Here are 100 books that Eugenia fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
Georgette Heyer was the first author to pay homage to Austen by writing comedic love stories set in the Georgian/Regency era. Since Heyer wrote them a century after Austen, she’s considered one of the earliest writers of historical romance.
In this book, a dashing gentleman doesn’t turn out to be all he was cracked up to be, and a naïve young woman learns what qualities are truly desirable in a husband. It’s an absolute blast and very sweet.
If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' Antonia Fraser 'One of my perennial comfort authors. Heyer's books are as incisively witty and quietly subversive as any of Jane Austen's' Joanne Harris 'Georgette Heyer is second to none' Sunday Times _________________
Kitty Charing's life-changing inheritance comes with a catch.
Her eccentric and childless guardian, Mr. Penicuik, is leaving Kitty all of his vast fortune - but with one condition. She must marry one of his five grand-nephews.
However, Kitty's clear favourite - the rakish Jack Westruther - doesn't appear at all interested in the…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.
I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.
I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book.
P.G. Wodehouse's classic tale (originally published under the title "The Little Warrior") of Jill Mariner, a wealthy young woman engaged to Sir Derek Underhill. Following financial disaster, Jill's life takes several adventurous turns with schemes, relatives, chorus girls, and the search for love.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book about rebels itself rebels against historians such as Abrams, who view Romanticism as a single movement unified by an expressive theory of art.
Instead, Butler argues, there are many different sorts of Romantics, and they are best understood not through theories of art but through "the fierce personal and artistic politics of an age in the midst of profound change." That Age of Revolution had begun in the 1760s, and the ordering of the arts reflects debates about the social standing of the arts, not any consensus. Butler relishes these conflicts.
She pays attention to the groundswell of "art for the people" as well as "the war of the intellectuals," and she is not afraid to embrace the chaos and complications that thwart any effort to paint all arts and artists with one brush.
The Age of Revolutions and its aftermath is unparalleled in English literature. Its poets include Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats; its novelists, Jane Austen and Scott. But how is it that some of these writers were apparently swept up in Romanticism, and others not? Studies of Romanticism have tended to adopt the Romantic viewpoint. They value creativity, imagination and originality - ideas which nineteenth-century writers themselves used to promote a new image of their calling. Romantics, Rebels and Reactionaries puts the movement in to its historical setting and provides a new insight in Romanticism itself, showing that one…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This was a modern-day retelling of Persuasion. I’ll admit, Persuasion has long been my least favorite Jane Austen novel. But Staci Hart finally made me fall in love with it. The story is told in first person, alternating between the perspectives of the hero and heroine, which made me feel that I was given a glimpse into their minds and hearts, something that the original novel failed to do. The added complication of the hero’s father being terminally ill really added depth and emotion to the story. I was completely wrecked—in the best way, of course!—by the end of this book. Read it with a box of tissues!
He’s home for his father, not me, that much is painfully clear. But I barely recognize the man he’s become, though I can still see a glimmer of the boy who asked me to be his forever, the boy I walked away from when I was young and afraid.
Maybe if he’d come home under better circumstances, he could speak to me without anger in his voice. Maybe if I’d said yes all those years ago, he’d look at me without the weight of rejection in his…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
I would have to say, hands down, that this is the best Jane Austen variation I have read so far. The story begins with Elizabeth Bennet having a near-death experience. The description of Heaven during this experience was so striking and poignant, it brought tears to my eyes and made me think that this was exactly how Heaven ought to be. Throughout the story, Ms. Ellsworth’s message of hope and purpose was inspirational. For me, personally, it was a wonderful reminder of the hope that I have in God and the plans that He has for my life. The story is incredibly romantic, and a very unique approach to the Darcy and Elizabeth drama which I have not seen in any other novel. I also liked that she gave alternate outcomes for Lydia and Charlotte than the fate that Austen originally gave them. A must-read for fans of Regency-era variations…
Still shaken from his horrible proposal, Elizabeth Bennet falls ill at the Rosings Parsonage upon reading Fitzwilliam Darcy’s letter. In her increasingly delirious state, unfathomable influences inspire her to write an impulsive response. The letter gives Mr. Darcy hope in a way that nothing else could.
As her illness progresses, Darcy is there at her side, crossing boundaries he has never crossed, declaring things he has never declared. A unique experience bridges them over their earlier misunderstandings, and they start to work out their differences. That is, until Elizabeth begins to recover.
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.
It is a truth universally acknowledged that Jane Austen is one of our greatest writers.
But before that, she was just an ordinary girl.
In fact, young Jane was a bit quiet and shy; if you had met her back then, you might not have noticed her at all. But she would have noticed you. Jane watched and listened to all the things people around her did and said and locked those observations away for safekeeping.
Jane also loved to read. She devoured everything in her father's massive library, and before long she began creating her own stories. In her…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on women’s lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Although we have some of Jane Austen’s letters and other writing, besides her novels, many more letters have been lost, and relatively little is known about her life. In 1913, nearly a century after her death, William and Richard Austen-Leigh (descendants of her brother James) published what was then known in a book called Life and Letters of Jane Austen. Much more material has been accumulated since, and in 1989 the work was extensively enlarged and revised by Deirdre Le Faye. It is essential reading for those who want to find out about Jane Austen’s life.
This book is the outcome of years of research in Austen archives, and stems from the original family biography by W. and R. A. Austen-Leigh, Jane Austen: her Life and Letters. Jane Austen, A Family Record was first published in 1989, and this edition incorporates information that has come to light since then, and provides new illustrations and updated family trees. Le Faye gives a detailed account of Austen's life and literary career. She has collected together documented facts as well as the traditions concerning the novelist, and places her within the context of a widespread, affectionate and talented family…
