Here are 100 books that Me and Ma Gal fans have personally recommended if you like
Me and Ma Gal.
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Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.
I grew up in rural Ireland, so not exactly the gritty urban Scotland of Welsh’s novel, but the first thing that struck me about the book was its savage, semi-feral, intensely real Scottish dialect. I’d never seen anything quite like it in print.
The prose feels almost illegal, a ne’er-do-well that has simply decided to break into the publishing house and force its way onto the page without anyone’s permission. I didn’t consciously plan to steal this technique for my own novel, but how could I not endorse it?
Welsh has written more explicitly psychedelic works, but this book remains for me his masterwork, underscoring how, in many ways, his protagonist Renton’s life is at its weirdest when he tries to get sober.
'An unremitting powerhouse of a novel that marks the arrival of a major new talent. Trainspotting is a loosely knotted string of jagged, dislocated tales that lay bare the hearts of darkness of the junkies, wide-boys and psychos who ride in the down escalator of opportunity in the nation's capital. Loud with laughter in the dark, this novel is the real McCoy. If you haven't heard of Irvine Welsh before-don't worry, you will' The Herald
I am an academic at the University of Glasgow with a background in philosophy and psychology. My approach to critical thinking is broad and informed by several other teaching and research interests: emotional intelligence, the psychology of influence, interpersonal communication, and virtue ethics. Motivating much of what I do is the question: How are we to live well? With respect to critical thinking I don’t just deal with the nature and structure of arguments, but also with the role they play in constructive dialogues, and how poor reasoning is linked to psychological biases and the absence of certain virtues. The books I have chosen here are representative of these concerns.
This is a seamless combination of autobiography, psychology, and politics, with an emphasis on the role of emotion – and especially anger – in expressing our views. McGarvey is politically savvy and refreshingly critical of both the left and the right, but for me, it’s the sustained self-reflection and emotional intelligence that makes this book outstanding. He has witnessed how anger, as a default feeling in his community, entrenches positions and limits people’s willingness and ability to understand themselves and listen to others. McGarvey tells how his own story exemplifies this attitude and his account of his awakening is fascinating and educational.
Brutally honest and fearless, Poverty Safari is an unforgettable insight into modern Britain, and will change how you think about poverty.
The Sunday Times Top Ten bestseller. Winner of the Orwell Prize. Named the most 'Rebellious Read of the 21st Century' in a Scottish Book Trust poll.
Darren McGarvey has experienced poverty and its devastating effects first-hand. He knows why people from deprived communities all around Britain feel angry and unheard. And he wants to explain . . .
So he invites you to come on a safari of sorts. But not the kind where the wildlife is surveyed from…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.
This is a great introduction to one of Val McDermid’s series starring young female police officer Karen Pirie. I loved this book when it came out and it is still one of my favourites. Four students at St Andrew’s university become suspects in a murder. It is a psychological thriller, examining the people they were then and those they are now 25 years later. With a wonderful twist in the tail.
Once you read Val McDermid you will always go back for more. The Queen of Scottish Crime as far as I’m concerned.
The Karen Pirie series has now been filmed for TV.
The first novel in the bestselling Karen Pirie series
The award-winning Number One bestseller and Queen of crime fiction Val McDermid carves out a stunning psychological thriller. The past is behind them, but what's still to come will tear them apart...
From the creators of Line of Duty and Bodyguard, KAREN PIRIE is now on ITV, starring Lauren Lyle (Outlander)
Some things just won't let go.
The past, for instance.
That night in the cemetery.
The girl's body in the snow.
On a freezing Fife morning four drunken students stumble upon the body of a woman in the snow. Rosie…
I am Mary Albanese–mother, educator, and author. We all make mistakes, but in my career, it seems to me that how we deal with our mistakes is what defines us. An error can cripple us or teach us to become a better person. To me, nothing is more powerful than the path to redemption and forgiveness. I love these books because they make me feel as if I am inside the story, facing the hard choices. More than just stories, each one is a journey of transformation into the heart of the human soul. I hope you find these books as meaningful and profound as I have.
I found this book so shocking that I couldn’t put it down. I was so mad at Amir for betraying his friend Hasim that I didn’t believe he could possibly be redeemed. I didn’t think he deserved it. Yet, with skill and grace, the author takes us so deep inside Amir’s feelings and lingering shame that it reminded me of the times that I let someone down or said something I wish I hadn’t.
