Here are 100 books that Emergence fans have personally recommended if you like
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I’m a woman in a technology field dominated by men, a person with both mental and physical problems, and I’ve studied a dozen different martial arts. I’m a mean shot with a bow and love to hurl axes and spears. None of these things are contradictory. They’re just different aspects of me. Real people don’t fit in boxes and neither should good characters. My world is filled with my Hispanic grandkids, my bi daughter, my gay foster brother, my friends and family and people I love that don’t fit the Captain Awesome stereotype. Remember that we, too, can be heroes.
This whole book, I kept expecting an epic space battle to break out. That’s how space operas work, I thought, but now I’ve been introduced to cozy science fiction.
The book explored a dozen species. Very different people kept finding common ground, something anyone living in the US right now is struggling with.
My life has been filled with people who didn’t fit the average person mold in various ways. I was moved almost to tears more than once as people who were all so different found their way into something like a family. I particularly enjoyed how the love of friends was given the same weight as romantic love. I gloried in how each relationship interwove into something greater than the parts.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
'A quietly profound, humane tour de force' Guardian
The beloved debut novel that will restore your faith in humanity
#SmallAngryPlanet
When Rosemary Harper joins the crew of the Wayfarer, she isn't expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.
But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix,…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
Andy Weir has. In my opinion, come to define hopepunk: pushing towards a goal through difficulties, even if the goal doesn’t personally benefit the character.
His depiction of the plight of Mark Watney, the impacts Watney’s plight have on a global scale, and the hard science behind it all combine to create a compelling story. The sacrifices his crewmates and NASA officials make to push his rescue forward exemplify the “community over self” attitude common in hopepunk.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.
Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.
In 2075, the Moon is no longer a penal colony. But it is still a prison...
Life isn't easy for the political dissidents and convicts who live in the scattered colonies that make up lunar civilisation. Everything is regulated strictly, efficiently and cheaply by a central supercomputer, HOLMES IV.
When humble technician Mannie O'Kelly-Davis discovers that HOLMES IV has quietly achieved consciousness (and developed a sense of humour), the choice is clear: either report the problem to the authorities... or become friends.
And perhaps overthrow the government while they're at it.
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I couldn’t let this one pass by, not least because it helped solidify my name for the lunar colony in my books.
Once again, Andy Weir examines the themes of humanity as related to personal choice and responsibility in the face of a larger whole. Jazz navigates the perils thrown at her with humor, good will, and a healthy dose of self-preservation. Again, there’s a reason I think that Weir defines hopepunk for the modern author.
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.
Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
So when a chance at a huge score finally comes her way, Jazz can’t say no.…
As a kindergarten teacher and a mother of three boys, I live at the intersection of weird and wonderful, so I expect nothing less from my library. Indie authors offer unique points of view, aren’t afraid to break the rules, and are motivated by their passion for the craft of writing. I'm drawn to those writers who let the voices in their heads lead the way, creating characters you become invested in from page one. I love writing around my characters, because once I have them developed, the books tend to write themselves. Some of my best storylines are ones where my characters took over and led me in weird and wonderful directions.
I’ll be honest with you, this one is a brain-bender, and I love that about it. I may not have been able to wrap my brain around all of the unique twists and turns in this story, but the characters are so well-developed, the description is so vivid, and the action scenes are so well-crafted, it really didn’t matter. Set in the middle of a dystopian cancer plague, the eerie biblical and sci-fi elements make this one a real page-turner.
Global pandemic is raging. Olivya Wright-Ono's once loving home has been converted to a hospice for the dying. Her ability to see auras forces her to witness, with agonizing detail, the vibrant colors of life consumed by malignancy. The beautiful and troubled, Mikah, is an elite Empath in the ancient Kindred clan, led by the brooding, ever-morphing, monster named Prime. Mikah has learned a terrible truth . . . the plague is linked to Kindred origins. When Olivya sees evidence of disease creeping into her mother's aura, she has no one to turn to but Mikah. Can he unearth the…
As a children’s novelist, I believe there’s nothing more important than showing kids it’s okay to experience emotion. Nothing is more powerful than watching someone rise to the occasion, and showing vulnerability in the process. Plus, middle-grade books are just fun—they let us create these fantastical ways to show very grounded, human needs. Rockets become friendships? Jellyfish offer understanding? Sign me up! It’s my pleasure to recommend these novels to kids everywhere (even the adult ones)!
