100 books like Guide

This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.

The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.

On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged. 

This thriller is a compulsively readable novel.

In dueling POVs of a gay couple, Vernon explores their relationship, with its power imbalances and manipulations, in all its messiness. Neither narrator is being honest with the other, and the novel is set in motion when Oliver decides to visit a bathhouse where a would-be trick attacks him, making him fear for his life.

The rest of the novel ping-pongs between the narrators, both of whom are concealing so much from each other for very different reasons. 

Cline’s novel is one of the most unsettling books I read this summer.

Readers follow the protagonist as she slowly and inescapably sinks lower and lower, all while losing her grip on reality. In almost every chapter, she disrupts, if not ruins, the lives of the people she uses in various schemes in the hopes of convincing the older rich man whom she had been sleeping with to take her back.

The novel has a languid pace, but there are so many exquisite passages peppered throughout the creeping dread as you watch the protagonist’s increasingly destructive choices play out.

Habib’s novel is an interesting and disturbing debut following a single father who unexpectedly reconnects with a former bully who has ulterior motives.

The first part of the novel jumps back and forth between their high school days and the present, leading to a moment of shocking violence. It’s the aftermath of that violence and how the protagonist deals (or fails to deal) with it that stands out the most, leading to a gut-wrenching conclusion.

A string of supernatural events occurs when a gay writer moves into a house in the San Diego mountains built by a legendary film star of the 1930s. But the writer is not alone at the house—he has invited his close friends for a housewarming—and they soon discover the deceased actor had some nasty habits and a gruesome behavior. The investigations and resolutions of this absorbing novel unveil some shocking and grisly details, but there is a masterful balance of comedy along with the horror.

I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.

It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.

The Irish writer Colm Toíbín is one of our greatest novelists.

The Magician, a fictional biography of the German writer Thomas Mann, is a madcap family epic. So immediate are Toíbín’s portraits of Mann, his wife, and his children that one thinks one knows them. But Toíbín also offers a brilliant portrait of Mann as a writer.

We get inside his mind as he writes about his unfulfilled erotic desires. But perhaps what is most compelling for me is Toíbín’s portrait of Germany in the 1930s. Mann fled Germany for Switzerland in 1933 when Hitler became Chancellor, and eventually moved to the U.S. He was one of the few ex-pat German writers to speak publicly against the Nazis.

What is most impressive is how Toíbín examines, through Mann, what made Germany susceptible to Nazism. I have not read it more subtly and more compellingly explained.  

This rare Black queer romance novel is a heartfelt exploration of friendship and second chances.

It doesn’t shy away from the complexities of maintaining relationships in the midst of grief, addressing head on one of the most difficult and underexplored aspects of loss. It’s a reminder that our past shapes us, but our present can redefine us, through the refreshing lens of Black queer characters just trying to figure out their lives.

This book has a provenance that’s almost like a prison sentence: released in 1953 under the title Cast the First Stone, it would have been Himes’ first novel, but its frankness about homosexual relationships in prison and the fact that a Black writer had written white main characters, made publishers shit their pants and doctor the life out of it to make it conform to 50s market expectations. Of course, in the process, they ruined it.

But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison seems to be a place where people indulge homosexual desires, though the atmosphere somehow remains homophobic.

Reading this book could foster more compassion for queer desires, whether those of prisoners who identify as LGBTQIA+, or those who claim… show more.

We’ll start with another novel (there are many) inspired in part by the Leopold and Loeb crime. This one swaps Chicago for Pittsburgh, and changes their mismatch in IQs for a stark class divide.

One of the variations I most enjoy in this retelling is that university students Paul Fleischer and Julian Fromme are both damaged when they meet. Julian is scarred physically from a car crash in his youth, and Paul is still recovering emotionally from the death of his father.

Additionally, since the book is set in the 1970s, their sexual involvement with one another is more explicit than the original story could allow (though it still comes with social stigma).

A captivating work of dark academia and crime, the obsession between these two compels them to court their own ruin.