100 books like Lowborn

Someone once said I can’t believe you didn’t end up in a ditch with a needle in your arm. It sounds harsh, but they meant it with love. In spite of my broken home, familial dysfunction, trauma, and bad decisions, I found a way to be okay and share my life experiences through words and stories rather than a bottle. I am the Executive Director of a non-profit organization specializing in developing authors who want to publish and use writing for therapy and healing. I live in Calgary, AB, Canada, with my teenage daughter and act as the emotional support human for an anxious dog. 

I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.

Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday. 

I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.  

Brian Conaghan has written seven Young Adult novels. When Mr. Dog Bites, was shortlisted for the Carnegie Medal. The Bombs That Brought Us Together, won the 2016 Costa Children’s Book Award. We Come Apart - a collaboration with Sarah Crossan - won the United Kingdom Literary Award. His novel, The Weight of a Thousand Feathers, won the 2018 An Post YA Irish Book of the Year. The M Word was shortlisted for the An Post YA and Teen Book of the Year. Cardboard Cowboys, to date, has been nominated for the Carnegie Medal. Brian lives and works in the Scottish town of Coatbridge.

I am an academic at the University of Glasgow with a background in philosophy and psychology. My approach to critical thinking is broad and informed by several other teaching and research interests: emotional intelligence, the psychology of influence, interpersonal communication, and virtue ethics. Motivating much of what I do is the question: How are we to live well? With respect to critical thinking I don’t just deal with the nature and structure of arguments, but also with the role they play in constructive dialogues, and how poor reasoning is linked to psychological biases and the absence of certain virtues. The books I have chosen here are representative of these concerns.

I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning. 

I’ve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, I’ve written thirty as a ghostwriter in the last six years and am working on my own. I’m fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.

I’ve been a life writer since I kept my first Mary Quant, Daisy diary in 1973. Reading and writing memoir, I’ve written thirty as a ghostwriter in the last six years and am working on my own. I’m fascinated by life stories. After an MA in Creative Writing at Birkbeck, I won the Wasafiri Life Writing Prize, which led to a novel in biographical form, based on the life of my nan in the last century, Girl in the Mirror. I write stories, short and long, for adults and children, performing nationally and in London, was Writer in Residence for Talliston House, and have been published by Walker Books and Mslexia.

I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.