Here are 100 books that Arcadia fans have personally recommended if you like
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I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
This is the book that made me want to be a novelist. I stole it off my dad’s shelf when I was 11—way too young to be reading about the seedy, violent, sex-fueled underbelly of 1970s counterculture. It’s the story of the an American journalist covering the war in Vietnam who gets the bright idea to smuggle heroin to California. I read it at least once a year, and it gets better every time.
Near the end of the book, an ex-Marine named Ray Hicks flees into the desert with the heroin on his back, gut-shot and bleeding out. The scene, masterfully intercut with hallucinations and memories from Hicks’s childhood, was clearly the inspiration for Frank Semyon’s death in Season Two of True Detective. My advice? Read this book instead.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
My family was divided by religion, leaving me skeptical about belief systems. After a background in science, I studied philosophy and became intrigued by Heidegger's ‘pitiless atheism.’ The power of his thought but his personal failings have long been an issue for academics. I have since been fascinated partly by powerful personalities but more by the struggle of their followers as they suspend critical thinking and make huge sacrifices to offer their support. This struggle and difficulty of turning back, particularly as the systems begin to collapse, are a feature of many of the works of fiction that intrigue me most, particularly in the books I have chosen.
I liked the subtlety of the storytelling here and the way the whole tragic plot develops. Events develop as much out of boredom and lack of engagement rather than from evil intent.
The false messiah here doesn’t offer a great path and is not particularly charismatic. He just offers something slightly more interesting than all the others around. The outcome depends on accident more than any evil intention. Emma Cline finds an engaging way to explore a piece of history without exploitation.
A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.
If you're lost, they'll find you...
Evie Boyd is fourteen and desperate to be noticed.
It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.
If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
Really hard to pick just one Pynchon for this list, as he is an all-around master of satire. But Inherent Vice is probably his LOL funniest, a stoner take on the detective genre set in the hippie world of 1970s southern California. The cinematic adaptation by Paul Thomas Anderson ain’t half bad, either.
Part noir, part psychedelic romp, all Thomas Pynchon-Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
It can be difficult for kids to see their parents as real people, and that’s why I loveSome Places More Than Others. When Amara finally convinces her parents she should get to go on a trip with her dad to New York City’s Harlem to meet the grandfather she’s only spoken to on the phone, she uncovers the fact that her dad and her grandfather haven’t spoken in twelve years. I love the depiction of Amara’s father as a person in his own right, someone with a history and his own problems and how, as Amara slowly unravels the mysteries of her father’s past, she begins to understand herself better too.
From Newbery Honor- and Coretta Scott King Author Award-winning, New York Times bestselling author Renée Watson comes a heartwarming and inspiring novel for middle schoolers about finding deep roots and exploring the past, the present, and the places that make us who we are.
All Amara wants for her birthday is to visit her father's family in New York City--Harlem, to be exact. She can't wait to finally meet her Grandpa Earl and cousins in person, and to stay in the brownstone where her father grew up. Maybe this will help her understand her family--and herself--in new way.
Figuring out who we are, figuring out our identity and where we fit in the scheme of things is one of the great themes in our lives, and in literature. In my life, I’ve gone through many identity crises, some recounted in my memoirs. These are five books that had a profound effect on me—sometimes emotionally, sometimes psychologically, and sometimes led me to think differently about my own life. In all of these books, characters have to make decisions, face struggles, and figure out who they are and how to find themselves and their authentic identity.
In this book, a young Hasidic Jew and artist faces the conflict between his orthodoxy and his desire to explore what lies outside his orthodoxy, such as the Crucifixion of Jesus Christ. He is pulled in two directions—by his parents' idea of his identity and by searching for the truth about the human condition through his art.
I read this many years ago, in my 30s, and was heartbroken by how the main character has so much integrity to keep searching and finding in spite of so many forces trying to label him and forbid him from certain explorations. I, too, was searching for my place in those years of creating a career, and it deepened the authenticity of my search.
NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy.
“A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review
Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.
This novel by the author of Endless Love (fabulous novel, terrible movie adaptations) isn't a mystery novel in the strictest terms. But it's about one of the greatest human mysteries, Bob Dylan, represented by fictional singer-songwriter Luke Fairchild, and considering how little we know about Dylan, how can we not seize the chance to see him through the eyes of a great novelist? The novel is narrated by Fairchild's illegitimate son, who obsessively searches for his father after discovering he is a legendary artist. In an act of considerable nerve, Spencer punctuates the pages with Dylanesque lyrics.
A man’s impassioned search for his legendary rock star father becomes a journey of self-discovery in this masterful novel from bestselling author Scott Spencer
Billy Rothschild’s obsession with legendary ’60s folksinger Luke Fairchild could be considered fanatic, if not for the fact that Luke is actually Billy’s father. Raised by his beautiful, charismatic, former–flower child mother, Billy is a lost soul. Determined to learn something—anything—about his origins, he sets out on an illuminating quest to find and confront the father he always knew of but never knew.
Evocative and lyrical, The Rich Man’s Table is a moving portrait of a…