Love Ideas? Readers share 100 books like Ideas...

I see David Greaeber’s book as a landmark in the field. He completely changed my understanding of and views on money’s role in society and its evolution. I had the good fortune to meet David a few times (in fact, I made a podcast with him) and feel like I learned from every conversation.

Until I read David’s book, I had assumed that the Barter theory of money and the double coincidence of wants was the natural and unchallenged explanation for how money came to be and what roles it performed. David’s and subsequent authors' work has shown that this view is simplistic and outdated. 

Yes, yes, history is an unbroken river of themes, but it’s also a chain of pivotal dramatic episodes. Dolnick gives us one such moment. In 17th century Europe, within two generations, a collection of brilliant oddballs invented science. They’re people, so they’re doing the sorts of things people do, elbowing and shoving one another to find the ultimate truth before the other guy. I appreciate that in the course of reading such a wonderfully enjoyable story, I somehow learn a great deal about the truth they were seeking, the underlying mathematical order of the universe in which they believed.

Culture is how we group ourselves. Culture is how we see. To make ourselves understood by people of other cultures, we have to lend them our eyes. That’s hard, but Yu Hua meets that challenge for me. His book China in Ten Words offers ten essays about China, each with a one-word title: Revolution. Reading. Copycat. Words like that. Each essay surrounds its title-word with content until one understands what the word means, not to oneself, but to Hua. The essays work like a fusion of memoir and history. They draw the reader into one man’s experience; and at the same time they illuminate a broad patch of history—Maoist and post-Maoist China.

If history is a story, the breaking news might be: Humans Dominate Planet. Why? Because of our superior brains, I’m told. But how do these brains work? Dr. Stephens explains it. He explains it like we’re on our way to get a beer, say, and he’s just telling me something he knows in his usual wisecracking way.  I’m chuckling, but his explanation is working, its putting pieces together, I think I see how we operate, how we humans are churning out this history we’re swimming in. 

This is a powerful rewriting of Freudian theory from one of the giants of the Frankfurt School, whom I was fortunate enough to study with at UC San Diego. Rather than accept “reality” as a given, Marcuse transforms Freud’s “reality-principle” into the “performance principle”–we perform far more work than reality itself requires because the capitalist system is profiting from our labor. We are thus subjected not just to repression but to surplus repression–which corresponds to the surplus value capitalists extract from our labor power and our purchasing power.

I was always intrigued but also perplexed by psychoanalysis, and this amazing book completely transformed my understanding of how the human psyche operates under capitalism.

A History of Knowledge is a treasure that invites everyone to explore and enjoy. It recounts the history of human progress from primitive times to the 21st century. Van Doren covers the history of ideas, inventions, civilizations, ideologies, and issues of justice, war, and slavery. Almost no famous thinker, emperor, philosopher, inventor, or artist is not mentioned, and his contribution examined. These are two of my favorite quotations; “Our fathers started the revolution, and we are still living it. We could not stop it even if we wanted to.” “The rich are never rich enough... to have enough is simply to be content with what you have. When wanting comes first, you can never have enough. If contentment is placed first, it does not matter how much you have.”

A book can be vastly overambitious, and hence broadly unpersuasive, and yet still be full of insights. 

Toynbee’s monumental study attempted to order all of human history into a recurring pattern of civilizational genesis, growth, decline, and breakdown. It couldn’t be done, as historians and critics have pointed out.

Even so, the study is rich with ideas and perspectives about factors that contribute to societal growth and decline, the role of “creative minorities,” the effects of religion on civilization and vice versa, and much else.

Hardly anyone (including me) will manage to read all 12 volumes, but Toynbee himself approved a readable two-volume abridgment by D. C. Somervell, which was illuminating when I read it in college and has continued to be illuminating in the years since then.

Growing up in the Mississippi Delta, I understood that much of American popular culture came from this odd place between Memphis and Vicksburg. James Cobb’s book tells the story of Blues music, agriculture, cataclysmic floods, and American apartheid.

I found it curious but fascinating that the Delta was one of the planet's most racially and culturally diverse places.

Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.

The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,… show more.

An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.