Here are 100 books that Guide fans have personally recommended if you like
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I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.
The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.
On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged.
A poignant work of mature, haunting artistry, Edinburgh heralds the arrival of a remarkable young writer. Fee, a Korean-American child growing up in Maine, is gifted with a beautiful soprano voice and sings in a professional boys' choir. When the choir director acts out his paedophilic urges on the boys in the choir, Fee is unable to save himself, his first love, Peter, or his friends.
Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?
In dueling POVs of a gay couple, Vernon explores their relationship, with its power imbalances and manipulations, in all its messiness. Neither narrator is being honest with the other, and the novel is set in motion when Oliver decides to visit a bathhouse where a would-be trick attacks him, making him fear for his life.
The rest of the novel ping-pongs between the narrators, both of whom are concealing so much from each other for very different reasons.
Nominated for a 34th annual Lambda Literary Award • A scintillating thriller with an emotional punch: “The tension builds to unbearably claustrophobic levels. To say more would rob readers of the 'no, he didn’t' suspense that makes Bath Haus an unexpectedly twisted, heart-pounding cat-versus-mouse thriller" (Los Angeles Times).
Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse.…
My love for strange women began with a love of the tomboy, growing up in the ‘80s and 90’s with characters like Pippi Longstocking and George from The Famous Five. They’re young women who broke the rules of decorum or gender presentation—and they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character who’s a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boring—give me the chaos.
I love an audacious woman, even if she is a hot mess. This book follows Alex, a young woman who’s been staying at the Hamptons with an older man. She’s a calculated person, good at capitalizing on the good natures and human weaknesses of others, but a small misstep brings her free ride with the older man to an end. Instead of leaving, she decides to linger on Long Island.
Each night, she finds a new person to graft, a new scheme to help her stay. Spending time with Alex was stressful and made me want to shake her for her short-sightedness and self-sabotaging. But at the same time, I couldn’t help but admire her grit and wonder what on earth she was going to do next.
* A TIMES 'Book of 2023' * 'Addictive' STYLIST Books to Look Out For 2023 * 'Destined to be the status read of 2023' HARPER'S BAZAAR BEST NEW FICTION * 'The perfect summer read' CULTURE WHISPER * An EVENING STANDARD 'Best New Books for Spring' * A Financial Times Best Summer Read 2023 *
Summer is coming to a close on Long Island, and Alex is no longer welcome...
One misstep at a dinner party and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city. With…
Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?
Habib’s novel is an interesting and disturbing debut following a single father who unexpectedly reconnects with a former bully who has ulterior motives.
The first part of the novel jumps back and forth between their high school days and the present, leading to a moment of shocking violence. It’s the aftermath of that violence and how the protagonist deals (or fails to deal) with it that stands out the most, leading to a gut-wrenching conclusion.
Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water's edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have "run into" his old friend. Jack suggests a meal to catch up. And can he spend the night?
What follows is a fast-paced story of obsession and cunning. As Jack invades Todd's life, pain and intimidation from the past unearth knife-edge suspense in the present. Set in a small town on the…
During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
A string of supernatural events occurs when a gay writer moves into a house in the San Diego mountains built by a legendary film star of the 1930s. But the writer is not alone at the house—he has invited his close friends for a housewarming—and they soon discover the deceased actor had some nasty habits and a gruesome behavior. The investigations and resolutions of this absorbing novel unveil some shocking and grisly details, but there is a masterful balance of comedy along with the horror.
Jim Brandon has a new house, and boy, is it a pip. Built high on the side of the San Diego mountains by a legendary B-movie actor of the 1930s, Nigel Letters, the house is not only gorgeous, but supposedly haunted. As a writer of horror novels, Jim couldn't be happier.
But after a string of ghostly events sets Jim’s teeth on edge and scares the bejesus out of his dog, Jim begins to dig into the house’s history. What he finds is enough to creep out anybody. Even Jim. It seems long-dead Nigel Letters had a few nasty habits…
I am a queer author of over thirty novels, most recently The House in the Cerulean Sea, Under the Whispering Door, In the Lives of Puppets, and my upcoming novel, Wolfsong. Though I’ve written across many genres, science fiction, and fantasy are where I feel most at home, and my writing reflects that. I love exploring worlds where good people fight for what’s right even when they make mistakes along the way. Humanity is always at the forefront of what I do, and though we can be disappointing, there is nothing quite like us in all the universe—as far as we know.
I was able to be on a couple of panels with Mr. Greer where he discussed this novel and its sequel, Less is Lost. The first book, Less, is a queer novel that won the Pulitzer Prize, a well-deserved accolade for this story about second chances in life—or third or fourth chances, depending upon the situation.
