10 books like The Waning of the Middle Ages

When most of us think about the 14th Century, we see it as a time of chivalry, knights, and crusades. It was anything but for most people who feared the ending of the world. It was everything that was with us still, whether corruption in high places or taxes. But it also had bankers, saints, mystics, and all the good and bad things that are with us today.  

I read Barbara Tuchman’s book over a period of two months. It was a wonderful read. Each chapter offers a glimpse of the events and happenings that shaped the world as we came to know it. If you’re interested in medieval Europe, the book is a wonderful gift. It is also a book of surprises. I was intrigued to learn that “people knew the world was a globe before Columbus, where “a man could go around the world as a fly… show more.

This is the book to which I turn for all the details of Christine’s life. Willard shows that Christine, who lived from 1364-1430, was an immensely courageous woman who, against all odds in an age that disparaged the female sex, succeeded in making her living as a writer and gained so much respect among the nobility that she was able to comment with impunity on the major political events of her time.

Jager’s book is an indispensable source for facts about a famous murder that is the inspiration for one of my future Christine de Pizan novels. In 1407 Duke Jean of Burgundy, known as Jean the Fearless, ordered his henchmen to murder Duke Louis of Orléans, who was his cousin as well as the king’s brother. The provost of France was able to identify Jean as the instigator of the crime, and in my novel Jean takes his revenge by having one of his minions kidnap the provost’s daughter.

Hella Haasse’s novel is based on the life of Charles of Orléans, the son of King Charles the VI’s brother, Louis of Orléans. I often refer to this book for inspiration because it so beautifully and poetically evokes life at the French court in the days when Christine de Pizan was a constant presence there.

Huizinga’s book was first published more than 100 years ago, in 1919, but it retains its value as a sparkling and original evocation of the world of late medieval Europe: its values, its thought, its violence, and – one of its great strengths - its visual arts. This last is not surprising, since the author’s main focus is on the Netherlands and northern France, where oil painting, the realistic portrait, and the landscape began in European art. The book has been translated into English more than once, with significantly different titles: in 1924 as The Waning of the Middle Ages, then – 72 years later! - as The Autumn of the Middle Ages. In 2020 there appeared yet another version - Autumntide of the Middle Ages. The book is ever young.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

This is the best general survey of French wine in English, from someone who not only teaches the history of modern France at his local university, but who also reviews and writes about wine for his city’s newspaper. As both an academic historian and a journalist, Phillips has written a riveting account of how wine was first introduced to France under the Romans, how many of the vineyards later came under the control of the Catholic church in the Middle Ages, how the French state attempted to control and regulate the production of wine in the nineteenth-century, and how smaller wineries are now trying to cope with the global commercialization of the wine industry. Just a great primer on French wine.

The Merovingians – the Frankish royal family – were the closest, and most powerful, neighbour to the Anglo-Saxon kingdoms of the Early Middle Ages. They influenced trade, culture, and religion of early England, at times as partners, at times as hegemons of the island. At the same time, they built the foundation on which the Carolingians built their empire, the New Rome that would control the great swathes of Europe for centuries to come. Ian Wood’s excellent book is possibly the most detailed account of their rule ever written. 

Last, but certainly not least, Queens, Concubines, and Dowagers was a book that helped formed the field of queenship studies, now a booming industry. Stafford teaches us how to think about the meaning of queenship, the sources and limits of the queen’s power, and the evolution of her office; she tells the stories of a number of remarkable early medieval women along the way in what is now England, France, and Germany. Deeply influential for me as I sought ways to think about queenship in later periods, this book remains widely available, accessible, and influential.

Many think that the medieval period was the era of cruel and sadistic punishment, but it was, in fact, the Renaissance that saw the rise of the great spectacle of the 'theatre of horror': scaffolds erected to display the brutal dismemberment and suffering of executed prisoners in front of thousands of spectators. Although it focuses on France, Friedland's study explores why, all across Europe, this period saw an appetite for something so graphic. It explores the history of capital punishment from the Romans onwards, so it's essential reading for the theory behind executions, but the real strength lies in its exploration of the gulf between what theorists believed and what the general public actually did at executions, and why they attended in their thousands.