Here are 78 books that Winter fans have personally recommended if you like
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I absolutely adore fantasy! I love leaving our world and being transported to another. I love that characters might have magic or crazy heritages. I love the creatures that come with the genre. I adore everything about fantasy. Throwing romantic elements into the story just makes it all that much sweeter. Having a hero with a weakness for a heroine is so comforting to read. Giving the characters someone else to fight for is also a heart-warming, sometimes gut-wrenching, affair. But in the end, having romance in a fantasy just gives it a little extra push to the readers.
This is another book that I consider to fall under the romance category first. However, I absolutely adored this book because the main character is a morally gray character. I love seeing morally gray characters! I love writing them. It makes the story so much more interesting. It also makes the characters unpredictable, keeping them from falling into the “Mary Sue” category.
They still haven't found the body of the first and only boy who broke Alessandra's heart - and they never will. Since then, all of her relationships have been purely physical. And now at eighteen years old, Alessandra is ready for more. The plan is simple:
1. Make the king fall in love with her. 2. Get him to marry her. 3. Kill him and take his kingdom for herself.
It's no small task, but Alessandra wants a kingdom and is going to do everything within her power to get it. She knows the freshly crowned Shadow King will be…
I’ve been making up characters and telling myself stories for as long as I can remember. I’m also a mood reader. I’ll read just about anything, but the stories I always yearn for are the ones that take me far away from this world, make me swoon, and devastate my soul. As a mood reader, I also have phases, and I’m in a fantasy phase right now. Magic, romance, adventure. These are just a few of my favorite things to read and write. As I read, I am inspired by the emotions that flood my senses when I read a good book.
I was obsessed when I read ACOTAR, but this book brought my obsession to a whole new level. Why am I recommending this book? Rhysand. I love a complex, layered character, and he is one complicated male.
What I loved most about this book is that it started out going in one direction but then spun on its axis and went in a totally different direction than I anticipated. When a book can surprise me in every way, that’s special.
'With bits of Buffy, Game Of Thrones and Outlander, this is a glorious series of total joy' - STYLIST _____________________________ Feyre survived Amarantha's clutches to return to the Spring Court - but at a steep cost. Though she now possesses the powers of the High Fae, her heart remains human, and it can't forget the terrible deeds she performed to save Tamlin's people.
Nor has Feyre forgotten her bargain with Rhysand, the mesmerising High Lord of the feared Night Court. As Feyre navigates his dark web of political games and tantalising promises,…
I absolutely adore fantasy! I love leaving our world and being transported to another. I love that characters might have magic or crazy heritages. I love the creatures that come with the genre. I adore everything about fantasy. Throwing romantic elements into the story just makes it all that much sweeter. Having a hero with a weakness for a heroine is so comforting to read. Giving the characters someone else to fight for is also a heart-warming, sometimes gut-wrenching, affair. But in the end, having romance in a fantasy just gives it a little extra push to the readers.
A Deal with the Elf King is one of those fantasy books that draws the reader in with tropes while still drawing the reader in and keeping them guessing. While this book would be considered a fantasy romance rather than a fantasy with romance, it’s almost refreshing. The reader is guaranteed a happily ever after. Seeing different magical creatures, rather than just fae, is nice. It’s something I aspired to in my own writing. I love fae, don’t get me wrong, but seeing other types of love interests is amazing.
Perfect for fans of A Court of Thorns and Roses and Uprooted, this stand-alone, fantasy romance about a human girl and her marriage to the Elf King is impossible to put down! The elves come for two things: war and wives. In both cases, they come for death.
Three thousand years ago, humans were hunted by powerful races with wild magic until the treaty was formed. Now, for centuries, the elves have taken a young woman from Luella's village to be their Human Queen. To be chosen is seen as a mark of death by the townsfolk. A mark 19-year-old…
15-year-old James McCafferty is about to board an old junk-rigged boat on a summer adventure therapy for problem teens. James' problem is he hears voices and sometimes sees people others don't see. He believes the boat to be possessed by malicious spirits intent on sinking the ship. Once at sea,…
I absolutely adore fantasy! I love leaving our world and being transported to another. I love that characters might have magic or crazy heritages. I love the creatures that come with the genre. I adore everything about fantasy. Throwing romantic elements into the story just makes it all that much sweeter. Having a hero with a weakness for a heroine is so comforting to read. Giving the characters someone else to fight for is also a heart-warming, sometimes gut-wrenching, affair. But in the end, having romance in a fantasy just gives it a little extra push to the readers.
This was an unexpected read on a few levels. First, that ending! Oh, that ending was rude! It definitely left me on a cliffhanger, which I both love and hate. Let’s be real, I do it in my own writing. It keeps the reader guessing and leaves the reader wanting more. But I also found it to be fast-paced, which isn’t the usual for a romantic fantasy. It had all the elements I love: morally gray heroine, lovers to enemies, love triangle, all the tropes that just go deliciously in a fantasy.
From New York Times best-selling author Lexi Ryan, Cruel Prince meets A Court of Thorns and Roses in this sexy, action-packed fantasy about a girl who is caught between two treacherous faerie courts and their dangerously seductive princes. Brie hates the Fae and refuses to have anything to do with them, even if that means starving on the street. But when her sister is sold to the sadistic king of the Unseelie court to pay a debt, she'll do whatever it takes to get her back - including making a deal with the king himself to steal three magical relics…
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de forceof US history. This is one of the first books I recommend to my students.
