Do Not Say We Have Nothing

By Madeleine Thien,

Book cover of Do Not Say We Have Nothing

Book description

"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."

Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those…

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Why read it?

5 authors picked Do Not Say We Have Nothing as one of their favorite books. Why do they recommend it?

Incredible. Like a great Russian novel, this book asks its readers for effort, time, and patience, but it all pays off one thousand times over. It is a story about how quiet lives come up against the sky-high pile of debris known as history, the beauty of art, and kindness amidst the wreckages and catastrophes of human politics.

From Moriel's list on historical novels brimming with life.

I feel almost obligated to begin by noting that I found Thien’s prose absolutely gorgeous. This is both a brave novel—in its representation of the massacre of student demonstrators at Tiananmen Square in 1989—and beautifully contextualized by further timelines spanning 1960s China and 1990s Canada.

I felt at once that Thien was showing me not only a snapshot of the infamous military response to student protests in Beijing but helping me understand what this brutal event might mean to those directly affected by it. The emotional and psychological power of the storylines and their exploration of grief and joy left…

I picked it up because it had Nothing in the title, but I discovered a powerful story about the Cultural Revolution in China and how that traumatic event has been remembered across generations in a diaspora.

I was drawn in by the characters, their quirks, and their tragedies. While the story is about a family of classical musicians, there are so many beautiful Nothings woven in, like the meaning of zero or how the daily experience of encountering propaganda shapes people’s lives even when it means Nothing to them personally. Do not say we have Nothing in common with them…

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Book cover of The Ballad of Falling Rock

The Ballad of Falling Rock by Jordan Dotson,

Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…

Reading this book was like listening to beautiful music. It’s similar to Pachinko in that it covers a generational family saga, but this story has bite!

I loved how much I learned about pre-communist China in this book, but I also loved that the stories of family resonated so deeply. 

This multigenerational saga leaps across decades and continents, from the life of a Chinese-Canadian girl growing up in Vancouver in the 1990s, to the horrors of WWII and the Cultural Revolution in China, when Western classical music was banned. The role of music in the book is complex: it can be both passion and livelihood, private beauty, or blunt political instrument. When love for music can threaten someone's physical survival, a “pretty” piece of piano music is anything but: the notes “drip down to the parlour, seeping like rainwater over the persimmons on the table, the winter coats of her…

From Caitlin's list on featuring classical music.

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Book cover of The Ballad of Falling Rock

The Ballad of Falling Rock by Jordan Dotson,

Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…

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