Fans pick 100 books like The Way of Wyrd

Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.

I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.

Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.

As we watch the news–the increasing number of earthquakes, volcanoes, wars, inflation, the rapid progress of AI, unelected elites deciding they know best for the world, and more–we don’t know how to process it all, and it leaves us feeling anxious. My passion for helping my readers not just escape but actually live better fuels me. I created this retelling of the Book of Revelations from the POV of celestial warriors and fallen angels in the unseen realms of our world to allow my readers to “make more sense” of the world and be at peace.

I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.

I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!

I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.

Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.

I was a freelance writer for The Oxford Times for 20 years when it was well respected. For ten of those years, I wrote the Oxford Castaway series in which I cast away inspirational people from 5 continents whose lives have been affected by their time in the city. Even Lord Chris Pattern of Barnes – the Chancellor of Oxford University and former Governor of Hong Kong let me cast him away on Oxtopia! Oxford is still divided between Town and Gown but I stride the two and my husband was an academic at that other Oxford University: Oxford Brookes.

I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.