Here are 100 books that The End Is Always Near fans have personally recommended if you like
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I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
Camus’ Stranger brought me to this book and I was once more pulled in by the same direct prose, the same detachment and the same philosophical inquisitiveness.
There’s a feeling that plagues are inevitable, that they will come no matter what we do, and that our efforts to stop them always degenerate into the absurd. But what struck me most was that this is not fatalism, because although the collective effort is largely useless, hope lies in the small acts of kindness between individuals.
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
Gangsters of Capitalism covers a part of US history that is often deliberately overlooked by Americans, because it clashes with our national myths about ourselves. Katz follows US imperial history from the very end of the 19th century through to the middle of the 20th century, by following the life and career of Smedley Butler, a man who served in the marines for so much of this history. Gangster of Capitalismis in the top five of my favorite books that I have ever read. Katz’s ability to weave a personal biography with sweeping history and how that history still affects us all in the present is superb.
A groundbreaking journey tracing America’s forgotten path to global power—and how its legacies shape our world today—told through the extraordinary life of a complicated Marine.
Smedley Butler was the most celebrated warfighter of his time. Bestselling books were written about him. Hollywood adored him. Wherever the flag went, “The Fighting Quaker” went—serving in nearly every major overseas conflict from the Spanish War of 1898 until the eve of World War II. From his first days as a 16-year-old recruit at the newly seized Guantánamo Bay, he blazed a path for empire: helping annex the Philippines and the land for the…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
Mike Duncan is another source of inspiration that I am indebted to for helping me become a better writer. Duncan is also the host of the podcasts History of Rome and Revolutions, and author of another book, The Storm Before the Storm. Duncan’s ability to recount some truly complex history with clarity and precision is truly uncanny, and his dry and sarcastic style of humor is similar to the humor I use in my book too. Duncan’s work helped me become a more discerning student of history and I am grateful for that.
Few in history can match the revolutionary career of the Marquis de Lafayette. Over fifty incredible years at the heart of the Age of Revolution, he fought courageously on both sides of the Atlantic. He was a soldier, statesman, idealist, philanthropist, and abolitionist.
As a teenager, Lafayette ran away from France to join the American Revolution. Returning home a national hero, he helped launch the French Revolution, eventually spending five years locked in dungeon prisons. After his release, Lafayette sparred with Napoleon, joined an underground conspiracy to overthrow King Louis XVIII, and became an international symbol of liberty. Finally, as…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
I’ll never forget how enthralled I was from the very beginning ofReign of Terror. Ackerman begins the book with a fascinating contrast in behavior that demonstrates that Americans have not abandoned nearly as much of their race prejudices as we like to pretend. In 1995, when Timothy McVeigh (with the help of many white supremacist groups) bombed the Murrah Building in Oklahoma City, he was put through all of the standard legal procedures required under the law. When the United States was hunting extremists in the war on terror, we created places such as Guantanamo Bay and other CIA black sites to extrajudicially hold and torture people. The way Ackerman frames America’s behavior during the war on terror makesReign of Terror a must-read in my opinion.
"An impressive combination of diligence and verve, deploying Ackerman's deep stores of knowledge as a national security journalist to full effect. The result is a narrative of the last 20 years that is upsetting, discerning and brilliantly argued." -The New York Times
"One of the most illuminating books to come out of the Trump era." -New York Magazine
An examination of the profound impact that the War on Terror had in pushing American politics and society in an authoritarian direction
For an entire generation, at home and abroad, the United States…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
Reading how world demand for things such as consumer electronics helps drive conflict in Central Africa as people scramble for the mineral resources required to make such electronics changed the way I think about the world. Ever since reading The Looting Machine, I felt a responsibility to at the very least pay attention to current events in countries such as Nigeria or Angola, to see how my own demand for commodities might be affecting people I will never meet all over the world. I still remember at the end of the book when Burgis quoted a Nigerian rapper when she said, “Don’t think you’re not a part of it.”
The trade in oil, gas, gems, metals and rare earth minerals wreaks havoc in Africa. During the years when Brazil, India, China and the other "emerging markets" have transformed their economies, Africa's resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world's reserves of hydrocarbons and minerals and 14 per cent of the world's population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent. In his first book, The Looting Machine, Tom Burgis exposes the truth about the African…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.
Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes ofThe Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I readMr. Burnsand saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.
It's the end of everything in contemporary America. A future without power. But what will survive?
Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America's most famous family.
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Big plans for the afterlife? Go prepared. Martin Olson’sEncyclopaedia of Hell and its sequel Encyclopaedia of Heaven can answer all your questions about God, the Devil, and whatever mess we’re currently stuck in. Every page is uniquely designed, entertaining, and beautifully illustrated. To remind you not to take the End so seriously, it satirizes the hell out of our world. Like my favorite things in life, it manages to be both dark and funny.
A tour de force of darkness, Encyclopaedia of Hell is a manual of Earth written by Lord Satan for his invading hordes of demons, complete with hundreds of unpleasant illustrations, diagrams, and a comprehensive and utterly repulsive dictionary of Earth terms.
Since the customs and mores of humanity are alien and inconceivable to demons, Satan wrote this strangely poetic military handbook for the enlightenment and edification of his demon armies. A masterpiece expressing Satan's hatred for humanity and himself, the Encyclopaedia includes "Techniques of Stalking and Eating Humans," "Methods of Canning Human Pus," and "Dicing and Slicing Orphaned Children."
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
The Bronze Age was followed by the Iron Age. What caused this epochal shift? Eric Cline outlines just how cataclysmic the 12th and 13th centuries BC really were. Be prepared for fire, earthquakes, and a tide of war!
A bold reassessment of what caused the Late Bronze Age collapse
In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the…
I’m a Professor of English Emeritus at Southern New Hampshire University and author of ten books, including fiction, criticism, memoir, and collected journalism. I was also an inaugural faculty member in the writing workshops at the Norman Mailer Center in Provincetown, MA. I first got into Mailer in the 1970s after reading The Naked and the Dead and Cannibals and Christians. I ended up writing my doctoral dissertation on Mailer, which became my first book,Acts of Regeneration. My second book,Toward A New Synthesis, examined Mailer along with John Fowles and John Gardner as writers who adopted some of the techniques of post-modernism but kept their work firmly tethered to ethical issues.
Mailer published three nonfiction books near the end of his life to lay out his final take on issues he’d been pursuing his entire writing life and as a highly visible, often notorious, public intellectual: On God, Why Are We at War?—echoing his 1967 novel Why Are We in Vietnam?—and The Big Empty. I chose The Big Empty because the reader comes to understand where Mailer lands finally on so many issues he covered during his decades of political and societal journalism, with a special focus on democracy in America, its potential and its abiding threats.
The book is structured as a series of dialogues with his youngest son, John Buffalo Mailer, who in his introduction argues that such a dialogue with his father represents a necessary conversation among generations. Their topics include, among other pressing intergenerational concerns, the American presidency, endless war, American 21st-century politics,…
Questions are posed, writes Norman Mailer, "in the hope they will open into richer insights, which in turn will bring forth sharper questions. " In this series of conversations, John Buffalo Mailer, 27, poses a series of questions to his father, challenging the reflections and insights of the man who has dominated and defined much of American letters for the past sixty years. Their wide-ranging discussions take place over the course of a year, beginning in July 2004. Set against the backdrop of George W. Bush's re-election campaign and the war in Iraq, each considers what it means to live…
