Here are 72 books that Deadwood fans have personally recommended if you like
Deadwood.
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I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call āhistory,ā however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, Iāve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But Iāve only ever encountered the fantasticalānot to mention the historicalāin texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
Speaking of authors who combine stylistic daring with profound emotion, I give you George Saunders. Saundersās strange and funny stories prompted me to try my hand at writing fiction, and his first novel is one of my favorite books.
Inspired by the true story of Abraham Lincoln sneaking, on multiple occasions, into a Washington D.C. crypt to cradle the corpse of his young son, Willie, this book also breathes life into a sizeable cast of ghosts squatting in the āBardoāāa liminal space between life and death. As the American Civil War rages, President Lincoln and the unwilling ghosts must all come to terms with the inevitability of death. This book is a great American novel, equally hilarious and heart-breaking.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returnsā¦
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Opheliaās War as my MFA thesis.
A greed-driven frenzy for buffalo hide based on market speculation decimated the species in the late 1800s.
The tragedy of the buffalo is paralleled by the plight of William Andrews who, inspired by transcendental philosophy, sets out to find his true self on the Western Frontier, yet ends up losing more than his innocence as he follows the buffalo into the abyss.
The tragedy of the buffalo is conveyed through story and is in no way pedantic or political. This novel taught me a lot about the economic forces of Western expansion in narrative form.
In his National Book Awardāwinning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcherās Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
It is the 1870s, and Will Andrews, ļ¬red up by Emerson to seek āan original relation to nature,ā drops out of Harvard and heads west. He washes up in Butcherās Crossing, a small Kansas town on the outskirts of nowhere. Butcherās Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them,ā¦
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Opheliaās War as my MFA thesis.
This book is a bit of a departure from my other picks because itās nonfiction and doesnāt take place in the nineteenth-century United States.
Even though this book has a lot of scholarly and historical references, I found it riveting. Iāve always been interested in the ancient world and Jezebel made me feel like I was there. The scholarly digressions from the story are both relevant and fascinating.
This book taught me that propaganda and spin doctoring are ancient practices. The power of the Jezebel story still influences modern culture and attitudes. Zealotry and intolerance are as old as history and still plague our society.
There is no woman with a worse reputation than Jezebel, the ancient queen who corrupted a nation and met one of the most gruesome fates in the Bible. Her name alone speaks of sexual decadence and promiscuity. But what if this version of her story, handed down to us through the ages, is merely the one her enemies wanted us to believe? What if Jezebel, far from being a conniving harlot, was, in fact, framed? In this remarkable new biography, Lesley Hazleton shows exactly how the proud and courageous queen of Israel was vilified and made into the very embodimentā¦
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Opheliaās War as my MFA thesis.
The guilty conscience, PTSD, and war crimes of a British Captain drive him to seek tranquility in the Scottish Hebrides. Before reading this novel, I knew little about this time period and had never heard of the Scottish Hebrides.
The author transported me to the Hebrides so accurately that when I looked up pictures after finishing the novel they were the exact replicas of those in my imagination.
This novel has an existential heart yet is plot-driven and action-packed with romance and even moments of humor. The flow of prose and the incorporation of dreams into the story carried me to the last page and made me sad when it ended.
The rapturously acclaimed new novel by the Costa Award-winning author of PURE, hailed as 'excellent', 'gripping', 'as suspenseful as any thriller', 'engrossing', 'moving' and 'magnificent'.
One rainswept winter's night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.
Gradually Lacroix recovers his health, but not his peace of mind. He will not - cannot - talk about the war or face the memory of what tookā¦
I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what theyād seenāmelting glaciers, rising seas, changing ecosystems.
There are many media depictions of Deadwood, including in a popular HBO series with a lot of swearing in it. This book is fascinating because itās a report by an eyewitness. Want to know what an evening was like at Al Swearengenās Gem Theater, portrayed in the show? The Gem was āa clangorous, tangling, insidious part of Deadwoodās nightly life,ā Bennett tells us.
Deadwood in the late 1800's was a rowdy mining town where fortunes were made overnight (and guarded with a Winchester). Local characters like Cold Deck Johnny, Slippery Sam, and Swill Barrel Jimmy rubbed elbows with the infamous Calamity Jane and Wild Bill Hickock. Preacher Smith, a "sky pilot without a compass" tried to keep everyone's souls in order while the author's father, Judge Bennett, upheld the law. The author grew up along with the town, and saw it change from a semi-permanent miner's camp to a real town when the railroad came. Full of real wild west exploits and notoriousā¦
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about womenās roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
If youāre a fan of Deadwood or, going further back, the 1953 Doris Day movie, Calamity Jane, you will be fascinated by Jonesās book about the buckskin-wearing Martha Jane Canary, a.k.a. Calamity Jane. Details about her life are either sparse or exaggerated, so Jones tells us what the frontier legend has symbolized, both in her own time and in ours. Dressing like a man made her stand out and made her the object of both derision and decades of bad biographies. She still serves as a symbol of the way that women could defy expectations in the West, and Jonesās book gives us a Calamity Jane we can root for.
