Here are 100 books that Republic of Detours fans have personally recommended if you like
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I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
While writing Never a Lovely so Real, I fell into many traps. The Federal Writers Project was one of the deepest. Nelson Algren’s time at the project in Chicago saved him from personal and professional ruin. And I became a bit obsessed with the idea that, during the Great Depression, there had been a government program that hired writers by the hundreds and brought them together to work toward a common goal; one that helped shape a literary generation. As I say though, it was a pitfall. Most of what I learned wouldn’t fit in my book, but I’m grateful for all of the writing my research introduced me to.
Never Come Morning is Nelson Algren’s second novel and his first great book. He wrote it during his time with the Federal Writers’ Project in Chicago, between working on a cookbook, a travel guide, and sundry other assignments. In some ways, this book feels of a piece with his first. In some ways, this book feels like a piece with his first. Both books center on alienated young men; both are coming-of-age stories (after a manner). But this novel was a leap forward for Algren. The psychological portrait of its protagonist is fully realized, and the prose sings. Algren had the project to thank for both developments. He used the access his job afforded him to conduct interviews, portions of which made their way into the novel verbatim. And with the projects’ financial support, he was able to revise for months, and months – folding nuance, insight, and poetry into…
Never Come Morning is unique among the novels of Algren. The author's only romance, the novel concerns Brun Bicek, a would-be pub from Chicago's Northwest side, and Steffi, the woman who shares his dream while living his nightmare. "It is an unusual and brilliant book," said The New York Times. "A bold scribbling upon the wall for comfortable Americans to ponder and digest." This new edition features an introduction by Kurt Vonnegut, Jr. and an interview with Nelson Algren by H.E.F. Donohue.
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-timepièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I spent my early childhood in a rural, isolated, multi-generational household. During summers we rarely saw anyone unrelated to us. My twin sister and I spent our days reading, hiding, and naming our menagerie of barn cats (final count: 36). In my career as a lifestyle journalist, I’ve gotten to interview famous eccentrics ranging from Loretta Lynn to David Sedaris. I live in the North Carolina mountains with my husband, our teenage son, and my aforementioned twin sister. This past summer, a black bear walked the 22 steps up to our front porch and stared in the window, raising his huge paws high in exasperation.
Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.
First published in 1949, THE GOLDEN APPLES is an acutely observed, richly atmospheric portrayal of small town life in Morgana, Mississippi. There's Snowdie, who has to bring up her twin boys alone after her husband, King Maclain, disappears one day, discarding his hat on the banks of the Big Black. There's Loch Morrison, convalescing with malaria, who watches from his bedroom window as wayward Virgie Rainey meets a sailor in the vacant house opposite. Meanwhile, Miss Eckhart the piano teacher, grieving the loss of her most promising pupil, tries her hand at arson.
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Dan Carlin is here to get the facts straight. The wildly intelligent and passionate historian released this book while I was working on mine, and it was a great resource for me. I’d recommend it to anyone looking to educate themselves on how civilizations fail. Hint: We keep making the same mistakes again. Read this and break the pattern!
A journey back in time that explores what happened-and what could have happened-from creator of the wildly-popular podcast Hardcore History and 2019 winner of the iHeartRadio Best History Podcast Award.
Dan Carlin has created a new way to think about the past. His mega-hit podcast, Hardcore History, is revered for its unique blend of high drama, enthralling narration, and Twilight Zone-style twists. Carlin humanizes the past, wondering about things that didn't happen but might have, and compels his listeners to "walk a mile in that other guy's historical moccasins." A political commentator, Carlin approaches history like a magician, employing completely…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book is a pleasure to read. John Brewer shows us the birth of "high culture" in Britain, the many ways that a national public became aware that music, painting, theater, and poetry could bring people together and make them happy.
Low life and high life, Grub Street and royalty all come into play. And the book never forgets that the arts can be a source of fun, not only for those who create and follow them but for everyone who reads about them.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation.
John Brewer's enthralling book explains how this happened and recreates…
Michael Corballis is a psychologist and brain scientist. His interests lie in how the mind works, how it maps onto the brain, and how it evolved. Much of his work is published in books and scientific articles, but he has also written books aimed at a general readership. These include Pieces of Mind, The Lopsided Ape,The Recursive Mind, The Wandering Mind, and The Truth about Language.
Much of what we do and think comes from imagination, generated by our minds rather than by the physical world. This includes art, literature, music, religion, even science. Our dreams are spontaneous acts of creativity, and even memory itself can be distorted by the restless mind. Fernandez-Armesto argues that many animals have better memories than we do, because the human system produces spontaneously creative thoughts at the expense of fidelity. That’s why memories are often false. The author is a historian with an interest in how the mind works, and his book is an amazingly comprehensive history of the human imagination.
To imagine-to see what is not there-is the startling ability that has fueled human development and innovation through the centuries. As a species we stand alone in our remarkable capacity to refashion the world after the picture in our minds.
Traversing the realms of science, politics, religion, culture, philosophy and history, Felipe Fernandez-Armesto reveals the thrilling and disquieting tales of our imaginative leaps-from the first Homo sapiens to the present day. Through groundbreaking insights in cognitive science, Fernandez-Armesto explores how and why we have ideas in the first place, providing a tantalizing glimpse into who we are and what we…
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
A History of Knowledge is a treasure that invites everyone to explore and enjoy. It recounts the history of human progress from primitive times to the 21st century. Van Doren covers the history of ideas, inventions, civilizations, ideologies, and issues of justice, war, and slavery. Almost no famous thinker, emperor, philosopher, inventor, or artist is not mentioned, and his contribution examined.These are two of my favorite quotations; “Our fathers started the revolution, and we are still living it. We could not stop it even if we wanted to.” “The rich are never rich enough... to have enough is simply to be content with what you have. When wanting comes first, you can never have enough. If contentment is placed first, it does not matter how much you have.”
A one-voume reference to the history of ideas that is a compendium of everything that humankind has thought, invented, created, considered, and perfected from the beginning of civilization into the twenty-first century. Massive in its scope, and yet totally accessible, A HISTORY OF KNOWLEDGE covers not only all the great theories and discoveries of the human race, but also explores the social conditions, political climates, and individual men and women of genius that brought ideas to fruition throughout history.
"Crystal clear and concise...Explains how humankind got to know what it knows."
Clifton Fadiman
Selected by the Book-of-the-Month Club and the…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Coining an era of "sorry stuff of troubled times," The New Yorker calls this autobiography of journalist/fiction writer Didion’s a timely and elegant collection. Yet, it could also be seen as a culmination of depressing flashbacks to a scarier time of a seedier side of the ‘60s - ‘70s, when broken taboos of post-WWII boomers led to not only drug-induced spirituality and experimentation, but also depraved moralities and violent behaviours. The author relives personal experiences of friendships with others once close to key figures who had near escapes from encounters with the likes of the Manson Family and Black Panthers.
Joan Didion's hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties.
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson's girls. She and her reader emerge, cauterized, from…
