Here are 100 books that Girl Reading fans have personally recommended if you like
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Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.
I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
This beautiful book is possibly the most important book of my writing career. I found it in a second-hand bookstore in Dublin on a rainy afternoon and, like the plot, I felt that my finding it was a stroke of providence. I was so moved by the story that I immediately signed up for a writing workshop with the author. That workshop was a defining moment in my life – after it, I knew I wanted to be a writer. Although this story is not directly about art, it shows how a man’s calling, his compulsion to paint, plays a key role in the lives and the destinies of others. The novel has a fairytale-like quality to it, a poetic timelessness that captures the essence of spirituality and love.
A classic love story and a seminal work of Irish literature that is a testament to romance, magic and the power of true love. With an introduction by actor John Hurt.
In love everything changes, and continues changing all the time. There is no stillness, no stopped clock of the heart in which the moment of happiness holds forever, but only the constant whirring forward motion of desire and need. . .
Nicholas Coughlan and Isabel Gore are meant for each other - they just don't know it yet. Though each has found both heartache and joy in the wild…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom.
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter,…
I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.
In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.
A Daily Telegraph / Financial Times / Guardian / Sunday Times / The Times / New Statesman / Observer Book of the Year
'BARNES'S MASTERPIECE.' - OBSERVER
In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.
Dinty W. Moore is the author of the writing guides The Story Cure, Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s,The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Gaiman is always wonderfully positive on the subjects of experimentation, failure, and persistence, and with advice such as “The world always seems brighter when you’ve just made something that wasn’t there before.” This inspiring book is made even better by the accompanying four-color artwork from his longtime illustrator, Chris Riddell.
Seize the day in the name of art. This creative call to arms from the mind of Neil Gaiman combines his extraordinary words with deft and striking illustrations by Chris Riddell.
'Like a bedtime story for the rest of your life, this is a book to live by. At its core, it's about freeing ideas, shedding fear of failure, and learning that "things can be different" ' INSTITUTE OF IMAGINATION
Be bold. Be rebellious. Choose art. It matters.
Neil Gaiman once said that 'the world always seems brighter when you've just made something that wasn't there before'. This little book…
When I was little, I knew I would work with books in some way, and I did, for many years working for one of the major children’s book publishers. But it wasn’t rewarding in the way I had hoped. Some kids know they want to be a teacher when they grow up. I definitely did not, yet I became one. I love finding ways to make learning fun. In my teaching days I found ways to get the most reluctant students to find something they could enjoy about learning. And now as an author, I find myself doing the same, and as a parent, seeking out books like the ones I recommend here that teach without teaching.
This is one of the few books that no matter how many times I read, I still get choked up. A family has a tradition they keep whenever the children are going to learn to read. They do it for their little girl when she’s headed to kindergarten, but she doesn’t learn to read there. She doesn’t learn in 1st, 2nd, or 3rd grade either. In 5th grade, Trisha still can’t read, and she feels “dumb” and “different.” One teacher finally realizes Trisha’s problem and through hard work and creative methods teaches her to read. This is based on the true story of the author, Patricia Polacco, who overcame her reading struggles so well that she became an author! This book beautifully teaches that one can overcome difficulties to achieve greatness.
The real-life classic story of a dyslexic girl and the teacher who would not let her fail. A perfect gift for teachers and for students of any age.
Patricia Polacco is now one of America's most loved children's book creators, but once upon a time she was a little girl named Trisha starting school. Trisha could paint and draw beautifully, but when she looked at words on a page, all she could see was jumble. It took a very special teacher to recognize little Trisha's dyslexia: Mr. Falker, who encouraged her to overcome her reading disability. Patricia Polacco will never…
As a reading educator my mission in life is to give the gift of literacy. Inspiration came from my mother, my first-grade teacher who taught me to read. At 90-plus years old and declining, I dedicated one of my 18 books on teaching literacy to her. She sent me the last letter she would ever write and said, “Oh, oh, oh!”—a quote from Dick and Jane, the book she used to teach reading to three generations of first graders—“I always wanted to write a book but never did. I hope a word of mine is on a page or two of yours.” Her inspiration is on every page.
I am a lifelong survivor of dyslexia who writes about a dyslexia paradox: refereed research now not only refers to dyslexia as the number one reading disability, but also as a gift shared by a wide range of super achievers including architects, athletes, and entrepreneurs.
Is dyslexia a curse or a gift? Kilpatrick’s intervention-oriented book for teachers of struggling readers provides content and practical information in alignment with my own extensive writing including articles, and book chapters on dyslexia.
