Here are 100 books that The Madwoman in the Attic fans have personally recommended if you like
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As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.
Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."
To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on women’s lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
A best-selling novelist explains to a fictional niece why, under the shadow of the nuclear bomb we should bother with stuff written before the twentieth century, particularly with the romances of an old maid who never went anywhere. A skilled novelist herself, Weldon vividly depicts the horrors of Austen’s world that equal those of our age—famine, war, childbirth, and medical ignorance. Because she is a novelist, she is good at describing Austen’s mastery of turning social household irritations into art. As a special bonus, she recommends other novelists for readers to enjoy and aspiring novelists to learn from.
Alice is an eighteen-year-old student and aspiring novelist with green spiky hair, a child of the modern age who recoils at the idea of reading Jane Austen. In a sequence of letters reminiscent of Jane Austen's to her own neice, 'aunt' Fay examines the rewards of such study. Not only is her correspondence a revealing tribute to a great writer - it is also an original and rewarding exploration of the craft of fiction itself.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
I never saw any of these puzzles before I read Mullan’s book. By solving them, he goes deep into Austen’s novels, examining her miniature world as if with a microscope, offering the reader insights into the subtleties of her art: how people inadvertently reveal through their words what they would prefer to keep hidden or how Captain Benwick, a major minor character in Persuasion, comes across as a solid human being without the reader’s hearing him utter a word. The aspiring novelist can learn much from her tricks.
Is there any sex in Austen? What do the characters call each other, and why? What are the right and wrong ways to propose marriage? And which important Austen characters never speak? In What Matters in Austen, John Mullan shows that you can best appreciate Jane Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction - by asking and answering some very specific questions about what goes on in her novels, he reveals their devilish cleverness.
In twenty-one short chapters, each of which answers a question prompted by Jane Austen's novels, Mullan illuminates the themes that…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This book also falls into the mystery subgenre of Jane Austen variations. The story takes place as a sequel to Pride and Prejudice, with Elizabeth and Darcy at the center of it. I found this story to be completely chilling, with a surprise twist at the end that I did not see coming. Ms. Jeffers delivered a page-turner that I couldn’t put down!
HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phantom—a Shadow Man who is haunting the Darcy family’s grand estate.
Darcy and Elizabeth believe the truth is much more menacing and that someone is attempting to murder them. But Pemberley is filled with family guests as well as the unexpected travelers—any one of whom could…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.
It is a truth universally acknowledged that Jane Austen is one of our greatest writers.
But before that, she was just an ordinary girl.
In fact, young Jane was a bit quiet and shy; if you had met her back then, you might not have noticed her at all. But she would have noticed you. Jane watched and listened to all the things people around her did and said and locked those observations away for safekeeping.
Jane also loved to read. She devoured everything in her father's massive library, and before long she began creating her own stories. In her…
I’ve loved the Regency era since first reading Jane Austen’s novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than I’d ever dreamed. Though their culture and traditions aren’t like ours, I’m fascinated by how much about the lives of those men and women is familiar—the same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
Any tour of Regency England needs to start with the familiar, and Jane Austen’s Englandprovides an excellent overview of the geography, traditions, and politics of the period. Though the title says Jane Austen, I love how much detail it has on things Austen never wrote about, like childrearing and crime (especially counterfeiting, which you’ll have to read to believe!). Whether you read it cover to cover or search out interesting facts, this book has everything you need to start your journey.
An authoritative account of everyday life in Regency England, the backdrop of Austen's beloved novels, from the authors of the forthcoming Gibraltar: The Greatest Siege in British History (March 2018)
Nearly two centuries after her death, Jane Austen remains the most cherished of all novelists in the English language, incomparable in the wit, warmth, and insight with which she depicts her characters and life. Yet the milieu Austen presents is only one aspect of the England in which she lived, a time of war, unrest, and dramatic changes in the country's physical and social landscape. Jane Austen's England offers a…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
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