100 books like Dog Soldiers

This is an autobiographical novel that will change your perspective on the Vietnam War. The protagonist of the story, Kien, leaves Hanoi to join the ranks of those going south to liberate the country from the Americans and their South Vietnam allies.

It’s 1965. The Americans are invading. Scores of young men and women like Kien march off in a great patriotic wave from the North to save the South. The patriotic groundswell doesn’t last long though, as Bao Ninh plunges us into the brutality of the Vietnam War.

Through Kien, we discover for the first time what the experience of war was for the other side without the patriotic glitz. It’s not pretty, and yet Bao Ninh succeeds in humanizing the North Vietnamese soldier before our eyes.

It makes for a very powerful read. And like so many other soldiers making it home alive, the return to civilian life… show more.

Singlehandedly one of the greatest fictional books about war, Tim finds clever ways of imbuing readers with captivating characters.

Each short story gives insight into a war still misunderstood to this day.

As a veteran, I identify with the curious war stories and the unique character attributes displayed throughout them.

While cynical and the fictitious content questioned, The Things They Carried carries the weight of war and its lasting effects. 

This was the first collection of oral histories that I ever read from the Vietnam War. Reading history done this way, with the men speaking for themselves, opened a new world for me. It allowed me to understand that it is only by talking to and with our veterans that the true depth of the combat experience can be delved. Terror, camaraderie, death, honor, humor, compassion, and boredom – the full human story of Vietnam and war is on display in Bloods. And it was this book that taught me to be an oral historian. 

On top of that, Bloods also, of course, makes clear the uniqueness of the Black experience in Vietnam – fighting a war for America while the country wrestled with its eternal question of race. This book is good and important for so many reasons. 

It’s not simply because I’m of a generation still haunted by the war in Vietnam that I was pulled into this story of an immigrant – half-French, half-Vietnamese, and altogether screwed up – torn between his new and old identities.

Full of intrigue and suspense, the book is a great character study of a man who cannot figure out where his loyalties lie or who it is he is betraying. Winner of the Pulitzer Prize.

Hunter S. Thompson’s books tend to have a lot of drug use in them. So do mine, although not at nearly the same scale. The way Thompson describes the drug use and deranged behavior associated with it is powerful and equal parts tragedy and comedy.

More than anything, Thompson’s cracking prose brings the debauchery to life and makes it relatable to anyone who ever may have gone one toke over the line. I used to give this book to friends who hadn’t cracked a book since high school and told them, “Just read the first page.” Every single one of them borrowed the book and read it cover to cover.

Even if you did not “live” through the Vietnam War and its domino-effect cultural disasters, this book will penetrate your consciousness as “tragic and uncannily familiar” (Michiko Kakutani). William “Skip” Sands is ostensibly a CIA officer engaged in Psychological Operations against the Vietcong. From the moment Skip lands “in country,” we are sucked into a vortex of violence, sardonic humor, camaraderie that’s six degrees from pathology, and paranoia -- all told through the lens of a singularly hallucinogenic yet gorgeous and poetic prose style that forced me from time to time to put the book down so I would avoid overdosing.  

What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.

Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.

If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.

One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.

T.C. Boyle is the master of writing novels in which two seemingly disparate storylines are headed for a collision course.

In this novel, he writes about the inhabitants of Drop City, a drugged-out hippy commune in California. And, in alternating chapters, he writes about the inhabitants of a remote village in Alaska, who are struggling to prepare for winter. These two storylines may seem to have nothing to do with one another until you realize both worlds are at a breaking point.

Finding out how these two casts of characters would eventually collide kept me up way past my bedtime a few nights in a row and I’m not mad about it!

If you’re as obsessed with Charles Manson as I am, you’ll love this novel, which tells the story of Evie, a bored and misguided 14-year-old girl who ends up inadvertently joining a cult that, while not directly stated to be the Manson cult, certainly alludes to it.

In this cult, the leader is Russell Hadrick, and though I find him less charismatic than Manson, he wields the same power over people. The other cult members and their eventual crime is the same as the real-world cult too. What I’m most impressed with about this book is the way it details everyday cult life, what with its musty piles of communal clothes, the tedium of chores, and the listlessness of too many people with too much time on their hands.