As much as I’d like to ignore my mistakes or pretend them away, this book shows me that there is always a way back to try to do the right thing. It might be hard. It will be humbling. But I am grateful to this book for reminding me to try.
Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
There’s something deliciously attractive about this book.
The language Bradbury uses draws me in every time I visit it, and it keeps me hooked. This was another book I found as a kid, and it left its hooks in me from when I was young.
Is it morbid? There are definitely morbid parts to it. And it deals with life-and-death situations, but it’s just so good. I never wanted it to end.
One of Ray Bradbury’s best-known and most popular novels, Something Wicked This Way Comes, now featuring a new introduction and material about its longstanding influence on culture and genre.
For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin. Cooger & Dark’s Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. The carnival rolls in sometime after midnight, ushering in Halloween a week early. A calliope’s shrill siren song beckons to all…
My second novel, Snakes of St. Augustine, describes an unconventional love story served up with a large side of Florida weirdness. My first novel, City in a Forest, received a Gold Royal Palm Literary Award from the Florida Writers Association in 2020. My short fiction and essays have appeared in Pangyrus, Eckerd Review, Northern Virginia Review, Atticus Review, and elsewhere. I earned my bachelor’s degree in English from Eckerd College and the M.F.A. in Fiction from Queens University of Charlotte. Currently, I’m a writer for a university in Daytona Beach, Florida. A resident of Ponce Inlet, I began volunteering with the Volusia-Flagler Sea Turtle Patrol in 2018.
The devastating story of two boys unjustly sentenced to serve time in a nightmarish juvenile reform school, The Nickel Boys won a Pulitzer Prize and became a New York Times bestseller.
It is a must-read for anyone sampling literary works featuring Florida. The boys in the story, Elwood and Turner, endure and witness hellish abuse at the Nickel Academy. The boys’ haunting story, exquisitely told by Colson Whitehead, is based on Florida’s real-life Dozier school where thousands of children were tortured, raped, and murdered for more than a century.
Whitehead’s unflinching descriptions of terror and abuse can be tough to take, but they serve an important purpose, by forcing the reader to confront the hellish reality that was America under Jim Crow laws. Long after the last page is turned, if ever, this novel won’t leave you.
NATIONAL BESTSELLER • In this Pulitzer Prize-winning follow-up to The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys unjustly sentenced to a hellish reform school in Jim Crow-era Florida.
When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way…
I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
I’m pretty sure this was the first story about gay guys that I ever read. I had a book of Annie Proulx’s short stories I’d been meaning to read and stumbled across this particular one by accident. I only saw the film a long time later and that bowled me over too. The story is beautifully written, though find it so sad to read (and watch). Individuals struggling to come to terms with the way they feel is the essence of so many romances and this opened the door to all those that followed. She’s a brilliant writer.
The inspiration behind 'Life of Pi' director Ang Lee's 'Brokeback Mountain' is one of the short stories to be found in this haunting collection of Wyoming tales.
'Brokeback Mountain' is set in the beautiful, wild landscape of Wyoming where cowboys live as they have done for generations. Hard, lonely lives in unforgiving country. Jack Twist and Ennis del Mar are two ranch hands, glad to have found each other's company where none had been expected. But companionship becomes something else on Brokeback Mountain, something not looked for - an intimacy neither can forget.
My fascination with crime fiction has come from reading about it. I have no idea how many novels I have read focused on baddies and the catching of them, but it’s numbering now in the many hundreds. I think the fact that a crime novel can incorporate elements of all other genres – horror, history, romance, the supernatural, etc. are what make them so appealing and add to the joy of writing them. Untangling the threads that make up a crime novel is very satisfying. Maybe in another reality, I would be a detective – I love that idea, but for now, in this bit of the multiverse, I’ll just carry on making them up.
Another series. I really enjoy getting to know characters and look forward to watching them develop over the time that I read about them. Bryant and May are so very unusual. Quirky, and a little bit mad, it has to be said, as are the whole of the Peculiar Crime Unit. The back stories are expertly woven into the narrative and the detail and relating of little-known facts about London are absolutely fascinating. Again I have read the whole series, though as these two elderly detectives grow older and more frail I found them harder to read, but this book – the first in the series was a delight.
When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940.
In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through…
