Here are 100 books that The Cambridge Companion to Jane Austen fans have personally recommended if you like
The Cambridge Companion to Jane Austen.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
The world is driven by incentives. Much of economics is not obscure theory but practically understanding how incentives affect decision-making.
Charles Wheelan’s Naked Economicsprovides a solid foundation for understanding how our lives revolve around economics and why understanding economic principles is critically important for evaluating the social and geopolitical world around us.
This book was important in our analysis of Jane Austen’s work, as her use of economic principles in romance is what causes her work to be loved for centuries.
This is a new edition of the best-selling economics book that won't put you to sleep. In our challenging economic climate, this perennial favourite of students and general readers includes commentary on hot topics such as automation, trade and income inequality. Ten years after the financial crisis, Naked Economics examines how policymakers managed the worst economic crisis since the Great Depression.
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
In Marriage Markets, June Carbone and Naomi Cahn, both law professors like Lynne Marie Kohm, examine how macroeconomic forces are transforming our most intimate and important spheres, and how working-class and lower-income families have paid the highest price.
Their book shows how the best-educated and most prosperous have the most stable families, while working-class families have seen the greatest increase in relationship instability because greater economic inequality has profoundly changed marriage markets.
The failure to see marriage as a market affected by supply and demand has obscured any meaningful analysis of the way that societal changes influence culture. But Jane Austen understood this principle very well.
Over the past four decades, the American family has undergone a radical transformation. Skyrocketing rates of divorce, single parenthood, and couples with children out of wedlock have all worked to undermine an idealized family model that took root in the 1950s and has served as a beacon for traditionalists ever since. But what are the causes of this change? Conservatives blame it on moral decline and women's liberation. Progressives often attribute it to women's greater freedom and changing sexual mores, but they typically paint these trends in a positive light. In Family Classes, Naomi Cahn and June Carbone contend that…
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
Doody offers a comprehensive study of the names of people and places – real and imaginary – in Austen’s fiction.
Illustrating how Austen’s creative choices reveal her virtuosic talent for riddles and puns, Doody also picks up deep stories from English history.
Showing how Austen names signal class tensions and regional, ethnic, and religious differences, readers gain understandings of Austen’s literary techniques and cultural commentary.
In Jane Austen's works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a "big cheese" - the moon's reflection on the water's surface. It worked. In Jane Austen's Names, Margaret Doody offers…
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
The key role of "incentives" in family law is considered in this economic approach to family law.
The book discusses the possible adverse consequences emanating from faulty legal design, while demonstrating that good family law should provide incentives for consistent and honest behavior.
Economists, specialists in the economic analysis of law, and academic lawyers discuss recent advances in specialized studies of marriage, cohabitation, and divorce.
This work is of considerable interest to lawyers, policy-makers, and economists concerned with family law.
What sort of contract is marriage? What does it offer the parties? What are the difficulties of enforcement, and the result of failed effective enforcement? This book takes an economic approach to marriage and divorce, considering the key role of 'incentives' in family law: it highlights the possible adverse consequences emanating from faulty legal design, while demonstrating that good family law should provide incentives for consistent and honest behavior. Economists, specialists in the economic analysis of law, and academic lawyers discuss recent advances in specialist work on marriage, cohabitation, and divorce. Chapters are grouped around four topics: the contractual perspectives…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
I love every one of Jane Austen’s novels. I have no favorites, so I can’t recommend only one. They are so funny, but they’re also full of life, love, sadness, loss, families, friends, disappointments, and surprises.
They all end in a marriage, but so do Shakespeare’s comedies–it’s just what happens in a comedy, along with many other things. I’ve read them all more times than I can count but I always find something new to love every time I reread any of them.
Jane Austen revolutionized the literary romance, using it as a platform from which to address issues of gender politics and class consciousness among the British middle-class of the late eighteenth century. The novels included in this collection from the elegant Knickerbocker Classics series-Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, and Lady Susan-represent all of Austen's complete novels, and provide the reader with an entrance into the world she and her memorable characters inhabited.
With witty, unflinching morality, Austen portrays English middle-class life as the eighteenth century came to a close and the nineteenth century began.…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
John Wiltshire brings a perspective to Jane Austen’s novels that is old and new. I am in awe of how he can take a passage from one of her novels and dive deeply into it, finding worlds of meaning in the familiar text. He writes beautifully and eloquently about these hidden depths.
One of the unusual things about Wiltshire as a literary scholar is that he is also an expert on health and psychology. But he doesn’t psycho-analyze Austen or try to diagnose her at a distance: he uses words and phrases and even punctuation in the novels to look beneath the surface of the narrative at the moods and relationships they reveal.
In this major study, leading Austen scholar John Wiltshire offers new interpretations of Jane Austen's six novels, Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion (1818). Much recent criticism of Austen has concentrated on the social, historical and intellectual context of her work, but Wiltshire turns attention back to Austen's prose techniques. Arguing that each of Austen's works has its own distinct focus and underlying agenda, he shows how Austen's interest in psychology, and especially her treatment of attention and the various forms of memory, helped shape her narratives. Through a…
I am a science journalist and magazine editor. I feel really lucky to be a bioscience specialist – it really is at the forefront of solving some of the great challenges of our time, from making sustainable fuels and materials, to climate change mitigation, age-related disease, pandemics, food security, habitat restoration…plus there’s an incredible diversity of life on our planet still to be discovered. I always try to relate scientific progress to our everyday lives: it’s not just about creating new knowledge, it is about how that knowledge might improve our health, change our outlook, transform society, or protect the planet.
I’ve dipped into books about writing, storytelling, and scriptwriting before, and I’ve always found them to be utterly uninspiring, and in fact quite depressing – little more than a set of formulas to ensure your story’s structure is like other stories.
But Will Storr’s excellent book uses insights from evolutionary biology and psychology to help you get to understand why human minds love stories, and what it is about great stories that keeps readers turning the pages. His advice is powerful, simple – primal, even.
I’ve used this excellent book to help improve my writing and ensure my first book was a real page-turner. But The Science of Storytelling has also left a huge mark on me in terms of thinking about how and why we communicate. It’s for our own survival, after all.
'If you want to write a novel or a script, read this book' Sunday Times
'The best book on the craft of storytelling I've ever read' Matt Haig
'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Who would we be without stories?
Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in our…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This was a modern-day retelling of Persuasion. I’ll admit, Persuasion has long been my least favorite Jane Austen novel. But Staci Hart finally made me fall in love with it. The story is told in first person, alternating between the perspectives of the hero and heroine, which made me feel that I was given a glimpse into their minds and hearts, something that the original novel failed to do. The added complication of the hero’s father being terminally ill really added depth and emotion to the story. I was completely wrecked—in the best way, of course!—by the end of this book. Read it with a box of tissues!
He’s home for his father, not me, that much is painfully clear. But I barely recognize the man he’s become, though I can still see a glimmer of the boy who asked me to be his forever, the boy I walked away from when I was young and afraid.
Maybe if he’d come home under better circumstances, he could speak to me without anger in his voice. Maybe if I’d said yes all those years ago, he’d look at me without the weight of rejection in his…
