Here are 77 books that Without Warning and Only Sometimes fans have personally recommended if you like
Without Warning and Only Sometimes.
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I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
In the voice of her little girl self, Karr masterfully tells of her fractured childhood. Innocent, vulnerable, and pure, Karr describes life with her sister, a mentally ill, alcoholic mother, and a mostly absent father as only a child can.
She is sure life isn’t supposed to be this way, but without any responsible adults, she doesn’t really know how it should be. It’s beautifully written. I found myself rereading sentences and underlining my favorites. I wanted to read everything about Mary Karr when I had finished.
#4 on The New York Times' list of The 50 Best Memoirs of the Past 50 Years
The New York Times bestselling, hilarious tale of a hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation
"Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet's ear." -Oprah.com
The Liars' Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr's comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J.…
I’ve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, I’ve written thirty as a ghostwriter in the last six years and am working on my own. I’m fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.
Mixing official documents with real, remembered events, Lemn Sissay’s memoir is a search for identity, for his true name. Left in a home in Liverpool for unmarried mothers, he is moved between a series of foster and care homes, until he is given access to all his records in 2015, after a thirty-year campaign to find them. He finds who he really is. It’s an honest, poignant, unsettling, and heartfelt journey, revealing how a small boy’s life is shaped by ‘the authority’ and the faceless state. Complimented with inspiring poems and useful resources, this is a hopeful and helpful book.
THE NUMBER ONE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE GORDON BURN PRIZE A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, DAILY TELEGRAPH, SUNDAY TIMES, OBSERVER, NEW STATESMAN, METRO, DAILY MAIL, SUNDAY EXPRESS and HERALD
How does a government steal a child and then imprison him? How does it keep it a secret? This story is how.
At the age of seventeen, after a childhood in a foster family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and…
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
The Cry of the Lake was published in 2020, the same year as my book, and around that time, I had gotten to know many authors, including Charlie.
From the first line, I was drawn into the story which is told with impeccable detail, its characters clearly defined to create the dark and mysterious tale.
I became involved in a rigid religious movement as a teen and prepared for the ministry at a fundamentalist college and seminary. I took this ideology to its logical extreme and became a foreign missionary. I know from the inside how such an ideology takes hold of a person and how difficult it is to escape its grasp, especially when family and career are intertwined. Through my own struggle with depression and anxiety, I scoured books to help understand myself and faith development, eventually earning a Ph.D in counseling, emphasizing developmental theory. I know from personal experience what it means to walk away from a way of thinking that has defined much of your life.
T.W. Neal grows up with parents who opt to live on a sparsely populated Hawaiian island, not wearing clothes, surfing, smoking Marijuana, and eating magic mushrooms. The family lives in a van or in housing with few modern amenities and the author attends school on the island only sporadically. Due to her mother’s mental illness and her father’s alcohol abuse, she at times, has to run the household. With difficulty she connects with relatives and a few teachers and begins to reach for a lifeline to break free from the life her parents chose. She wants to go to college and eventually is able to leave the island and pursue a mainstream life. It is astounding that a person growing up in such circumstances would have the desire and determination to forge a different life.
For fans of The Glass Castle and Educated, comes mystery author Toby Neal’s personal story of surviving a wild childhood in paradise.
We never call it homeless. We're just "camping" in the jungle on Kauai...
We live in a place everyone calls paradise. Sure, Kauai’s beautiful, with empty beaches, drip-castle mountains, and perfect surf...but we’ve been "camping" for six months, eating boiled chicken feed for breakfast, and wearing camouflage clothes so no one sees us trespassing in our jungle hideout. The cockroaches leave rainbow colors all over everything from eating the crayons we left outside the tent, and now a…
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.
I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.
My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”
From bestselling, award-winning creators Renee Watson and Bryan Collier comes a stunningly crafted picture book chronicling the life of poet and activist Maya Angelou.
This unforgettable picture book introduces young readers to the life and work of Maya Angelou, whose words have uplifted and inspired generations of readers. The author of the celebrated autobiography I Know Why the Caged Bird Sings, Maya was the first Black person and first woman to recite a poem at a presidential inauguration, and her influence echoes through culture and history. She was also the first Black woman to appear on the United States quarter.…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sisteris a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.
A New York Times Notable Book • An Entertainment Weekly “Must List” Pick • “Prepare to be dazzled.”—Paula McLain • “Quite simply astonishing.”—Sarah Blake
What if Virginia Woolf’s sister had kept a diary? For fans of The Paris Wife and Loving Frank comes a spellbinding new story of the inseparable bond between Virginia and her sister, the gifted painter Vanessa Bell, and the real-life betrayal that threatened to destroy their family. Hailed by The New York Times Book Review as “an uncanny success” and based on meticulous research, this stunning novel illuminates a little-known episode in the celebrated sisters’ glittering…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
I didn’t think I could appreciate this memoir of a son searching for his imprisoned father in Gaddafi’s Libya until, suddenly, I did. This book showed me that the bonds between all fathers and their sons transcend things like nationality and religion. It is part of the core of what it means to be human.
I knew from the very first pages that the author would never again see his father, even as he tirelessly spends most of his adult life trying to. By extension, I understood that as much as we want to, we can never really know our fathers.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE ONE OF THE NEW YORK TIMES' TOP 10 BOOKS OF 2016
The Return is at once a universal and an intensely personal tale. It is an exquisite meditation on how history and politics can bear down on an individual life. And yet Hisham Matar's memoir isn't just about the burden of the past, but the consolation of love, literature and art. It is the story of what…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.
The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.
I reread it every year to remind myself of what is possible.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020
Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'.
'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________
'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .'
The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real…
