Here are 80 books that American Pastoral fans have personally recommended if you like
American Pastoral.
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I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
If it’s possible to have lived multiple lives in a single lifetime, then Louis Zamperini did it.
I am a big fan of The Greatest Generation and Unbroken is the story of that generation, the deep beliefs they held, and the many sacrifices they made, not for themselves but for the generations that would follow them. You can’t miss the examples of selflessness, perseverance, and faith that jump out at you from the very first chapter.
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
It took me awhile to understand that I was on a spiritual path. I started out as an actor, and working in the theater brought me joy. But as time passed, and I turned to writing novels, the same questions kept emerging: “Who am I?” “Why am I here?” I began to see that I was on a spiritual journey. With A Poet of the Invisible World, I finally felt ready to write about that journey. Nouri’s adventures chart the twists and turns—as well as the deep rewards—of the spiritual path. It’s a book that’s very close to my heart.
The hero of Somerset Maugham’sThe Razor’s Edge, Larry Darrell, is a classic seeker. Crushed by his time in the war, he leaves his family and fiancé behind and heads to Paris—then Germany—and finally India. He’s not really sure what he’s looking for, but he knows that the answers lie down a path far different from the one he’s left behind. Larry’s friends back home feel sure that he’s lost his way; only when their own worlds begin to crumble do they start to realize what he’s attained. The Razor’s Edge makes it clear that the spiritual journey may lead you far from what’s familiar to you. But the journey is worth every sacrifice.
Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
This is my favorite novel. I read it every year or so, and each time, I feel like it makes my own writing better.
Set in the latter years of the Vietnam War, it tells the story of two friends—Converse, a war-traumatized journalist, and Hicks, a world-weary, cynical marine—who smuggle three kilos of heroin back to Berkeley, California.
I love the realism of this book, but it might be too brutal were it not tempered by how intelligent and sympathetic the main characters are, even when doing terrible things. The book feels exactly like a crime/adventure novel, exploring the dark underbelly of the counterculture in the 1970s. It’s also an amazingly complex and philosophical novel about the balance between morality and ego.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
Growing up in the Middle East, I’ve met all kinds of moral ambiguity. There’s a lot to say about it. How both sides think they’re right, how the ends justify the means and all that. Then there are the consequences. Even the winners often lose things. So I’ve set out to write about grey characters! About people who do bad things for the greater good, and how their life turns up after. And if you like the trope as much as I do, check the recs!
If you want a break from fantasy and sci-fi, and you love a book with morally grey characters, then this is it.
Beartown is a town that survives on hockey. The kids play it, the grown-ups work in anything related, and just like in sports, both sides consider themselves the good side in every action they take.
We follow the manager of the hockey club as he must make impossible decisions, then the players, each making their own mistakes. We see villains grow from a place that we can understand, and we see good people making bad calls because no one can be perfect all the time.
And most importantly, we see how sometimes, no choice is the right choice. Especially for the victim.
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Set during the London Blitz, I found this to be Greene’s most vivid novel.
His characters reel in the face of the power of Hitler’s onslaught on London, yet cling to the possibilities of love, even through the carnage and loss, until the wreckage of London overtakes them in a beautiful and tragic conclusion.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.
I felt like I was transported to Newfoundland. It is now on my bucket list. The personal growth of the main character, Quoyle, is profound. At first you almost despise him for his failings, but the reader ends up loving him. The cast of characters is quirky but extremely entertaining. When the house was dragged across the ice and cabled to the rocks, I could tangibly feel the cables quiver. Beautifully written.
Winner of the Irish Times International Fiction Award and America's National Book Award, this story features Quoyle, a failed journalist, a failed husband and a born loser who heads for a remote corner of Newfoundland with his two daughters and eccentric aunt.
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
If you’re as obsessed with Charles Manson as I am, you’ll love this novel, which tells the story of Evie, a bored and misguided 14-year-old girl who ends up inadvertently joining a cult that, while not directly stated to be the Manson cult, certainly alludes to it.
In this cult, the leader is Russell Hadrick, and though I find him less charismatic than Manson, he wields the same power over people. The other cult members and their eventual crime is the same as the real-world cult too. What I’m most impressed with about this book is the way it details everyday cult life, what with its musty piles of communal clothes, the tedium of chores, and the listlessness of too many people with too much time on their hands.
A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.
If you're lost, they'll find you...
Evie Boyd is fourteen and desperate to be noticed.
It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.
If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where…
Nothing gives me more joy than painting stories in the colors of every human emotion in our spectrum. And combining laughter and tears on the same page elicits a delicious thrill that keeps me sitting in the chair. It doesn’t happen to me on every page, (I’d be lying to say it did.) When it does, I don’t want to let it go. A former theater major (probably “a bad actor”) I started my novel-writing journey when I sent a resignation email to a few thousand employees I was managing at the time. “Hey girl, you made me laugh and cry in that email. Maybe you might think about writing.”
I was deeply affected by Foer’s descriptions of the shtetl in Poland, the cruelty that affected its villagers, and the inescapable effect of this tragedy on future generations. Foer’s ancestry mirrored what I knew of my own family history, and the desire we have to document those stories before they disappear. But Foer alternates the “old world’s” dramatic scenes with hilarity. The Polish blind driver who guides Foer on his search to discover his family’s past employs a “seeing eye bitch” (a dog) to help him navigate the countryside. And his narrator’s constant quirky misuse of English makes for a unique voice that I still—twenty years after reading the book—can’t get out of my head. The novel is at times heartbreaking, at times uproarious, and always oh-so-satisfying.
This is the story of a young man who visits the Ukraine to find the woman who saved his grandfather from the Nazis. In turns hilarious and harrowing, lit with a manic energy, it is narrated in part by a Ukranian translator, who has a murderous approach to the English language, and in part by the young man, who reanimates the lives of his grandfather and ancestors. Eventually the past meets the present, as fiction collides with reality in an unforgettable climax. With breathtaking inventiveness and narrative control, Jonathan Safran Foer has written a book about searching - for people…
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
Really hard to pick just one Pynchon for this list, as he is an all-around master of satire. But Inherent Vice is probably his LOL funniest, a stoner take on the detective genre set in the hippie world of 1970s southern California. The cinematic adaptation by Paul Thomas Anderson ain’t half bad, either.
Part noir, part psychedelic romp, all Thomas Pynchon-Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail…
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