Here are 100 books that Republic of Detours fans have personally recommended if you like
Republic of Detours.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
This book scared the hell out of me when I was a teenager because its vivid descriptions stayed in my dreams yet it never stopped me from reading and loving the entire book.
It taught me a lot about following your intuition and/or gut feelings. Although it has been a long time since I read it, the main thing I remember is that your intuition is your protector, and listening to that inner voice helps a lot along the way.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
While writing Never a Lovely so Real, I fell into many traps. The Federal Writers Project was one of the deepest. Nelson Algren’s time at the project in Chicago saved him from personal and professional ruin. And I became a bit obsessed with the idea that, during the Great Depression, there had been a government program that hired writers by the hundreds and brought them together to work toward a common goal; one that helped shape a literary generation. As I say though, it was a pitfall. Most of what I learned wouldn’t fit in my book, but I’m grateful for all of the writing my research introduced me to.
Never Come Morning is Nelson Algren’s second novel and his first great book. He wrote it during his time with the Federal Writers’ Project in Chicago, between working on a cookbook, a travel guide, and sundry other assignments. In some ways, this book feels of a piece with his first. In some ways, this book feels like a piece with his first. Both books center on alienated young men; both are coming-of-age stories (after a manner). But this novel was a leap forward for Algren. The psychological portrait of its protagonist is fully realized, and the prose sings. Algren had the project to thank for both developments. He used the access his job afforded him to conduct interviews, portions of which made their way into the novel verbatim. And with the projects’ financial support, he was able to revise for months, and months – folding nuance, insight, and poetry into…
Never Come Morning is unique among the novels of Algren. The author's only romance, the novel concerns Brun Bicek, a would-be pub from Chicago's Northwest side, and Steffi, the woman who shares his dream while living his nightmare. "It is an unusual and brilliant book," said The New York Times. "A bold scribbling upon the wall for comfortable Americans to ponder and digest." This new edition features an introduction by Kurt Vonnegut, Jr. and an interview with Nelson Algren by H.E.F. Donohue.
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-timepièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
I spent my early childhood in a rural, isolated, multi-generational household. During summers we rarely saw anyone unrelated to us. My twin sister and I spent our days reading, hiding, and naming our menagerie of barn cats (final count: 36). In my career as a lifestyle journalist, I’ve gotten to interview famous eccentrics ranging from Loretta Lynn to David Sedaris. I live in the North Carolina mountains with my husband, our teenage son, and my aforementioned twin sister. This past summer, a black bear walked the 22 steps up to our front porch and stared in the window, raising his huge paws high in exasperation.
Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.
First published in 1949, THE GOLDEN APPLES is an acutely observed, richly atmospheric portrayal of small town life in Morgana, Mississippi. There's Snowdie, who has to bring up her twin boys alone after her husband, King Maclain, disappears one day, discarding his hat on the banks of the Big Black. There's Loch Morrison, convalescing with malaria, who watches from his bedroom window as wayward Virgie Rainey meets a sailor in the vacant house opposite. Meanwhile, Miss Eckhart the piano teacher, grieving the loss of her most promising pupil, tries her hand at arson.
Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
Growing up in the Mississippi Delta, I understood that much of American popular culture came from this odd place between Memphis and Vicksburg. James Cobb’s book tells the story of Blues music, agriculture, cataclysmic floods, and American apartheid.
I found it curious but fascinating that the Delta was one of the planet's most racially and culturally diverse places.
A comprehensive history of the deep South - the bottomlands between Memphis and Vicksburg, lined by the Yazoo and Mississippi rivers - from the first white settlement in the 1820s to the present. A portrait of the development and survival of a society and economy often seen as the most extreme in the South - an area where, despite the large black majority, whites have kept their grip on power throughout every era.
I am an avid lover of all cultures, especially travel memoirs. I had a goal to travel to 30 countries in 30 years, and I wrote a memoir, Traveling in Wonder. I have thoroughly enjoyed meeting both the author and side characters in all of these books, as each brings something extraordinary to the story. I also loved the descriptions in these memoirs, which brought me back to my memories!
