Ben Lerner, Rachel Cusk, and Karl Ove Knausgard. This recently-released anthology, edited by Caitlin Forst, features work by established writers as well as new voices that interrogates the relationship between writer and text, between art and life.
An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming.
Collected autofictions from mainstays of literary, art, and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text.
Featuring: Aiden Arata Nathan Dragon David Fishkind Rindon Johnson Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvili BR Yeager
I have been interested in the Nazi-Soviet War since my high school years, and I am happy to say my views have become more sophisticated in the intervening 50 years! During the Cold War I served as a US Army Armor officer for 28 years and globally across 18 time zones (retired lieutenant colonel). Thereafter, I earned a PhD in modern European history, specializing in the 20th-century German military, from Purdue University. I have researched, taught, and written extensively on all aspects of military history, particularly WWII. My latest book, an operational level [of war] history of Barbarossa for the Campaigns and Commanders series (University of Oklahoma Press, in preparation as of mid-2024).
This is an updated edition of what I consider the best single-volume, manageable history of WWII (<500 pages). Willmott offers keen analysis in every sentence; not a word is wasted.
I include this book here because he does such an excellent job of both covering the Nazi-Soviet War and contextualizing it within the greater WWII. The benefits of reading this book, even for those familiar with WWII, are many.
After 50 years, World War II still looms large in contemporary thought as a great crusade which kept the world free from the tyranny of the Axis Powers. How the Allied Powers managed to forge their victory, and defeat the enemy, is an oft-told story which has changed little since 1945 when the first memoirs and histories began to appear. Now, in this original and provocative book, H.P. Willmott offers a fresh examination of the two concurrent conflicts that led up to war. Interweaving episodes from the European and Far East theatres chronologically, Willmott narrates the entire course of the…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
I’ve found that the most tumultuous time in our nation’s history provides a poignant backdrop for fiction. As a firm believer that all people are God’s masterpiece and are created in his image, this time period can be difficult to read. However, I also believe there is a lot of potential to see how good can overcome evil, how faith can lead to healing, and how we can be overcomers. I’ve chosen books for this list that handle history with nuance and sensitivity, showcase fierce characters, provide embedded layers of faith, and leave you thinking long after the final page. I hope you enjoy them as much as I did!
When you’re taught to believe the other side is full of evil people, what do you do when you come face-to-face with a gallant enemy? This story was fascinating because the heroine disguises herself as a soldier, only to become a prisoner of war. When her foe becomes her ally, her loyalties are put to the test. I love how this book deals with the “us versus them” mentality and breaks down the walls we try to erect between us.
Nineteen-year-old Carrie Ann Bell is independent and spirited. The only thing she really fears are the Union soldiers fighting against her Confederate friends. When her youngest sister runs away from home, brave Carrie Ann is determined to find her and bring her back. Disguised as a soldier, she sets off--only to find she's fallen into the hands of the enemy.
Her childhood friend Confederate Major Joshua Blevins has warned her against these Yankees: they're all devils, ready to inflict evil on unsuspecting young women. When Colonel Peyton Collier arrests her for her impersonation of an officer, it seems to confirm…
"History can become a dull and uninteresting subject, but the stories of the past are far more interesting and inspiring than the very best fiction. These stories tell us about how our world came to be, and the paths that our predecessors travelled; and they show us that, despite the decades and centuries that separate us, they were driven and inspired by the same factors that drive and inspire us today." Prit Buttar was a doctor, first in the British Army and then a GP, until retiring in 2019. Less than a year later, he volunteered to go back to work during the current pandemic.
I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.
For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.
The classic one-volume history of the American Civil War simultaneously captures the dramatic scope and intimate experience of that epic struggle, by Pulitzer Prize-winner Bruce Catton.
Covering events from the prelude of the conflict to the death of Lincoln, Catton blends a gripping narrative with deep, yet unassuming, scholarship to bring the war alive on the page in an almost novelistic way. It is this gift for narrative that led contemporary critics to compare this book to War and Peace, and call it a “modern Iliad.” Now over fifty years old, This Hallowed Ground remains one of the best-loved and…
I am a historian of the U.S. South. While writing a biography of Mississippi Governor William Winter, I discovered that a factor contributing to his future racial moderation was his service as an instructor of black troops in World War II’s segregated military. While historians have long recognized that WWII changed the region, I wanted to know more about how wartime economic and military mobilization impacted the South and Southerners. I explored some little-known wartime case studies, such as stories about the Ingalls Shipyard in Pascagoula, Mississippi, the Bell Bomber Aircraft Plant in Marietta, Georgia, and the Black 364th Infantry Regiment story.
This book provides a captivating look at America in a year when the outcome of World War II was still in doubt.
I like how this book is organized—one chapter focused on each of the twelve months of 1942. During this pivotal time, Americans struggled to reshape the U.S. economy for war production and transform its relatively small military into a force capable of successfully fighting on two fronts.
This fascinating chronicle of how the character of American society revealed itself under the duress of World War II "place(s) today's myriad social traumas and dislocations in perspective."-George Will, Washington Post
Winner of the New-York Historical Society's Barbara and David Zalaznick Book Prize
The Second World War exists in the American historical imagination as a time of unity and optimism. In 1942, however, after a series of defeats in the Pacific and the struggle to establish a beachhead on the European front, America seemed to be on the brink of defeat and was beginning to splinter from within.
I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.
This work draws together the memoirs of women involved in the English Civil War, on both sides. The accounts of wives and daughters provide an insight into women's experiences of the time for general reader and historian alike. They include the Duchess of Newcastle (who has been called "the first English woman writer") on her husband's role at the battle of Marston Moor in 1644; royalist Lucy Hutchinson, whose writing has the immediacy of a diary; Ann Fanshawe's memoirs of 1676, written so a son could know a father killed in battle (and valued by Virginia Woolf for their "candour…
