Love The Clockwork Universe? Readers share 100 books like The Clockwork Universe...

As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.

Tamim Ansary is the son of an Afghan father and an American mother.  As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance.  Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.

Tamim Ansary is the son of an Afghan father and an American mother.  As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance.  Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.

Tamim Ansary is the son of an Afghan father and an American mother.  As a writer, growing up in Afghanistan and growing old in America has drawn him to issues that arise from cultural confusion in zones where civilizations overlap. His books include histories and memoirs, which he considers two sides of the same coin: a memoir is history seen up close, history is memoir seen from a distance.  Much of his work explores how perspective shapes perceptions of reality—a central theme of his best-known book, Destiny Disrupted, A History of the World Through Islamic Eyes.

I am a physics professor at the Georgia Institute of Technology in Atlanta. Ten years ago, I switched my research focus from solid-state physics to the history of that subject. This was fertile ground because professional historians of science had almost completely ignored solid-state physics. I began my new career by writing two journal articles about the physicist Walter Kohn and his discovery of what became the most accurate method known to calculate the properties of solids. This experience led me to broaden my perspective and ultimately produce a biography of the theoretical physicist Philip Anderson. My next book will be a historical-sociological study of self-identity and disciplinary boundaries within the community of physicists.  

My father showed me a comet through his binoculars after dinner when I was six. I remember seeing that ghostly wisp from another time, suspended in space, hung among the stars. Years later, as a middle school student in Florida, our librarian displayed a copy of Newton’s Principia on a stand in the library. It was laid open to pages of intriguing, complex-looking geometrical drawings, including Newton’s dramatic illustration of a comet. I flipped through it every time I passed by, amazed to discover that things I saw in the sky could be known through the language of mathematics, a fact that still endlessly inspires me.

My dad was a Nobel Prize-winning particle physicist who co-discovered the muon neutrino, a particle whose existence was first explained by Fermi. I am not a physicist myself but grew up around physicists and have always been fascinated by them and was lucky to have met many of the great 20th century physicists myself – through my father. My family background enabled me to know these great scientists not only as scientists but as people.  

I am a physics professor at the Georgia Institute of Technology in Atlanta. Ten years ago, I switched my research focus from solid-state physics to the history of that subject. This was fertile ground because professional historians of science had almost completely ignored solid-state physics. I began my new career by writing two journal articles about the physicist Walter Kohn and his discovery of what became the most accurate method known to calculate the properties of solids. This experience led me to broaden my perspective and ultimately produce a biography of the theoretical physicist Philip Anderson. My next book will be a historical-sociological study of self-identity and disciplinary boundaries within the community of physicists.  

Steampunk has always been a fascinating genre to me, especially seeing how different creators play with historical elements. But the question that I’m always looking to answer is, “Why is this history different from our own?” What has allowed this alternate Victorian era to create fantastical technology? As I asked this question about my own steampunk books, I found great delight in how other authors have combined magic with their technology to create delightfully refreshing outcomes. I continue to search out these books as I am always surprised at their creativity and novelty.

Bertrand Russell wrote that: “Mathematics, rightly viewed, possesses not only truth, but supreme beauty – a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show.” I agree. Math is, however, a human thing, all tangled up with the nature of human personality and the history of our civilizations. Well-written biographies of great mathematicians put that “stern perfection” in a proper human context.