Here are 100 books that Emergence fans have personally recommended if you like
Emergence.
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I’m a woman in a technology field dominated by men, a person with both mental and physical problems, and I’ve studied a dozen different martial arts. I’m a mean shot with a bow and love to hurl axes and spears. None of these things are contradictory. They’re just different aspects of me. Real people don’t fit in boxes and neither should good characters. My world is filled with my Hispanic grandkids, my bi daughter, my gay foster brother, my friends and family and people I love that don’t fit the Captain Awesome stereotype. Remember that we, too, can be heroes.
This whole book, I kept expecting an epic space battle to break out. That’s how space operas work, I thought, but now I’ve been introduced to cozy science fiction.
The book explored a dozen species. Very different people kept finding common ground, something anyone living in the US right now is struggling with.
My life has been filled with people who didn’t fit the average person mold in various ways. I was moved almost to tears more than once as people who were all so different found their way into something like a family. I particularly enjoyed how the love of friends was given the same weight as romantic love. I gloried in how each relationship interwove into something greater than the parts.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
'A quietly profound, humane tour de force' Guardian
The beloved debut novel that will restore your faith in humanity
#SmallAngryPlanet
When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.
But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix,…
Before I was an author, I was a scientist pursuing a PhD in molecular genetics. When I left the lab and started writing, that scientist’s need for real-world sense stuck with me and became a theme in everything I write. The authors I like understand that “suspension of disbelief” is a limited resource, so they’d better only ask readers for it when it counts. Get the baseline facts and logic right, and I’ll believe and enjoy the fantastical stuff spun from it so much more.
You can’t get more “real science" than this book! The author is an engineer who refuses to ask readers to take things on faith if there’s any way he can give them a real-world grounding with the science we already have.
I loved it because I completely and totally believed it. Weir works within the rules of the real world rather than ignoring them and hoping readers don’t notice, which is what so many books do. All you need to do is believe that a manned mission to Mars is possible, and the rest won’t raise a single “but wait; that wouldn’t happen” eyebrow!
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.
Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.
In 2075, the Moon is no longer a penal colony. But it is still a prison...
Life isn't easy for the political dissidents and convicts who live in the scattered colonies that make up lunar civilisation. Everything is regulated strictly, efficiently and cheaply by a central supercomputer, HOLMES IV.
When humble technician Mannie O'Kelly-Davis discovers that HOLMES IV has quietly achieved consciousness (and developed a sense of humour), the choice is clear: either report the problem to the authorities... or become friends.
And perhaps overthrow the government while they're at it.
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I couldn’t let this one pass by, not least because it helped solidify my name for the lunar colony in my books.
Once again, Andy Weir examines the themes of humanity as related to personal choice and responsibility in the face of a larger whole. Jazz navigates the perils thrown at her with humor, good will, and a healthy dose of self-preservation. Again, there’s a reason I think that Weir defines hopepunk for the modern author.
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.
Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
So when a chance at a huge score finally comes her way, Jazz can’t say no.…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
I have adored my next pick for its long narrative threads ever since I read it in my youth. It is the first book of a trilogy, but its ideas about human dignity and honor transcended the first book and pulled me into reading the second and third.
E. P. Dutton, 1973. Trade paperback. This 1971 novel is the first book in "The Exiles" series, which also includes "Flight of Exiles" (1972) and "End of Exile" (1975). The three novels were later collected as "The Exiles Trilogy."
As a kindergarten teacher and a mother of three boys, I live at the intersection of weird and wonderful, so I expect nothing less from my library. Indie authors offer unique points of view, aren’t afraid to break the rules, and are motivated by their passion for the craft of writing. I'm drawn to those writers who let the voices in their heads lead the way, creating characters you become invested in from page one. I love writing around my characters, because once I have them developed, the books tend to write themselves. Some of my best storylines are ones where my characters took over and led me in weird and wonderful directions.