Eric does a fantastic job of connecting Nordic and Scandinavian cultures with the Minnesotan and American cultures within my state. Living in Minnesota, I’m always interested in books that discuss cultural or societal norms like the ones I interact with on a daily basis.
I truly enjoyed broadening my knowledge on this search!
Growing up with Swedish and Norwegian grandparents with a dash of Danish thrown in for balance, Eric Dregni thought Scandinavians were perfectly normal. Who doesn't enjoy a good, healthy salad (Jell-O packed with canned fruit, colored marshmallows, and pretzels) or perhaps some cod soaked in drain cleaner as the highlights of Christmas? Only later did it dawn on him that perhaps this was just a little strange, but by then it was far too late: he was hooked and a dyed-in-the-wool Scandinavian himself.
But what does it actually mean to grow up Scandinavian-American or to live with these Norwegians, Swedes,…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Dan Carlin is here to get the facts straight. The wildly intelligent and passionate historian released this book while I was working on mine, and it was a great resource for me. I’d recommend it to anyone looking to educate themselves on how civilizations fail. Hint: We keep making the same mistakes again. Read this and break the pattern!
A journey back in time that explores what happened-and what could have happened-from creator of the wildly-popular podcast Hardcore History and 2019 winner of the iHeartRadio Best History Podcast Award.
Dan Carlin has created a new way to think about the past. His mega-hit podcast, Hardcore History, is revered for its unique blend of high drama, enthralling narration, and Twilight Zone-style twists. Carlin humanizes the past, wondering about things that didn't happen but might have, and compels his listeners to "walk a mile in that other guy's historical moccasins." A political commentator, Carlin approaches history like a magician, employing completely…
I’m a Professor of English Emeritus at Southern New Hampshire University and author of ten books, including fiction, criticism, memoir, and collected journalism. I was also an inaugural faculty member in the writing workshops at the Norman Mailer Center in Provincetown, MA. I first got into Mailer in the 1970s after reading The Naked and the Dead and Cannibals and Christians. I ended up writing my doctoral dissertation on Mailer, which became my first book,Acts of Regeneration. My second book,Toward A New Synthesis, examined Mailer along with John Fowles and John Gardner as writers who adopted some of the techniques of post-modernism but kept their work firmly tethered to ethical issues.
Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.
The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,…
Questions are posed, writes Norman Mailer, "in the hope they will open into richer insights, which in turn will bring forth sharper questions. " In this series of conversations, John Buffalo Mailer, 27, poses a series of questions to his father, challenging the reflections and insights of the man who has dominated and defined much of American letters for the past sixty years. Their wide-ranging discussions take place over the course of a year, beginning in July 2004. Set against the backdrop of George W. Bush's re-election campaign and the war in Iraq, each considers what it means to live…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book is a pleasure to read. John Brewer shows us the birth of "high culture" in Britain, the many ways that a national public became aware that music, painting, theater, and poetry could bring people together and make them happy.
Low life and high life, Grub Street and royalty all come into play. And the book never forgets that the arts can be a source of fun, not only for those who create and follow them but for everyone who reads about them.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation.
John Brewer's enthralling book explains how this happened and recreates…
As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.
I found this book to be well-written and well-documented. While it does not focus solely on food systems, it does explain how a lack of food contributed to the demise of the societies explored in this book, such as the Greenland Norse and Easter Island. Diamond offers a stark warning about how a weak food system can undermine an entire civilization.
From the author of Guns, Germs and Steel, Jared Diamond's Collapse: How Societies Choose to Fail or Survive is a visionary study of the mysterious downfall of past civilizations.
Now in a revised edition with a new afterword, Jared Diamond's Collapse uncovers the secret behind why some societies flourish, while others founder - and what this means for our future.
What happened to the people who made the forlorn long-abandoned statues of Easter Island? What happened to the architects of the crumbling Maya pyramids? Will we go the same way, our skyscrapers one day standing derelict and overgrown like the…
