100 books like Do Not Say We Have Nothing

By turns funny, poignant, and incisive, the late author Tony Horwitz tours the South with a journalist’s eye and a sociologist’s heart.

He bravely takes on the memory of the Civil War through the eyes of reenactors, angry neo-Confederates in bars, and Black museum guides (among many others). I recently re-read this book through the lens of the Black Lives Matter movement and the killing of George Floyd, which touched off numerous protests against monuments to Confederate leaders.

When Horwitz wrote this book in the late 1990s, it seemed unlikely that Monument Avenue in Richmond would ever change. In the case of monuments to problematic historic figures, at least, people’s perspectives have indeed shifted over time. Horwitz’s book is a great reminder that change is possible!

I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.

I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way. 

This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.

Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).

Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.

As someone raised in small-town USA, I had to come to terms with the fact that I was taught a white-washed, largely inaccurate American history. It was up to me to re-educate myself.

As someone who can get bogged down by long lists of dates and details, How the Word is Passed gave me a modern lens for understanding the history around slavery. I was gripped by Smith’s lyrical, humane approach.

This is the sort of book that makes the world better.   

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

To play music written in another century and played thousands of times since is to live and play inside infinite comparisons: between the way something sounds in your head, and the clumsier way your fingers deliver it; between your interpretation and a famous recording; between your effort and a classmate’s. In The Loser, Bernhard imagines the lives of two students studying piano alongside a fictional version of the real-life virtuoso Glenn Gould. Their recognition of Gould’s brilliance starts their own lives unravelling. The first-person narrator ruminates and rants without pauses or paragraph breaks, flapping memorably at the edges of the pages like a bird in a cage of its own making.

If you read one book in your life, read Bel Canto. 

Ann Patchett’s writing is always sublime but her characters in this book are unforgettable. She stages a hostage situation in an undisclosed South American country. Over time, the young terrorists and the group of international strangers find a way to live and even thrive together. 

The novel revolves around the one female hostage, a beautiful opera singer. Her singing charms the most hardened terrorists and most skeptical politicians.

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.

The mother. The mother, the mother, the mother. I just couldn’t get over the decisions the mother made in this story. They were right for her but completely wrong at the same time.

Even thinking back on this novel now, I feel so conflicted. Like, do I even like this character? But that’s the thing, isn’t it? You get so caught up in a novel and feel like it’s somehow a reflection of your personal life and values.

To be completely honest, so much of this novel mimicked what I was going through in my real life. It resonated in ways I can’t even explain. 

Lepselter is a scholar of folklore and anthropology as well as a lyrical and compelling writer.

This book is based on a series of interviews she performed with those who have claimed encounters with UFOs and their occupants. In a series of compassionate, rigorous, and detailed readings of the very words these people have told her, Lepselter unpacks the deep anxieties, blessings, and emotions that run through their tales, and gracefully links them to broader national stories that afflict all of us.

Fear of disempowerment, worry about captivities of many sorts, confusion about the powers that run our world. Lepselter finds them all in stories of UFOs, and in so doing does more than just about any author to explain why these strange craft have haunted us for seventy years.