100 books like White Gardenia

A toast to Tatiana and Alexander! *throws back a shot of vodka*

Compounded by Simons’ exquisitely detailed storytelling, which waxes lyrical about the siege of Leningrad during the summer of 1941, these lovebirds from The Bronze Horseman sit high on my list of unforgettable historical fiction characters.

The superb languor of Alexander’s courtship with Tatiana during a time of terrible hardship helped me overlook both of their faults, and become wholly invested in them as a couple.

He is unrelenting in his desire to take care of Tatiana and her family, and while she is young and at times incredibly naïve, she is also brilliantly resilient.

The character I love to hate: Dasha. Ugh! How can a sister be so cruel?

Boy, did my emotions run the gauntlet with this one!

I loved this book because Grace, the young woman in the story, was able to find meaning even in the face of war. She discovered the power of storytelling and used it to raise morale when bombs were falling on London. I found the book easy to read, and I felt sympathy for Grace and other ordinary people whose lives were upended by the war.  

I’ve become great friends with Healey over the years due to us having the same publisher, and we write similar historical fiction in that we love telling WWII from the female perspective. Honestly, all Jane’s WWII novels are brilliant, but this is my favorite of hers. Her characters are impossible not to love, and we truly see this moment in history through the eyes of women – I can’t get enough of historical feminism! If you want to read about women doing incredible jobs during the war, this is the book for you.

Set in Italy during WWII, Liliana Nicoletti becomes involved in the partisan cause to save her country from the Germans. When her family encounters an escaped POW, she learns what it means to fight the Fascists who are destroying her community and joins the resistance.  

Her mother and sisters shot, mud and blood streaming over her face, she picks up the rifle she hadn’t used in years and vows to find her father. Realistic and horrific, the first half of the tale paints a picture of courage beyond what we imagine possible and of relationships formed from the tangled threads of love and need. After the war, angst mixes with hope as Liliana and James search for the men who slaughtered innocent people. Is justice or revenge driving her?

The author drew me into the story with vivid details and kept me on the edge of my seat with twists and turns. I cared… show more.

Having studied cello in Soviet Russia in the 1960s, Elizabeth Wilson used her extensive musical contacts to produce this unique study of Dmitri Shostakovich, one of the most innovative composers of the 20th century. Prompted by Wilson’s queries, family members, friends, fellow musicians, and other artists offered their recollections that might have otherwise been lost. Gathered together these testimonies offer a gripping picture of Shostakovich as an artist and a man. They describe his extraordinary successes and his struggles for survival and dignity during the brutal Stalinist purges and horrors of World War II. One of the most moving testimonies sheds light on the creation and the first performance of Shostakovich’s Symphony No.7 which, in the world of music, became a symbol of resistance to fascism and all forms of totalitarianism anywhere.

Svetlana Alliluyeva was Josef Stalin’s daughter. In 1967 she fled to the West bringing this memoir with her. It was published to universal acclaim in the same year. An epistolary memoir it gives remarkable insight into her life growing up in the Kremlin. Haunting, at times lyrical, always affecting, she shows Stalin as something other than the monster we take him to be. She makes no excuses for him but it is salutary to see him portrayed as a father and a human being. An antidote to the all-too-easy dismissal of him as ‘a monster’.

A truly extraordinary examination of the army that would do a majority of the fighting and suffer as well as inflict the largest portion of the military casualties of the European part of World War II. The "Bibliographic Essay and Selective Bibliography" is extraordinarily helpful in its account of the fate of Soviet archives and publications over the years.

Grigory Baklanov (born Grigory Friedman) belonged to the generation of soldiers that faced the full brunt of the German attack on the Soviet Union and of whom only 3% survived. Forever Nineteen (trans. Antonina Bouis) is a tribute to the men who remained forever young; as the author elucidates in the introduction to the novel’s American edition, “I wanted them to come alive when I wrote this book, I wanted people living now to care about them as friends, as family, as brothers.” Baklanov had attained international renown with his 1959 novel The Foothold [An Inch of Land], which appeared in 36 countries. His portrayal of the war is more personal than Grossman’s and has a different angle: rather than depicting famous battles, he is concerned with ordinary soldiers’ lives, which can be cut short at any moment. (Disclosure: Grigory Baklanov is my father.)

This is one of two books I kept by my bedside during my three years as head of an academic department.

It taught me how building a network of peers and a loyal team of subordinates are keys to survival under a suspicious boss. Berliner based his work on hundreds of interviews of managers who left the Soviet Union before, during, and after World War II. From a scholarly point of view, the book contains astonishing detail and insights from the inside of the Soviet system in its most secretive and repressive period. 

Admittedly, this is neither a cheap book nor a light read (it has 1,364 pages), but it remains a landmark work that no serious scholar of Operation Barbarossa can afford to ignore. As volume 4 of the semi-official German history of the war it concerns mainly German plans, operations, and occupation policies, although some sections do deal with Soviet responses as well as the early contributions of German allies to the invasion. It is the work of six German historians with generally even quality throughout, although the military chapters by Klink and Hoffmann are now somewhat dated. Overall, a work of superb scholarship.