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As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.
Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."
To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
A best-selling novelist explains to a fictional niece why, under the shadow of the nuclear bomb we should bother with stuff written before the twentieth century, particularly with the romances of an old maid who never went anywhere. A skilled novelist herself, Weldon vividly depicts the horrors of Austen’s world that equal those of our age—famine, war, childbirth, and medical ignorance. Because she is a novelist, she is good at describing Austen’s mastery of turning social household irritations into art. As a special bonus, she recommends other novelists for readers to enjoy and aspiring novelists to learn from.
Alice is an eighteen-year-old student and aspiring novelist with green spiky hair, a child of the modern age who recoils at the idea of reading Jane Austen. In a sequence of letters reminiscent of Jane Austen's to her own neice, 'aunt' Fay examines the rewards of such study. Not only is her correspondence a revealing tribute to a great writer - it is also an original and rewarding exploration of the craft of fiction itself.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
I never saw any of these puzzles before I read Mullan’s book. By solving them, he goes deep into Austen’s novels, examining her miniature world as if with a microscope, offering the reader insights into the subtleties of her art: how people inadvertently reveal through their words what they would prefer to keep hidden or how Captain Benwick, a major minor character in Persuasion, comes across as a solid human being without the reader’s hearing him utter a word. The aspiring novelist can learn much from her tricks.
Is there any sex in Austen? What do the characters call each other, and why? What are the right and wrong ways to propose marriage? And which important Austen characters never speak? In What Matters in Austen, John Mullan shows that you can best appreciate Jane Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction - by asking and answering some very specific questions about what goes on in her novels, he reveals their devilish cleverness.
In twenty-one short chapters, each of which answers a question prompted by Jane Austen's novels, Mullan illuminates the themes that…
Internationally recognized mind-body science and design and health pioneer, Esther Sternberg M.D. is Research Director, Andrew Weil Center for Integrative Medicine, Inaugural Andrew Weil Chair for Research in Integrative Medicine, Professor of Medicine, Psychology, Architecture, Planning & Landscape Architecture, Founding Director, University of Arizona Institute on Place, Wellbeing & Performance, and Associate Director (Research), Innovations in Healthy Aging. Formerly a National Institutes of Health Senior Scientist and Section Chief, she received the U.S. Federal Government’s highest awards, authored over 235 scholarly articles, and two engaging and popular science-for-the-lay-public books: The Balance Within chronicling mind-body science underpinning stress and illness and belief and wellness, and Healing Spaces, which helped ignite the 21st-century design and health movement.
I love Jane Austen’s novels – the fine detail with which she paints characters based on everyday life, as she described it in a letter to her nephew James Edward Austen-Leigh: “… the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour...” Sadly, Austen died at age 41, in the prime of her life, and the peak of her writing skills. Her last novel was unfinished. Most biographers surmise that she died of Addison’s disease – an autoimmune disease in which the immune system attacks the patient’s adrenal glands, slowly sapping their energy for lack of the stress hormone cortisol. Ironically, the illness can be brought on or exacerbated by chronic stress, which certainly towards the end of her life Jane Austen experienced in spades.
When her father died, Jane Austen, being a woman, did not…
Who was the real Jane Austen? Overturning the traditional portrait of the author as conventional and genteel, bestseller Paula Byrne's landmark biography reveals the real woman behind the books.
In this new biography, bestselling author Paula Byrne (author of Perdita, Mad World) explores the forces that shaped the interior life of Britain's most beloved novelist: her father's religious faith, her mother's aristocratic pedigree, her eldest brother's adoption, her other brothers' naval and military experiences, her relatives in the East and West Indies, her cousin who lived through the trauma of the French Revolution, the family's amateur theatricals, the female novelists…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This was a modern-day retelling of Persuasion. I’ll admit, Persuasion has long been my least favorite Jane Austen novel. But Staci Hart finally made me fall in love with it. The story is told in first person, alternating between the perspectives of the hero and heroine, which made me feel that I was given a glimpse into their minds and hearts, something that the original novel failed to do. The added complication of the hero’s father being terminally ill really added depth and emotion to the story. I was completely wrecked—in the best way, of course!—by the end of this book. Read it with a box of tissues!
He’s home for his father, not me, that much is painfully clear. But I barely recognize the man he’s become, though I can still see a glimmer of the boy who asked me to be his forever, the boy I walked away from when I was young and afraid.
Maybe if he’d come home under better circumstances, he could speak to me without anger in his voice. Maybe if I’d said yes all those years ago, he’d look at me without the weight of rejection in his…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Although we have some of Jane Austen’s letters and other writing, besides her novels, many more letters have been lost, and relatively little is known about her life. In 1913, nearly a century after her death, William and Richard Austen-Leigh (descendants of her brother James) published what was then known in a book called Life and Letters of Jane Austen. Much more material has been accumulated since, and in 1989 the work was extensively enlarged and revised by Deirdre Le Faye. It is essential reading for those who want to find out about Jane Austen’s life.
This book is the outcome of years of research in Austen archives, and stems from the original family biography by W. and R. A. Austen-Leigh, Jane Austen: her Life and Letters. Jane Austen, A Family Record was first published in 1989, and this edition incorporates information that has come to light since then, and provides new illustrations and updated family trees. Le Faye gives a detailed account of Austen's life and literary career. She has collected together documented facts as well as the traditions concerning the novelist, and places her within the context of a widespread, affectionate and talented family…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
There are many biographies and other narratives of Jane Austen, with many published since 1997, when Professor Park Honan updated his original book. Even so, his biography is still, in my opinion, the best. It is comprehensive, detailed, and accurate, with copious endnotes. The author also had unparalleled help from descendants of Jane Austen. His writing style is straightforward, and he is excellent at depicting the overall context of her life and how it influenced her writing, from her two brothers in the Royal Navy to productions in the London theatres.
Park Honan's landmark biography of Jane Austen has been lavished with praise since its original publication. Written in an accessable atyle and meticulously researched, this book combones intanacy with Austen as a child and a woman.
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity…
I’ve always had a passion for wounded heroes and strong heroines. My earliest memories are reading books where the heroine saves the day. I’ve never wanted the heroine to need the hero in order to make her life complete. Even as a child, when my dad read me books at night—one of my favorite memories—I preferred stories where the heroine saved the day. As an adult, I’ve loved to read stories where the hero is brave enough to show his vulnerable side, and when I decided to become a writer, those were the books I wanted to write.
I adored this book! This is what happens if all of the characters from Jane Austen’s books got together for a house party, and one of them murders Mr. Wickham, a universally despised character.
The mystery reminds me of Agatha Christie’s mysteries, and the multiple character POV’s are terrific! Plus, the relatively modern twist of empowering the young (and slightly odd) characters was fantastic to watch.
A summer house party turns into a thrilling whodunit when Jane Austen's Mr. Wickham—one of literature’s most notorious villains—meets a sudden and suspicious end in this brilliantly imagined mystery featuring Austen’s leading literary characters.
“Had Jane Austen sat down to write a country house murder mystery, this is exactly the book she would have written.” —Alexander McCall Smith
The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even…
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