100 books like In a Dark Wood Wandering

I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I am a Professor of Viking Studies at the University of Nottingham and have been teaching, researching, and writing about all aspects of the Viking Age and its aftermath for many years. My particular expertise is in the poetry, sagas, and runic writings of medieval Scandinavia. To understand these, it has been important to me to follow in the footsteps of the Vikings from the Baltic to North America, to see the places they were familiar with, and to experience the traces of their culture in those places. These books tell the stories which will guide the armchair traveller on the same voyages.

In spite of many setbacks, living standards have trended upwards over the last 10,000 years. One of my main interests as an economist has been to understand the sources of this trend and its broad effects. The key driving force is new technologies. We are better off than our Victorian ancestors, not because we have more of what they had but because we have new things, such as airplanes and indoor plumbing. However, these new technologies have also brought some unfortunate side effects. We need to understand that dealing with these successfully depends, not on returning to the use of previous technologies, but on developing newer technologies such as wind and solar power.

My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something. 

I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire. 

I’ve been fascinated by magic and its history since I was at school. One of my first Saturday jobs was as a shelf stacker in Portsmouth Central Library, and I was delighted to discover that the library had a special collection on the occult and magic. I spent as much time dipping into the books as I did shelving them! That interest was sharpened by holiday visits to places with links to magical people and events in the past – and I am very grateful for the patience of my family. I now research and teach medieval magic at Reading University and enjoy discussing spells and instruction manuals on various types of magic.  

Even as an overachieving student, I struggled with true/false tests, always writing short essays explaining why the answer wasn’t quite clear cut. Some teachers loved my need to blur the lines. Others not so much. But this aversion to boundaries—the idea that something (or someone) must be this or that—it’s part of my blood. I read everything in the library, nonfiction, fiction, all genres. I like books that cross from real to fantasy, history to fiction. I love characters who refuse to be told who and what they can (or can’t) be. I want love to break boundaries, too. That’s what this list is all about.