A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane
"In this vivid and compelling biography, Karen Jones recovers the remarkable creativity of Martha Jane Canary, who helped to invent the mythic West by reinventing herself. As Calamity Jane, she told wild tales of adventure and blurred the lines between legend and history, male and female, and truth and possibility."-Alan Taylor, author of The Internal Enemy
Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her ownā¦
I became fascinated by westerns when my parents took me on vacation to Deadwood, South Dakota and I came home with a brace of toy six-shooters and a book called The Gunfighters by Lea F McCarty, which featured bios of various notorious westerners, from Billy The Kid to Calamity Jane. I eventually left Clayton Moore and The Cisco Kid behind for Sergio Leone. I had a strong interest in ghost stories, and it was Robert E. Howard that gave me the bug for the weird western genre. I wrote two straight-up western novels, Buff Tea and Coyoteās Trail, but I didnāt find an audience until I started injecting my stories with ghoulies.
Richard Mathesonās career was as prolific as it was varied. Heās best known for I Am Legend, What Dreams May Come, and The Incredible Shrinking Man, to say nothing of his Twilight Zone episodes, but he also wrote the Spur Award-winning Journal of The Gun Years and its companion novel The Memoirs of Wild Bill Hickock ā huge influences on my own found document novel. A number of his western shorts are collected here. Most notable in terms of weird westerns is the cleverly titled "Gunsight," the story of a blind lawman preparing to defend himself from a band of approaching killers a la High Noon.
I was born in a little shipbuilding town in Scotland but, like everyone else in the world back then, I grew up in the American West. These were the stories we all grew up with ā burned into our imaginations along with stories from the Bible or the Greek myths. Nowadays, the West is still important to me ā but today it is the personal accounts of the West that interest me most ā the personal diaries and eye-witness accounts of the brides, the doctors, teachers, mothers, children, who experienced the West first-hand.
The hard-drinking, cigar-smoking, cross-dressing heroine of the American West continues to keep a python grip on the imagination.āIām a howling coyote from Bitter Creek, the further up you go the worse it gets and Iām from the headwaters,ā she used to rap. Calamity fascinates because she is a self-made myth and Linda Jucovyās biography is an informed and insightful exploration of that myth.
āWho in the world would think that Calamity Jane would get to be such a famous person?ā one of the pallbearers at her funeral asked an interviewer many years later. It seemed like a reasonable question. Who else has accomplished so little by conventional standards and yet achieved such enduring fame?
But conventional standards do not apply. Calamity was poor, uneducated, and an alcoholic. For decades, she wandered through the small towns and empty spaces of the Dakotas, Wyoming, and Montana. But she also had a natural talent for self-invention. She created a story about herself and promoted it tirelesslyā¦
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicagoās mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
When I was a homeless artist living on Chicagoās cold streets for six months, it was hard for me to believe in a compassionate Judeo-Christian God. It was difficult for me to reconcile how a just and benevolent God would let African pregnant women be thrown into the Atlantic Ocean and perish with thousands of other slaves.
That is why I became agnostic and was attracted to Sartreās belief in the essential freedom of individuals, and he also believed that as free beings, people are responsible for all elements of themselves, their consciousness, and their actions. It made me question why I was homeless. Was it because of bad choices in life? Or was it just the experience of being a black male in a racist capitalist society?
Sartre became an existentialist because of the war and an encounter with Merleav Ponty, who taught him the political dimension of humanā¦
Revisit one of the most important pillars in modern philosophy with this new English translationāthe first in more than 60 yearsāof Jean-Paul Sartreās seminal treatise on existentialism. āThis is a philosophy to be reckoned with, both for its own intrinsic power and as a profound symptom of our timeā (The New York Times).
In 1943, Jean-Paul Sartre published his masterpiece, Being and Nothingness, and laid the foundation of his legacy as one of the greatest twentieth century philosophers. A brilliant and radical account of the human condition, Being and Nothingness explores what gives our lives significance.
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. Iāve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isnāt widely known. The plot is quite bizarre and surrealāa man falls in love with a woman who is growing a water lily in her lung.
The novelās theme of grief stood out to me, and I feel it was perfectly illustrated by Collinās desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartreās existentialist philosophy as inspiration for this novel.