100 books like Shostakovich

The literary gamut is filled with shamed women from across the ages; but Tolstoy’s poor doomed heroine, Anna Karenina, who is so tormented by public humiliation following an affair with Count Alexei that she famously throws herself in front of a train, is perhaps one of the better known tales.

One has to wonder why, across the centuries, only women are scorned for getting involved with the wrong guy. If it’s an issue of morality, then the man should get thrown under the bus too; and yet, generally, they’re not, and the men in this novel just went on with their lives like nothing happened, while Anna was shamed out of Imperialist Russian society. (Same with Flaubert’s Madame Bovary, who also kills herself at the end!)

I came across Early Memoirs when I set off to explore the fiery end of Catherine’s Russia and quickly realized I found a brilliant first-hand account of the dramatic transformation of Russian art and culture in early 20th century. Bronislava (Bronia) Nijinska, a talented dancer and choreographer herself, was the younger sister of Vaslav Nijinsky—the God of Dance—one of the best dancers of all times. In these memoirs she describes their childhood spent with dancer parents touring provincial Russian theatres, their education at the prestigious Imperial Ballet School in St Petersburg, and their years in the Ballets Russes, the ground-breaking Russian dance company which took Paris by storm in 1906.

Both clear-eyed and passionate about art Nijinska not only offers personal, intimate portraits of Vaslav Nijinsky, Sergey Diaghilev, Igor Stravinsky, Tamara Karsavina, Anna Pavlova, but documents the transformation of Russian ballet from its imperial glory to the breathtaking and… show more.

This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.

Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.

His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable. 

This historical work traces the improbable rise to power of Catherine the Great and her partnership and love affair with Prince Potemkin. Catherine, a German princess, seizes the throne from her mentally-unstable husband and begins to rule the vast empire that is Russia. She is largely responsible for the partition of Poland. Together she and her lover Potemkin conquer Ukraine and Crimea. It hardly needs stating that these territories are at the center of today’s headlines. Thus we learn a great deal about the background of the current war. Their affair was unbridled but it went far beyond sex. It was a marriage of intellects and politics. Ultimately, they agreed to share power, leaving each of them free to take younger lovers. This is another book about a woman operating in a man’s world, wielding power ruthlessly and giving free rein to her sexuality.

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.

Much like my first pick, this is an incredible novel that has stayed with me for years. It’s another go-to recommendation for me if anyone asks what my all-time favorite WWII novels are. Alexandra is a Russian-born Australian author, and I’m a huge fan of her other books too. Once again, she creates characters that are impossible not to fall in love with, and she’s a natural storyteller who artfully blends historical detail with fiction. 

Svetlana Alliluyeva was Josef Stalin’s daughter. In 1967 she fled to the West bringing this memoir with her. It was published to universal acclaim in the same year. An epistolary memoir it gives remarkable insight into her life growing up in the Kremlin. Haunting, at times lyrical, always affecting, she shows Stalin as something other than the monster we take him to be. She makes no excuses for him but it is salutary to see him portrayed as a father and a human being. An antidote to the all-too-easy dismissal of him as ‘a monster’.

A magisterial account of the brutal system of labour camps to which hundreds of thousands of people were consigned as criminals by the Soviet state. Alexander Solzhenitsyn and Varlam Shalamov offer us vivid first-hand accounts of the experience of being a prisoner in the gulag, but what Applebaum has achieved is to tell the history of an entire system without ever losing sight of the individuals who were its victims.

Jonathan Waterlow’s book It’s Only a Joke Comrade looks at humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve stress. Looking at the way Soviet leaders were mocked Waterlow investigates how people subversively commented on policies that left them hungry and poorly clothed, joking for example that Stalin rid himself of pubic lice (crabs) by announcing he would create a crab collective farm, causing even the lice to flee in terror. Jokes also touched on policy issues such as five-year plans, repression, and even the Molotov-Ribbentrop pact, showing how people thought about and discussed these issues. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person. He studies how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty,… show more.

Merridale uses archival material and interviews with Soviet war veterans to personalize the war on the Eastern Front. This work moves beyond the number of combatants and tanks to focus on real life at the frontlines. She talks about issues that help the reader “feel” the war: what did soldiers eat given the well-known shortages and privations throughout the USSR; how did soldiers get warm clothes and boots; how did they obtain ammunition and artillery shells and new guns despite the long supply lines; was stealing accepted in the army; what behaviors were tolerated and which ones were punished; how did hierarchy allow officers to get first choice of captured enemy equipment. She reveals how officers might not report all the dead in their unit so they would not lose the lost soldier’s food ration. While Alexander Werth’s Russia at War provides a sweeping view of Soviet organization, suffering, and… show more.