Monsters arrived in 2011aand now they are back. Not only do they continue to live in our midst, but, as historian Scott Poole shows, these monsters are an important part of our pastaa hideous obsession America cannot seem to escape. Poole's central argument in Monsters in America is that monster tales intertwine with America's troubled history of racism, politics, class struggle, and gender inequality. The second edition of Monsters leads readers deeper into America's tangled past to show how monsters continue to haunt contemporary American ideology. By adding new discussions of the American West, Poole focuses intently on the Native…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
There are many terrifying monsters, but few were as feared as the beast of Gévaudan, which terrorized the French countryside in the 1760s.
Said to be, variously, a werewolf, a dog-hybrid, a hyena, or some unknown beast, it was blamed for killing many dozens of villagers. The French government sent top hunters to kill the beast, and conspiracy theories ran rampant. I recommend Monsters of the Gevaudan because I love the way it blends history, folklore, and investigation into a compelling mystery.
Don’t believe the mystery-mongering TV shows offering wild theories: the truth is in this book—and it’s stranger than fiction.
In a brilliant, original rendition, Monsters of the Gevaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.
In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gevaudan passed into French folklore.
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to…
Well, truly, who doesn’t want to live inside of a magical castle? A few years ago, I was lucky enough to become the owner of a crumbling Victorian house. It was in bad shape—a hoarder had lived there before with lots of cats and also, somehow, rats?—but the place had “good bones.” My husband and I were determined to scrape away all of the rot and give it new life—all while I was writing my middle-grade novel. Now that both projects are done, I truly feel like I live in an enchanted space.
I probably read this Beauty and the Beast retelling nearly ten times when I was a teenager—McKinley takes a well-known classic and puts her own twist on the tale. Beauty is not beautiful in this version, but that only makes the rest of the story more brilliant.
I loved exploring the Beast’s enchanted castle and watching their love story unfold as if for the first time. Of course, the magical house only makes it more of a joy to read.
When the family business collapses, Beauty and her two sisters are forced to leave the city and begin a new life in the countryside. However, when their father accepts hospitality from the elusive and magical Beast, he is forced to make a terrible promise - to send one daughter to the Beast's castle, with no guarantee that she will be seen again. Beauty accepts the challenge, and there begins an extraordinary story of magic and love that overcomes all boundaries. This is another spellbinding and emotional tale embroidered around a fairytale from Robin McKinley, an award-winning American author.
I am an author and avid reader of romance, especially those full of conflict in a world heavy with magic, shifters, vampires, and others. My dad was a great storyteller and sparked my interest in the paranormal. When I was a kid, he’d tell me stories about growing up in the mountains of Puerto Rico. The evil that lived there. My imagination took it from there. I wish I would’ve written down those stories. I can’t get him to talk about them anymore. It might be the reason why The Nine: Zane had started out as a contemporary romance story until Zane took over with all his paranormal drama.
I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. Itis rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere whilesimultaneously having a good chuckle.
When I recently read The Yark I was only disappointed in that I hadn’t discovered this book sooner. It has the morbid quip and charm of Roald Dahl combined with highly detailed and immersive illustrations. This is a monster story which will leave you far more afraid of children than what’s under your bed.
The Yark loves children...with the love of a gourmand! This hairy monster dreams of child buffets-ham of boy, orphan gratin, schoolchild puree, breaded babies, girl rillettes. But he has a problem: his delicate stomach can only tolerate nice children; liars give him heartburn, savages spoil his teeth. There are not nearly enough good, edible children around to keep him from starvation. Then the Yark does find delicious, sweet Madeleine. Will he gobble her up? Or will she survive long enough to change his life?
Born from the ashes of the old world, the great cities of humanity's new hope are beacons of light. Yet freed from the depths of a cruel prison, Will Manning is left with nothing but rage. Seeking revenge against the tyrannical rule of the Vitruvian elite with the help of…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
I picked up this book because it reminded me of a writing assignment I did in college. Instead of a traditional critical essay on Frankenstein, I wrote a “scene” in which Mary Shelley and Victor Frankenstein discussed the novel's themes. (I got a good grade if you are curious.) This isn’t the most lyrically written novel, but I loved the bold premise of bringing Victor into the real world to interact with the Villa Diodati group, telling them the unbelievable tale of his creation.
I admired the clever turns throughout, and the climactic discovery was well-earned. I’ve always been a fan of the fictional character stepping off the page. This one had me thinking long after I’d finished it.
Victor Frankenstein begins his anatomy experiments in a barn in the secluded village of Headington, near Oxford. The coroner's office provides the corpses he needs - but they have often died by violent means and are damaged and putrifying. Victor moves his coils and jars and electrical fluids to a deserted pottery manufactury in Limehouse. And, from Limehouse, makes contact with the Doomesday Men - the resurrectionists.
Victor pays better than any hospital for the bodies of the very recently dead. Even so, perfect specimens are hard to come by... until that Thames-side dawn when Victor, waiting, wrapped in his…