Practical, effective, evidence-based reading interventions that change students' lives
Essentials of Understanding and Assessing Reading Difficulties is a practical, accessible, in-depth guide to reading assessment and intervention. It provides a detailed discussion of the nature and causes of reading difficulties, which will help develop the knowledge and confidence needed to accurately assess why a student is struggling. Readers will learn a framework for organizing testing results from current assessment batteries such as the WJ-IV, KTEA-3, and CTOPP-2. Case studies illustrate each of the concepts covered. A thorough discussion is provided on the assessment of phonics skills, phonological awareness, word recognition,…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
The conversations I have most often with my friends revolve around books—the intersection between books and society, books and politics, books and change. But these conversations have generally been meandering and, to be honest, often only half-articulated, interrupted by gossip or the need for a tea top-up. So when I picked up Elaine Castillo’s book, it felt like I was suddenly being given the insightful, intelligent, fully-formed version of a topic I’d always been drawn to but never quite managed to excavate properly.
Like the other recommendations on this list, it’s both personal—Castillo talks about her own relationship to reading and culture—and enormous in scope, encompassing history, cultural theory, popular culture, and, of course, literature.
'I cannot say enough about How to Read Now... Check it out' Roxane Gay 'A red-hot grenade... One of my favourite books of the year' Jia Tolentino 'Energetically brilliant, warmly humane, incisively funny' Andrew Sean Greer 'I gasped, shouted, and holler-laughed . . . Phenomenal' R.O. Kwon 'A wake-up call. A broadside. A rich and brilliant war cry' Chris Power
How many times have we heard that reading builds empathy? That we can travel through books? How often have we were heard about the importance of diversifying our bookshelves? Or claimed that books saved our lives? These familiar words -…
As a reading educator my mission in life is to give the gift of literacy. Inspiration came from my mother, my first-grade teacher who taught me to read. At 90-plus years old and declining, I dedicated one of my 18 books on teaching literacy to her. She sent me the last letter she would ever write and said, “Oh, oh, oh!”—a quote from Dick and Jane, the book she used to teach reading to three generations of first graders—“I always wanted to write a book but never did. I hope a word of mine is on a page or two of yours.” Her inspiration is on every page.
The work I have been doing for decades calling for change in how we teach reading in English is now supported by the world’s preeminent neuroscientific researcher in how the brain reads, Professor Dehaene.
He is candid, unapologetic, and clear regarding what needs to change. He asserts that whole language “does not fit with the architecture of our visual brain” (2009, p. 195) and goes on to say, “Cognitive psychology directly refutes any notion of teaching via a 'global' or 'whole language method'” (2009, p. 219).
Whole language or even balanced literacy confuses the attention of a child. Ergo, 1) Do not use three-cueing; 2) Do not guess from context or from the word’s shape; and 3) Guessing plays no role; it’s all in the letter string (the spelling).
"Brings together the cognitive, the cultural, and the neurological in an elegant, compelling narrative. A revelatory work."--Oliver Sacks, M.D.
The act of reading is so easily taken for granted that we forget what an astounding feat it is. How can a few black marks on white paper evoke an entire universe of meanings? It's even more amazing when we consider that we read using a primate brain that evolved to serve an entirely different purpose. In this riveting investigation, Stanislas Dehaene, author of How We Learn, explores every aspect of this human invention, from its origins to its neural underpinnings.…
As a kid, I rarely spoke up, and I certainly didn’t think I had much influence. As a young adult, though, I came across true stories of kids who stood up for what they believed in. These kids inspired many of my own books, and now whenever I’m looking for something to read, I look for novels about kids who screw up their courage to speak up for a fairer, more inclusive, richer world.
Yasmin is a bookworm, so I immediately felt like we had an important bond. Also, I could totally relate to her feeling insignificant in the face of big adult decisions. Yasmin doesn’t stay in that spot, though. She looks around at her resources – dear friends, family, neighbours, and a great idea – and realises that she can have influence in the world around her. This book is a brilliant celebration of community activism, books, and friendship that had me cheering on the characters right to the end.
Winner of the International Literacy Association Social Justice Literature Award An award-winning middle-grade novel about the power of grassroots activism and how kids can make a difference.
Every day, nine-year-old Yasmin borrows a book from Book Uncle, a retired teacher who has set up a free lending library on the street corner. But when the mayor tries to shut down the rickety bookstand, Yasmin has to take her nose out of her book and do something.
What can she do? The local elections are coming up, but she’s just a kid. She can’t even vote!
