Here are 100 books that Everything for Everyone fans have personally recommended if you like
Everything for Everyone.
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I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
I have a weird imagination and care deeply about being kind in all areas of life. I think people, in general, need to be kinder to one another and to the earth. I find humanity to be too anthropocentric and dismissive of the intelligence of other creatures. The incredible complexity and interconnectedness of nature fascinate me, and I constantly look for connections between two seemingly disparate systems. Writing my book allowed me to put insects at the focal point of planetary control. It was an incredibly fun story to write.
I loved the nuanced solutions Robinson proposes in this book to fix the biggest problems of today. Although the book wasn’t my favorite in terms of plot, I appreciated Robinson’s work in detailing realistic solutions that meaningfully address climate change. It provoked me to really scrutinize what we are and are not doing to tackle rising global temperatures.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
This is such a beautiful, gentle and cozy book that I couldn’t put it down. In this story, people were left with no choice but to completely rebuild their society, and they did something wonderful.
This book is like a breath of fresh air, like a quiet, healing journey that doesn’t rely on action—it’s an exploration, a celebration of nature, and society, and connection. It touched me in a profound way. It made me go outside to check if it was raining and stand with my bare feet in the grass, enjoying the coldness and softness of the sensation.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto…
I was working installing solar panels in rural Maine when I first had the idea to write a climate crisis novel. I grew up in the woods of New England, and have always loved nature, but I was feeling pretty despondent about global warming. I started to wonder: what would it feel like to be part of a mass mobilization installing solar, wind, and so on, to save the planet? Those were the seeds of the novel. When I’m not writing, I’m a fourth grade teacher. I worry about the planet my students will inherit, and if I’m doing enough to make that world as hopeful as possible.
Eleutheria is a fantastic climate novel that paints a dire, realistic portrait of the near future and then combats that dystopia with bright-eyed hope.
I loved the narrator, Willa Marks, who is endearing and desperate to save the world against overwhelming odds, ultimately elbowing her way into a commune-like movement in the Caribbean that has very big plans. I really loved how Willa encapsulates what many of us feel: this urgency to do something to stop the climate crisis, even if we don’t know how.
What I truly loved about this book, however, is that it leaves us with a spark of real hope, rather than falling into dystopia. The author, Allegra Hyde, has declared the growing number of us hopeful climate writers as “Team Utopia,” and I’m a proud member.
SHORTLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD FINALIST FOR THE OHIOANA BOOK AWARD IN FICTION A NEW YORKER BEST BOOK OF THE YEAR
“Allegra Hyde’s seductive first novel tackles the big stuff of climate change and the more intimate matter of heartbreak with grace. Indeed, Eleutheria bravely braids these together, the story of a lost soul moving through the world we’re rapidly losing.” —Rumaan Alam, author of Leave the World Behind
Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And…
I’ve been hooked on science fiction since I saw Westworld in its first run in 1973, at age 7 (it’s the first movie I saw in a theatre). I started drawing my own sci-fi comics at age 11, when the first Star Wars came out, and kept it up through adolescence. Eventually, my love of sci-fi led me to a passion for philosophy, which I majored in in college. And the philosophy I learned has since informed my later choices in sci-fi reading, and even more my sci-fi writing and illustration. The books I talk about below are very dear to my heart—I’m sure you won’t regret checking them out.
Written in 1966, Make Room! Make Room! was the basis for the 1973 film Soylent Green—it’s one of those great books that (like The Exorcist) was totally overshadowed by its equally great film version. It’s set in 1999, in a grossly overpopulated and polluted world in which people are scrambling for ever-diminishing resources. It mainly follows the life of NYC detective Andy Rusch and his elderly roommate Sol—who has finagled a bicycle-powered generator to run the TV and refrigerator in their small apartment. Rusch falls in love with Shirl, the young mistress of a rich man whose murder Rusch is investigating, but Shirl dumps him when she realizes she has better options with the rich rather than the poor.
Make Room! Make Room! is a cautionary tale about unchecked population, and it’s driven not so much by plot as by what Harry Harrison had on his mind: pollution,…
A gangster is murdered during a blistering Manhattan heat wave. City cop Andy Rusch is under pressure solve the crime and captivated by the victim's beautiful girlfriend. But it is difficult to catch a killer, let alone get the girl, in crazy streets crammed full of people. The planet's population has exploded. The 35 million inhabitants of New York City run their TVs off pedal power, riot for water, loot and trample for lentil 'steaks' and are controlled by sinister barbed wire dropped from the sky.
Written in 1966 and set in 1999, Make Room! Make Room! is a witty…
One of my favorite bits of praise for my books was Michael Silverblatt, of KCRW, saying, "There is no one else like her—she invents a new improvised form for her fiction." The last five books of fiction I’ve written (my total is nine) have been webs, spinning out from one character to another, across different times and places. It lets me be intimate and distant both at once. So I’ve naturally loved reading writers who’ve done this in various ways. People like to quote John Berger saying, “Never again shall a single story be told as though it were the only one,” and I’m in line with that.
The novel is set in three end-of-century time-frames—1893, 1993, and 2093. In the opening, set in a mansion on Washington Square in New York, we discover we’re in an America where same-sex marriage has been legal for a long time, and a young man is about to run off with a suitor his father distrusts (a new version of a Henry James plot). The next section is in Hawaii, the colonized Paradise, where descendant characters (with the same set of names, juggled) stumble and grab what they can of freedom and love. My favorite section is the last, where characters with those recurring names are in a New York of “cooling suits” and “decontamination chambers” and totalitarian rule. This is a wild and really quite brilliant book, whose sprawling parts are fueled by a searing vision.
