Here are 100 books that American Pastoral fans have personally recommended if you like
American Pastoral.
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I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.
The author held me spellbound as she skilfully unpacked the remarkable story of Louis Zamperini, who survived a plane crash at sea only to be taken prisoner by the Japanese.
Zamperini’s life leapt from the page and swept me along a chilling pathway that bore witness to his physical and inner strength. Hillenbrand held me riveted to the last page of this remarkable true story.
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
I reread this book once a decade, and each time, I get more out of it. It follows a man named Larry Darrell who searches for a deeper meaning to life—spiritual enlightenment.
It’s a wonderful book, and I am sure it has inspired others to look a little deeper into what they hold important. I empathized with Larry’s disenchantment with the “good” life, and I felt, at times, I could glimpse his elusive goal within Larry's story.
The fact that it entailed giving up all possessions and hitting the road seemed perfect to me.
Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This book lays bare the furious tensions in American society during the Vietnam era. I have read it three times, and each time, it reveals new treasures and nuances.
It’s a dark story about a war correspondent who decides to get rich by smuggling heroin home from Vietnam. So, while it opens in Saigon, most of the book is set in a California riven by culture clashes and soured idealism. Stone is one of America’s best late-twentieth-century novelists.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
Growing up in the Middle East, I’ve met all kinds of moral ambiguity. There’s a lot to say about it. How both sides think they’re right, how the ends justify the means and all that. Then there are the consequences. Even the winners often lose things. So I’ve set out to write about grey characters! About people who do bad things for the greater good, and how their life turns up after. And if you like the trope as much as I do, check the recs!
If you want a break from fantasy and sci-fi, and you love a book with morally grey characters, then this is it.
Beartown is a town that survives on hockey. The kids play it, the grown-ups work in anything related, and just like in sports, both sides consider themselves the good side in every action they take.
We follow the manager of the hockey club as he must make impossible decisions, then the players, each making their own mistakes. We see villains grow from a place that we can understand, and we see good people making bad calls because no one can be perfect all the time.
And most importantly, we see how sometimes, no choice is the right choice. Especially for the victim.
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”
It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.
I felt like I was transported to Newfoundland. It is now on my bucket list. The personal growth of the main character, Quoyle, is profound. At first you almost despise him for his failings, but the reader ends up loving him. The cast of characters is quirky but extremely entertaining. When the house was dragged across the ice and cabled to the rocks, I could tangibly feel the cables quiver. Beautifully written.
Winner of the Irish Times International Fiction Award and America's National Book Award, this story features Quoyle, a failed journalist, a failed husband and a born loser who heads for a remote corner of Newfoundland with his two daughters and eccentric aunt.
My family was divided by religion, leaving me skeptical about belief systems. After a background in science, I studied philosophy and became intrigued by Heidegger's ‘pitiless atheism.’ The power of his thought but his personal failings have long been an issue for academics. I have since been fascinated partly by powerful personalities but more by the struggle of their followers as they suspend critical thinking and make huge sacrifices to offer their support. This struggle and difficulty of turning back, particularly as the systems begin to collapse, are a feature of many of the works of fiction that intrigue me most, particularly in the books I have chosen.
I liked the subtlety of the storytelling here and the way the whole tragic plot develops. Events develop as much out of boredom and lack of engagement rather than from evil intent.
The false messiah here doesn’t offer a great path and is not particularly charismatic. He just offers something slightly more interesting than all the others around. The outcome depends on accident more than any evil intention. Emma Cline finds an engaging way to explore a piece of history without exploitation.
A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.
If you're lost, they'll find you...
Evie Boyd is fourteen and desperate to be noticed.
It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.
If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
A more modern example of the writer as a character in his own novel, borrowing pieces of his own life and weaving them into something more. It is so polished that it is hard to believe it was the first novel. And so personal, in the way it borrows from Foer’s family history (or seems to), that it gives the reader that distinctive shiver of fiction that threatens to burst through the confines of a novel into something like truth—realism that verges on reality.
I tried to weave my own history into my book in a similar way; this book probably had something to do with that.
This is the story of a young man who visits the Ukraine to find the woman who saved his grandfather from the Nazis. In turns hilarious and harrowing, lit with a manic energy, it is narrated in part by a Ukranian translator, who has a murderous approach to the English language, and in part by the young man, who reanimates the lives of his grandfather and ancestors. Eventually the past meets the present, as fiction collides with reality in an unforgettable climax. With breathtaking inventiveness and narrative control, Jonathan Safran Foer has written a book about searching - for people…
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
Really hard to pick just one Pynchon for this list, as he is an all-around master of satire. But Inherent Vice is probably his LOL funniest, a stoner take on the detective genre set in the hippie world of 1970s southern California. The cinematic adaptation by Paul Thomas Anderson ain’t half bad, either.
Part noir, part psychedelic romp, all Thomas Pynchon-Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail…