This book was my childhood favorite, by far. The Girl Who Owned a City is an exploration of life after adults: when every adult suddenly dies, the world is left to their kids… and not everyone will survive. Determined to keep her younger brother alive and the memory of their parents close, Lisa somehow creates a community that becomes a safe haven for miles around. As a main character, Lisa absolutely steals the show; her resourcefulness and grit are unmatched, and stuck with me for years after reading this book. There’s also a graphic novel version, for anyone who prefers that format!
A deadly plague has devastated Earth, killing all the adults.
Lisa and her younger brother Todd are struggling to stay alive in a world where no one is safe. Other children along Grand Avenue need help as well. They band together to find food, shelter, and protection from dangerous gangs invading their neighborhood.
When Tom Logan and his army start making threats, Lisa comes up with a plan and leads her group to a safer place. But how far is she willing to go to protect what's hers?
Sci-fi and fantasy give us permission to go places we might not go in this world. I am a big daydreamer and always have been. One of the most magical things about being a writer is that you get to design a world that lives only in your mind, and then share it with the reader. Like George R. R. Martin wrote, “A reader lives a thousand lives before he dies. The man who never reads lives only one.”
The story of people living in an underground Silo who don’t know why they're there, and only that the outside world is toxic and they must survive.
The characters in this story are heroic and relatable. I just wanted this book to keep going, and luckily there are two more in the series – Shift and Dust. The TV series is also a great addition and keeps a similar tone to the book.
SOON TO BE A MAJOR APPLE TV SERIES __________________________ 'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' DAILY EXPRESS
In a ruined and hostile landscape, in a future few have been unlucky enough to survive, a community exists in a giant underground silo.
Inside, men and women live an enclosed life full of rules and regulations, of secrets and lies.
To live, you must follow the rules. But some don't. These are the dangerous ones; these are the people who dare to hope and dream, and who infect others…
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
In this dystopian novel, the apocalyptic event is the financial collapse of the United States. In the neighborhood of Logan Pond, the neighbors must work together to survive while hiding from the tyrannical government which has usurped authority after the collapse. I loved this book because the characters were so genuine, I almost believed they were real. If it weren't for the horrifying situation these characters found themselves in, I think I would actually enjoy the challenge of living off-grid in a community like this. The ending of the story was satisfying, not exactly a happy ending, mind you, but a hopeful one all the same. This is a must-read for anyone who likes the post-apocalyptic/dystopian genre or is worried about the financial stability of our country. Highly recommended!
"A powerful, realistic story about life and love and the resilience of the human spirit. Just the right mix of action, drama, and romance." - Readers' Favorite
IN A WORLD WITHOUT MONEY, THE FIGHT TO SURVIVE BEGINS . . .
The economy crashed, the country is floundering, and Carrie Ashworth struggles to keep her siblings alive. She has two jobs in her newly-formed, newly-outlawed clan: grow crops to feed thirty-six people and maintain contact with Oliver Simmons, their local patrolman. Carrie’s life is almost content when Greg Pierce shows up.
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?
I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.
Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it.
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The only non-fiction book on my list, this prescient, chilling work examines the geopolitics of climate change.
Written in 2008 by an ex-naval officer turned journalist, this book works on two levels. First, cogent explanations of the science and interviews with senior military personnel from America and Great Britain. Then, eight scenarios that describe how the world might react as emissions rise.
Scenario One: 2045. The average global temperature is 2.8°C higher than in 1990. Prognosis: Awful.
And the scary thing is that’s pretty close to the trajectory we are currently on.
Dwindling resources. Massive population shifts. Natural disasters. Spreading epidemics. Drought. Rising sea levels. Plummeting agricultural yields. Crashing economies. Political extremism. These are just some of the expected consequences of runaway climate change in the decades ahead - and any of them could tip the world towards conflict. Bold, unflinching, and based on exhaustive research, "Climate Wars" grippingly reveals how world leaders are likely to react, and promises to be one of the most important books of the coming years.
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