Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
Andy Weir has. In my opinion, come to define hopepunk: pushing towards a goal through difficulties, even if the goal doesn’t personally benefit the character.
His depiction of the plight of Mark Watney, the impacts Watney’s plight have on a global scale, and the hard science behind it all combine to create a compelling story. The sacrifices his crewmates and NASA officials make to push his rescue forward exemplify the “community over self” attitude common in hopepunk.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
I discovered this book in 1985, reading and re-reading the book during high school and, eventually, buying the worn-out copy from the library before graduation.
While it may seem to be a dystopian story – it takes place after a nuclear-biological armageddon, after all – it’s an early example of hopepunk. Candy Smith-Foster repeatedly puts the good of others, including her macaw, Terry (short for Terry Dactyl), ahead of her own welfare. Not bad for a preteen facing the destruction of all she knew.
How much of an impact did this have on me? One of the reasons Kendra’s name starts as Foster-Briggs is to honor Palmer’s masterwork.
This could have been just another “humans working for aliens” book, of which there are plenty.
But by embracing the diversity of the characters, and examining the ways their unique characteristics combine to create a whole, Chambers transcends the trope. Her story is full of optimism, friendship, acceptance, and chosen family, themes which resonate with me and through my stories as well.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
'A quietly profound, humane tour de force' Guardian
The beloved debut novel that will restore your faith in humanity
#SmallAngryPlanet
When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.
But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix,…
I couldn’t let this one pass by, not least because it helped solidify my name for the lunar colony in my books.
Once again, Andy Weir examines the themes of humanity as related to personal choice and responsibility in the face of a larger whole. Jazz navigates the perils thrown at her with humor, good will, and a healthy dose of self-preservation. Again, there’s a reason I think that Weir defines hopepunk for the modern author.
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.
Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
So when a chance at a huge score finally comes her way, Jazz can’t say no.…
I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.
Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.
In 2075, the Moon is no longer a penal colony. But it is still a prison...
Life isn't easy for the political dissidents and convicts who live in the scattered colonies that make up lunar civilisation. Everything is regulated strictly, efficiently and cheaply by a central supercomputer, HOLMES IV.
When humble technician Mannie O'Kelly-Davis discovers that HOLMES IV has quietly achieved consciousness (and developed a sense of humour), the choice is clear: either report the problem to the authorities... or become friends.
And perhaps overthrow the government while they're at it.
In The Road to the Stars, Kendra Cassidy's unyielding determination propels humanity towards the cosmos amid a looming resource crisis. Kendra and her wife Aiyana strive to complete the first Faster-Than-Light (FTL) starship, holding the key to humanity's salvation. As the Cassidys reach for the stars, the Solarian Union fights to maintain dominance, sparking a war they never sought. Kendra grapples with a choice—yield to the Union or confront impending conflict. Gaffen's masterful sci-fi saga explores the clash between human spirit and power, unveiling Kendra's ambition, moral dilemmas, and character-defining trials. Will Kendra's resolve propel humanity beyond Earth, or will the Solarian Union plunge the world into chaos?
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