I’ll be honest with you, this one is a brain-bender, and I love that about it. I may not have been able to wrap my brain around all of the unique twists and turns in this story, but the characters are so well-developed, the description is so vivid, and the action scenes are so well-crafted, it really didn’t matter. Set in the middle of a dystopian cancer plague, the eerie biblical and sci-fi elements make this one a real page-turner.
Global pandemic is raging. Olivya Wright-Ono's once loving home has been converted to a hospice for the dying. Her ability to see auras forces her to witness, with agonizing detail, the vibrant colors of life consumed by malignancy. The beautiful and troubled, Mikah, is an elite Empath in the ancient Kindred clan, led by the brooding, ever-morphing, monster named Prime. Mikah has learned a terrible truth . . . the plague is linked to Kindred origins. When Olivya sees evidence of disease creeping into her mother's aura, she has no one to turn to but Mikah. Can he unearth the…
As a children’s novelist, I believe there’s nothing more important than showing kids it’s okay to experience emotion. Nothing is more powerful than watching someone rise to the occasion, and showing vulnerability in the process. Plus, middle-grade books are just fun—they let us create these fantastical ways to show very grounded, human needs. Rockets become friendships? Jellyfish offer understanding? Sign me up! It’s my pleasure to recommend these novels to kids everywhere (even the adult ones)!
This book was my childhood favorite, by far. The Girl Who Owned a City is an exploration of life after adults: when every adult suddenly dies, the world is left to their kids… and not everyone will survive. Determined to keep her younger brother alive and the memory of their parents close, Lisa somehow creates a community that becomes a safe haven for miles around. As a main character, Lisa absolutely steals the show; her resourcefulness and grit are unmatched, and stuck with me for years after reading this book. There’s also a graphic novel version, for anyone who prefers that format!
A deadly plague has devastated Earth, killing all the adults.
Lisa and her younger brother Todd are struggling to stay alive in a world where no one is safe. Other children along Grand Avenue need help as well. They band together to find food, shelter, and protection from dangerous gangs invading their neighborhood.
When Tom Logan and his army start making threats, Lisa comes up with a plan and leads her group to a safer place. But how far is she willing to go to protect what's hers?
I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
I was surprised at how much I loved The Wizard of the Kremlin. I was sorry to reach the last page. Why? The central character is a fascinating post-modern Machiavellian political strategist whose machinations set the global standard for disinformation as a political tool in the post-modern, digital world.
Vadim Baranov is based on a real-life character, Russian President Putin’s long-time former PR man and advisor, Vladislav Sirkov. The book is an imagined one-night meeting with the now-retired former reality TV producer, an utterly cynical but simultaneously surprisingly morally aware man, who unwinds the story of his career.
THE INTERNATIONAL SENSATION - a stunning work of political fiction about the rise to power of Putin's notorious spin doctor
'A great book, casting light on the creatures that crawl and slither behind the Kremlin's walls, on the mineral hardness of Putin, on the chaos engine that is his way of hurting us' John Sweeney
'An acute and timely dissection of Russian power, told through the eyes of a shadowy political advisor to Putin' Financial Times
'A fictional wandering through the dark corridors of the Kremlin' The Times, Biggest Books of the Season
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Brian Aldiss is one of my favorite writers. His SF books are usually set far away, but this is a welcome change of pace. This novel is set around Oxford, and Aldiss breaks out his inner Tolkien (another one of my favorite authors) to describe the landscape.
In an age where ‘yoof’ is venerated, I loved the over-50s protagonists struggling with the declining world they created while their bodies and minds also declined. As I am in my mid-50s, I empathized with them.
Human reproduction has ceased and society slowly spirals in this “adult Lord of the Flies” by a Grand Master of Science Fiction (San Francisco Chronicle).
After the “Accident,” all males on Earth become sterile. Society ages and falls apart bit by bit. First, toy companies go under. Then record companies. Then cities cease to function. Now Earth’s population lives in spread‑out, isolated villages, with its youngest members in their fifties. When the people of Sparcot begin to make claims of gnomes and man‑eating rodents lurking around their village, Greybeard and his wife set out for the coast with the hope…
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?
I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.
Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it.
