66 books like The Lady and the Unicorn

Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.

Anyone who’s ever taken drugs (or drunk an energy drink) will know that the high always comes at a price: you are not being given new energy; you are just borrowing tomorrow’s energy, and you will pay for it later. 

This book tells the story of a man who lives a life of hedonistic depravity but sails through it all, apparently untouched by experience, his face as young and innocent-looking as ever. But all his guilt and fear show up on the face of the portrait of himself that he keeps in his attic. I can’t think of a more perfect example of the novel-as-metaphor.

This beautiful book is possibly the most important book of my writing career. I found it in a second-hand bookstore in Dublin on a rainy afternoon and, like the plot, I felt that my finding it was a stroke of providence. I was so moved by the story that I immediately signed up for a writing workshop with the author. That workshop was a defining moment in my life – after it, I knew I wanted to be a writer. Although this story is not directly about art, it shows how a man’s calling, his compulsion to paint, plays a key role in the lives and the destinies of others. The novel has a fairytale-like quality to it, a poetic timelessness that captures the essence of spirituality and love.

Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Reading went on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.   

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.

Dani​​èle Cybulskie, AKA “the 5 Minute Medievalist,” is a Medieval Influencer with books, a podcast, and blogs, all offering the world quickly digestible knowledge of this millennium in history. In her book, Life in Medieval Europe, Fact and Fiction, she takes us through a fun game of True or False. The grouping of the Middle Ages spans a confusingly long time, from around the late 400s to the late 1400s. Various traditions can be fit into those thousand years, one would think that by sheer probability most of our Medieval stereotypes would fit into one of those centuries. Interestingly enough, a good amount of what films set in Medieval Times is hilariously incorrect. Pick it up and start your guessing.

It’s often said that the golden rule for storytelling is “thou shalt not bore.” While as a history buff, I get a kick out of historical fiction even when it might read more non-fiction than fiction, the genre risks falling prey to having to balance fact over fun. This is not the case with esteemed historical fiction author, Philippa Gregory. For those who like their history with a touch of steam and can forgive historical “embellishments,” Gregory delivers heavily researched stories that put character arcs and plot twists front and center. These tempting books follow the women in power behind the scenes of the War of the Roses. As a prolific writer, Gregory bestows upon us a bounty of six books in this series, carrying the reader on more of a year abroad than just a quick vacation. 

Who knew that an account of a disappeared medieval world could be so gripping?

I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.

Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.

Having read numerous books about the French Revolution, amongst my favourites is this fascinating biography of Lucie Dillon – who became Lucie du la Tour du Pin – by Caroline Morehead. I unhesitatingly recommend it, certain that, from Morehead’s striking presentation, most readers will experience a keen sense of what it was like to live during the twilight of the Ancien Régime, and thence on, into and through the nightmare that followed. As an Irish-French aristocrat, whose father commanded the regiment of the Irish Brigade of France that bore the family’s name, whilst her mother was a lady-in-waiting to Marie Antoinette, Lucie was in a singular position to observe and chronicle the tragic upheaval. 

Relying in part on Lucie’s own published memoir, as well as numerous primary sources, including family papers, which her meticulous research uncovered, Morehead tells a powerful story of loss and survival.