'This magisterial follow-up to A Little Life offers three books in one . . . Yanagihara weighs up damage and privilege - social, emotional, political, colonial in a gripping, immersive ride through alternative Americas.' - The Guardian 'Best Reads For Summer'
'After the painfully affecting [A Little Life] To Paradise gives us three stories far apart in space and time but each unique in their power to summon the joy and complexity of love, the pain of loss. I'm not sure I've ever missed the world…
Five days before the end of humanity, five unlikely heroes find themselves on an impossible quest to outlive the apocalypse.
5 Stars is the survival story of a mother and her baby facing impossible odds amidst a global apocalypse. Set in a dying world overseen by “The Neon God,” the…
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For me, the worst thing about New York is getting stuck in traffic.
In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.
In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.
As the sea level rose, every street became a canal, every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city.
New York Times bestselling author Kim Stanley Robinson delivers a bold and brilliant vision of New York in the next century.
'New York may be underwater but it's better than ever' - New Yorker
I have always been fascinated with morally grey or complex characters. For me, the sign of a great novel is one where you find yourself talking about the characters as if they were real people you know. I want to experience something when I read, and characters that are flawed, imperfect, or morally grey have always intrigued me because they can take me to places I haven’t (or wouldn’t!) go myself. And, of course, they provide ample grounds for fun discussions with my friends! Sci-fi apocalyptic fiction is fertile ground for such characters, so I’ve tried to pick books you may not have heard of. I hope you like them!
This was a book club choice, and as soon as I finished it, I bought the other two books in the trilogy. I literally couldn’t put them down! Another post-apocalypse for this list, this time, the story is told through the memories of Jimmy/Snowman. But make no mistake, the novel is about Crake, a brilliant, lonely, and terrifying young man.
As Jimmy tries to recover his past, shadowed by the gentle, green-skinned ‘children of Crake,’ he recalls the events leading up to the end of humanity. This is very much a mystery, so I must be careful what I reveal, but if you are all about misguided genius and hubris, you will adore this novel. Needless to say, with an author like Atwood, the writing is superb.
By the author of THE HANDMAID'S TALE and ALIAS GRACE
*
Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.
*
Praise for Oryx and Crake:
'In Jimmy, Atwood has created a great character: a tragic-comic artist of the future, part buffoon, part Orpheus. An adman who's a sad man; a jealous…
I came of age during the tumult of the 1960s and 1970s. I stood more on the sidelines than at the burning center, so I’ve always wondered what it was like for those who did. That’s why I wrote my first novel, to go beyond the borders of my own experience. The 60s/70s era of political and sexual upheaval has reduced itself over time to a series of cliches. What I love about the books on my list is how willing they are to break through to real feelings and events and sensations. Hope you like them, too.
The utopian dreams of the 60s died hard, and this beautiful novel captures the mood of the decade—and the forces that destroyed it. Set mostly in a back-to-the-land hippie community, the book centers on Bit, the first baby born to the settlers. It follows him through childhood and adolescence, and checks in on him on the cusp of middle age, a single father in New York City. Bit’s a sensitive soul, and I felt for him, especially when the story tracked his relationship with his first lover and later runaway wife, the self-destructive Helle. Groff’s expressive use of language, her feel for the natural world, and her deep sensitivity to the psychology of her characters marks this book as a classic not to be missed.
A staggering portrait of a crumbling utopia, this "timeless and vast" novel filled with the "raw beauty" beautifully depicts an idyllic commune in New York State -- and charts its eventual yet inevitable downfall (Janet Maslin, The New York Times). NEW YORK TIMES BESTSELLER
"Timeless and vast... The raw beauty of Ms. Groff's prose is one of the best things about Arcadia. But it is by no means this book's only kind of splendor."---Janet Maslin, The New York Times
"Even the most incidental details vibrate with life Arcadia wends a harrowing path back to a fragile, lovely place you can…
The future is uncertain, and the stakes are high. Climate change has wreaked havoc on the planet, and humanity is on the brink of extinction. The only hope lies in the Olympus Project, a plan to colonise the moon and build on the Artemis Base.
Since I began reading, two things have fascinated me the most, that is, history and mystery. My voracious appetite for mystery began with Nancy Drew and Hardy Boys. History has always been my best subject in school. To me, history isn’t about people, achievements, and dates. It’s about lives lived through the tragedies and triumphs that we all face and can relate to. It is the origin of stories. History doesn’t have to be boring. It can be the greatest and most intriguing story that you have ever read. Mystery is history’s great friend—to convert a huge range of readers into history lovers.
Jo Montfort cannot be chained by the expectations of others for long. The monumental event of her father’s “accidental” death triggers her to break free to discover the dirty truth that was once veiled in brittle glamour. A strong heroine and scandalous outings in the nights makes this read a thrilling ride to savour in the late-night hours.
From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern Light and Revolution, comes a mystery about dark secrets, dirty truths, and the lengths to which people will go for love and revenge. For fans of Elizabeth George and Libba Bray, These Shallow Graves is the story of how much a young woman is willing to risk and lose in order to find the truth. Jo Montfort is beautiful and rich, and soon—like all the girls in her class—she’ll graduate from finishing school and be married off to a wealthy bachelor. Which is the last thing…
