100 books like The Noise of Time

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

To play music written in another century and played thousands of times since is to live and play inside infinite comparisons: between the way something sounds in your head, and the clumsier way your fingers deliver it; between your interpretation and a famous recording; between your effort and a classmate’s. In The Loser, Bernhard imagines the lives of two students studying piano alongside a fictional version of the real-life virtuoso Glenn Gould. Their recognition of Gould’s brilliance starts their own lives unravelling. The first-person narrator ruminates and rants without pauses or paragraph breaks, flapping memorably at the edges of the pages like a bird in a cage of its own making.

I love the lush, dark vibes of this story. Personally, I appreciate exciting stories that also make me think deeply about things.

Dorian Gray is magical, philosophical, thrilling, and has a twist ending. A haunted portrait? Brilliant banter? Amazing. When I’m in the mood for something beautiful and angsty, this is the perfect book. It’s immersive—think gas lamps, chaise lounges, strawberry ice, strangers in the dark, and London high society. The dark side of Oscar Wilde is unbeatable. 

If you read one book in your life, read Bel Canto. 

Ann Patchett’s writing is always sublime but her characters in this book are unforgettable. She stages a hostage situation in an undisclosed South American country. Over time, the young terrorists and the group of international strangers find a way to live and even thrive together. 

The novel revolves around the one female hostage, a beautiful opera singer. Her singing charms the most hardened terrorists and most skeptical politicians.

This beautiful book is possibly the most important book of my writing career. I found it in a second-hand bookstore in Dublin on a rainy afternoon and, like the plot, I felt that my finding it was a stroke of providence. I was so moved by the story that I immediately signed up for a writing workshop with the author. That workshop was a defining moment in my life – after it, I knew I wanted to be a writer. Although this story is not directly about art, it shows how a man’s calling, his compulsion to paint, plays a key role in the lives and the destinies of others. The novel has a fairytale-like quality to it, a poetic timelessness that captures the essence of spirituality and love.

Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Reading went on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.   

Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom. 

Reading this book was like listening to beautiful music. It’s similar to Pachinko in that it covers a generational family saga, but this story has bite!

I loved how much I learned about pre-communist China in this book, but I also loved that the stories of family resonated so deeply. 

Having studied cello in Soviet Russia in the 1960s, Elizabeth Wilson used her extensive musical contacts to produce this unique study of Dmitri Shostakovich, one of the most innovative composers of the 20th century. Prompted by Wilson’s queries, family members, friends, fellow musicians, and other artists offered their recollections that might have otherwise been lost. Gathered together these testimonies offer a gripping picture of Shostakovich as an artist and a man. They describe his extraordinary successes and his struggles for survival and dignity during the brutal Stalinist purges and horrors of World War II. One of the most moving testimonies sheds light on the creation and the first performance of Shostakovich’s Symphony No.7 which, in the world of music, became a symbol of resistance to fascism and all forms of totalitarianism anywhere.

No book exposed the horrors of Josef Stalin’s purges more graphically and with greater power than Robert Conquest’s epic, The Great Terror. The book chronicled how a paranoid Stalin, convinced his power was threatened by his rival Leon Trotsky and his allies, unleashed a wave of terror by his country’s NKVD—a forerunner of the KGB--  that decimated the Soviet leadership and its military with millions of Russians executed or marched to Siberian prison camps. While Stalin’s henchmen staged mock “trials” in Moscow, marked by phony confessions, extracted by torture, liberal apologists in the West sought to justify Stalin’s lunatic crackdown. I read this book in college and it has stayed with me for years-- providing an eye-opening lesson in the willingness of those of all political stripes to turn a blind eye to the evils of totalitarianism.