Fans pick 100 books like The Moon Is a Harsh Mistress

Of all of Clarke’s works, this one had, for me, the grandest sense of adventure and mystery. We never do find out who the aliens are or what their goals might be, but we get to join them for part of their journey.

There are puzzles to solve, wonders to behold, and dangers bravely faced. I first read the book when I was nine years old, and it communicated to me just as clearly then as it does today.

I yearn to lose myself in the intricate tapestry of Tolkien's world, where every word is a brushstroke on the canvas of imagination. I am captivated by the allure of ancient languages and the power of storytelling to transport the reader to realms beyond reality.

The epic struggle between good and evil, the weight of destiny, and the enduring bonds of friendship resonate deeply within me. I am eager to embark on this perilous journey, to witness the rise and fall of heroes, and to confront the ultimate test of courage and will. 

I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.

My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.

This is a time travel masterpiece that captivated me from start to finish (as did the sequel). I absolutely loved how she weaves historical detail with a gripping, emotional narrative. The way Willis paints 14th-century England during the Black Death felt incredibly real, and I was drawn into the protagonist’s journey as she struggled with the dangers of time travel and the weight of history.

What really hooked me was the balance between the personal stakes of the modern characters vs the villagers and the larger-than-life historical events. I found myself thinking about the book long after finishing it, which, to me, is the mark of a great read. And there were tears! Although in a book about the Black Plague, I should have expected that…

All the good war stories capture the absurd alongside the epic, and what I love about this book is that both themes are core to this story. The soldiers can only find and fight their alien enemies by traveling thousands of light years almost instantly via “collapsars.”

However, the time dilation caused by each jump means dozens or even hundreds of years elapse on Earth between each fight. So, after each battle, they return to a home that’s increasingly alien to them. As much as I cheered for the heroes, in the end, I think I pitied them more than anything. Some wars just end up being more trouble than they’re worth. 

Darwinia was the first novel I read by Robert Charles Wilson, who I believe is the best modern-day science fiction writer. Darwinia was a novel I had to read twice to really grasp how brilliantly Wilson had woven everything together. This is one of those novels where the ending can sneak up on you and blow you away and you weren’t even remotely prepared, which is preferred over any ending that I can predict.

Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.

The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!

Although this book is ostensibly set in the future, countercultural enthusiasts of the sixties were quick to claim it for their own, with its references to transcendental enlightenment, out-of-body experiences, communal living, and free sex.

It became a best-selling phenomenon as contemporary young people reacted positively to its iconoclastic attitudes. That's what happened to me, too, when I came across the book shortly before the move to the Bay Area that opened my eyes to the reality of the psychedelic sixties.

The classic of classics, 2001: A Space Odyssey, offers a setting that could well be a reality in just a few years. The story begins long ago when alien intelligence leaves a marker for the apes that inhabit the Earth. The only problem is this marker is on the moon. But when humans are finally smart enough to discover it, it sends a signal to Jupiter. One of the inferences in the sequels to 2001 is that the alien intelligence itself is artificial—the product of a race that has delegated control and development of the galaxy to machines.  

To pursue man's destiny, the mission to Jupiter must be placed in the care of the HAL 9000 computer. HAL is presented as the perfect mimic of human emotions and the ideal caretaker of its human cargo. But to carry out its mission, HAL must do something it can't. It must… show more.

I like to write “big” books not just in length, but in high concept and complexity.

While struggling with my first book, my editor recommended this one by Michael Crichton. In this book, a derelict spaceship is discovered at the bottom of the Pacific Ocean, and a group of scientists are sent down to investigate Earth’s first solid proof of extraterrestrial life. Their encounter quickly becomes a struggle for survival, and when a typhoon drives off the support vessels on the surface, they are on their own.

Sphere taught me a skilled author can make even the most outlandish plot compelling, and those tools helped me finish my first book.