Here are 100 books that The World of Orderic Vitalis fans have personally recommended if you like
The World of Orderic Vitalis.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
I love this book because Partner examines the works of three of my favorite medieval historians: Henry of Huntingdon, William of Newburgh, and Richard of Devizes.
In the first half of the book, she delves into each authors’s unique voice: Henry’s contempt for the world, William’s skepticism and critical eye, and Richard’s sometimes devastating tongue-in-cheek humor.
In the second half of the book, she explores many of the quirks of medieval histories that tend to confuse or disappoint modern readers: the medieval deference to authorities, the fact that medieval authors approached history writing as a literary exercise, and the fact that Biblical material is constantly popping up in historical narratives.
She argues that history served not only as a source of entertainment for the upper classes, but as a means of educating the ruling class and inculcating certain values.
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
This book isn’t just about historians or history writing, but I love it because it addresses some really important questions related to history writing: why was the preservation of memory gendered labor, with different types of memorialization expected of men and women, and how was the past preserved in forms other than chronicles?
It also grapples with the fact that some events and people were purposely forgotten or intentionally left uncommemorated. This practice of collective amnesia or whitewashing the past is something I find particularly compelling. It’s a fascinating look at the gendered practices of memory, and a great reminder that chronicles were not the only means by which the past was preserved for posterity.
Who, exactly, was responsible for the preservation of knowledge about the past? How did people preserve their recollections and pass them on to the next generation? Did they write them down or did they hand then on orally? The book is concerned with the memories of medieval people. In the Middle Ages, as now, men and women collected stories about the past and handed them down to posterity. Many memories centre in the aristocratic family or lineage while others are focussed on institutions such as monasteries or nunneries. The family and monastic contexts clearly illustrate that remembrance of the past…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
This is one of those books that completely changes the way you understand a subject.
Clanchy looks at how the growth of bureaucracy in England fostered the growth of literacy and changed the world in the process. That’s an important subject in its own right, but I love this book for all of the little details it includes.
It’s full of information about how the definition of literacy has changed over time, how knights and kings were educated, how courts functioned, how oral testimony was heard, how records were kept, how books were produced, how much it cost to produce them, and how forgery developed.
This is very much an academic book, but it explores a whole range of practices and attitudes that have shaped the world we live in.
The second edition of Michael Clanchy's widely-acclaimed study of the history of the written word in the Middle Ages is now, after a much lamented absence, republished in an entirely new and revised edition. The text of the original has been revised throughout to take account of the enormous amount of new research following publication of the first edition. The introduction discusses the history of literacy up to the present day; the guide to further reading brings together over 300 new titles up to 1992. In this second edition there are substantially new sections on bureaucracy, sacred books, writing materials,…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Any book by Robert Bartlett is worth reading (check out The Hanged Man and Trial by Fire and Water as well), but I love this one because it examines one of the most interesting and entertaining historians of the twelfth century, Gerald of Wales.
Gerald was famously opinionated, prejudiced (mainly against the Irish – check out his History of Ireland), and gossipy. Bartlett explores Gerald’s attitudes, experiences, and works to paint a compelling picture of the wider world around him. Much like Chibnall’s book on Orderic, this is a fascinating portrait of an important historian and the complicated world he lived in.
I’m a writer and musician with a background in mathematics, which is what originally led to my intrigue in cosmology. For writing speculative fiction, I’ve dug into a range of topics from quantum mechanics to cognitive theory, but spacetime had the opposite causality: my interest later spawned my writing. When I first learned about special relativity, many aspects seemed counterintuitive but were mathematically sound, leading me to obsessively read books, watch videos, and perform hours of calculations to get a feel for it. And what draws my adoration most to the cosmos is the quality it shares with dinosaurs—the more I learn, the more majestic it becomes.
Crichton is, without question, my favorite author, and what I love most about his books is the singular word that defines them all: immersive. As one of the later Crichton books I read, I actually saw the movie adaptation of this book first, and I cannot stress enough how much better the book is.
The details involved build both a compelling representation of 14th century France, complete with indecipherable language, and a believable mechanism for that time travel based on quantum mechanics, more than a decade before the boom of multiverse fiction.
In this thriller from the author of Jurassic Park, Sphere, and Congo, a group of young scientists travel back in time to medieval France on a daring rescue mission that becomes a struggle to stay alive.
#1 NEW YORK TIMES BESTSELLER
“Compulsive reading . . . brilliantly imagined.”—Los Angeles Times
In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This is an eye-witness account of the French Revolution of 1848 by a major participant. It offers a fascinating, acerbic picture of the major actors, the revolutionary “days,” and Tocqueville’s unhappy experience as Foreign Minister. It vividly conveys a sense of both the fears of the propertied classes and the limitations of radicals who could only play at revolution, mimicking the roles and gestures of 1789-’94.
But what I find most compelling is Tocqueville’s preoccupation with questions that are central to our understanding of the failures of democratic politics, then and now. How is it that in the space of two generations, democratic revolutions twice culminated in Napoleonic dictatorship? Why do so many democratic governments, including ours, appear to be moving in the same direction now?
Alexis de Tocqueville's Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoleon Bonaparte's 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville's compelling book.
The book has an interesting publishing history. Yielding to pressure from…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
Eleanor of Aquitaine is certainly one of the most formidable women of the Middle Ages; not just because she was queen to two kings, but because she had the courage to openly defy them both.
Consequently, I raced to order Coirle Mooney’s first novel in her The Medieval Ladies series, followed quickly by the second, The Cloistered Lady. I absolutely love the author’s ability to craft vivid descriptions of time and place, especially the uncommon setting of the nunnery at Fontrevault. Joanna, Queen Eleanor’s lady-in-waiting, is a delightfully complex character.
Like Christina Kohl in my series, she is wonderfully human; but her fears and shortcomings are balanced out by her sometimes-surprising strength and compassion. I enjoyed all three novels in the series, but this one most of all.
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.
“To the world when it was half a thousand years younger,” Huizinga begins, “the outline of all things seemed more clearly marked than to us.” Life seemed to consist in extremes—a fierce religious asceticism and an unrestrained licentiousness, ferocious judicial punishments and great popular waves of pity and mercy, the most horrible crimes and the most extravagant acts of saintliness—and everywhere a sea of tears, for men have never wept so unrestrainedly as in those centuries.
First published in 1924, this brilliant portrait of the life, thought, and art in France and the Netherlands in the 14th and 15th centuries…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
The Merovingians – the Frankish royal family – were the closest, and most powerful, neighbour to the Anglo-Saxon kingdoms of the Early Middle Ages. They influenced trade, culture, and religion of early England, at times as partners, at times as hegemons of the island. At the same time, they built the foundation on which the Carolingians built their empire, the New Rome that would control the great swathes of Europe for centuries to come. Ian Wood’s excellent book is possibly the most detailed account of their rule ever written.