It’s remarkable to see a novel like this win such a major literary prize. Mr. Greer deserves it for his dynamic work.
In Villa Air-Bel, I wrote about an extraordinary man, Varian Fry. A journalist sent to France in 1940 with a list of 200 artists to save, he expected to stay 2 weeks. He stayed 15 months, establishing the Emergency Rescue Committee. By the time the Vichy police expelled him, he’d saved 2,000 people. Who has the courage to put their lives on the line for strangers? In The Betrayal of Anne Frank: A Cold Case Investigation, I recorded how five people risked their lives to hide the Frank family until they were finally betrayed. Two of the helpers were sent to concentration camps. It takes courage to resist Fascism. Would I/ we have that courage?
The Irish writer Colm Toíbín is one of our greatest novelists.
The Magician, a fictional biography of the German writer Thomas Mann, is a madcap family epic. So immediate are Toíbín’s portraits of Mann, his wife, and his children that one thinks one knows them. But Toíbín also offers a brilliant portrait of Mann as a writer.
We get inside his mind as he writes about his unfulfilled erotic desires. But perhaps what is most compelling for me is Toíbín’s portrait of Germany in the 1930s. Mann fled Germany for Switzerland in 1933 when Hitler became Chancellor, and eventually moved to the U.S. He was one of the few ex-pat German writers to speak publicly against the Nazis.
What is most impressive is how Toíbín examines, through Mann, what made Germany susceptible to Nazism. I have not read it more subtly and more compellingly explained.
THE SUNDAY TIMES TOP TEN BESTSELLER WINNER OF THE RATHBONES FOLIO PRIZE 2022 SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2022
From one of our greatest living writers comes a sweeping novel of unrequited love and exile, war and family.
The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism.
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This rare Black queer romance novel is a heartfelt exploration of friendship and second chances.
It doesn’t shy away from the complexities of maintaining relationships in the midst of grief, addressing head on one of the most difficult and underexplored aspects of loss. It’s a reminder that our past shapes us, but our present can redefine us, through the refreshing lens of Black queer characters just trying to figure out their lives.
Two newly single, Black, queer, and socially aware men have packed up to start again--in love, career, and life--in the West Hollywood neighborhood of LA.
Zaire James, on the cusp of 30, has decided marriage isn't all it's cracked up to be. Despite friends, family, and coworkers loving Zaire's "perfect" partner, divorce is a necessary step for finding himself and being free. If only it were that easy.
Kenny Kane has made a career of deferring dreams, lowering expectations, and chasing partners not on his level in hopes of finding a love to call his own. However, on the verge…
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
This book has a provenance that’s almost like a prison
sentence: released in 1953 under the title Cast the First Stone, it
would have been Himes’ first novel, but its frankness about homosexual
relationships in prison and the fact that a Black writer had written white
main characters, made publishers shit their pants and doctor the life out of it
to make it conform to 50s market expectations. Of course, in the process, they
ruined it.
But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison
seems to be a place where people indulge homosexual desires, though the
atmosphere somehow remains homophobic.
Reading this book could foster more
compassion for queer desires, whether those of prisoners who identify as
LGBTQIA+, or those who claim…
A classic restored-the complete and unexpurgated text of a great African-American writer's brutal and lyrical novel of prison life. First published in reduced and bowdlerized form in 1952 as Cast the First Stone, Yesterday Will Make You Cry was Chester Himes's first, most powerful, and autobiographical novel. This Old School Books edition presents it for the first time precisely as Himes wrote it, a sardonic masterpiece of debasement and transfiguration in an American penitentiary and one of his most enduring literary achievements.
On paper, it would be easy to think I’m the wrong person to recommend these books and write my own, which would fit easily onto this list. But as a lover of love and someone who has always enjoyed the company of men, particularly gay men, this is an area I have passion for - seeing hopeful and authentic love stories written for the masses.
This is another book with a very relatable main character. I’ve been in Dom’s shoes, trying to navigate complicated friendships while also dealing with my own life struggles and insecurities.
Being able to connect with the main character so deeply made the payoff at the end incredibly satisfying. And his love interest, Bucky, was truly swoon-worthy.
He's always been the token gay best friend. Now, stuck between a warring bride and groom hurtling toward their one perfect day, he's finally ready to focus on something new: himself.
Domenic Marino has become an expert at code-switching between the hypermasculine and ultrafeminine worlds of his two soon-to-be-wed best friends. But this summer-reeling from his own failed engagement and tasked with attending their bachelor and bachelorette parties-he's anxious over having to play both sides.
The pressure is on. The bride wants Dom to keep things clean. The groom wants Dom to "let loose" with the guys. And Dom just…
