100 books like Ice Land

Recent genetic research on the human remains of a 10th-century Viking grave excavated in 1878 in Birka, Sweden, rocked the world of Viking studies when it determined that the warrior buried with numerous weapons and two horses was not male, but female. I loved how this author imagines what that woman’s life might have been like. She also suggests that the woman buried in the Birka grave was merely one of many female Viking warriors, offering data drawn from archaeological finds, from historical accounts, from language studies, and from the sagas to support the theory that ‘shield maids’ really did exist. I had been dubious about the possibility of female Vikings, but the arguments presented in this book are too compelling. Reading it changed my mind. Now I’m a believer.

Having made my creative name as project designer responsible for the original Jorvik Viking Centre in York, UK, this book uses words and historical illustrations to do what we attempted to do. It was to place the observer into an experience from the past, which would be in such detail and authenticity that it’s as close, I believe, to time travel as our generation will achieve. Truth, fascination, and amazement. Why I like this book is it achieved what archaeologists, scientists, and interpretive designers strove to achieve. 

I’m a sucker for any story about a real woman in history.

Hild is the story of Hilda of Whitby, whom we meet as a child in 7th-century Britain. It's a novel that revels in language and sensory detail, when it comes to both the natural world and the human one. It is particularly interested in relationships between women.

This novel puts us into the mindset of a girl growing up in an age of political ferment, in the context of a whole set of traditions and stories, and helps us understand why she makes the choices she does.

So many brilliant authors have explored the Arthurian legends that I had trouble believing that there could be more to say. Signe Pike, though, researched the earliest appearance of the legend of Merlin and traced it, surprisingly, to 6th-century Scotland where she set this tale. Merlin and his sister are given their early Celtic names, Lailoken and Languoreth and there is a Scottish/Celtic feel to the book that evokes that historical time and place. I was particularly moved by Pike’s exploration of the dilemma of the peace-weaving queen, forced to choose between loyalty to her birth family and loyalty to the family into which she married. Sadly, that was the bitter fate of many peace-weaving brides as rival tribes vied against each other for power and ultimate control.  

In 1842, after 45 years of frustratingly sedentary domesticity, the Austrian-born Ida Pfeiffer gave full vent to her wanderlust. Within five years, her jaw-dropping round-the-world journeys would make her one of the most widely-traveled persons of that century, while her talent for vivid portrayals made her one of the most well-known travel writers. Of her many chronicles, I especially enjoy this tale of her 1845 trip to the northern reaches of Scandinavia and Iceland—a place almost no continental Europeans had visited and few even knew existed. Pfeiffer’s insights and thoughtful reportage, as well as a newly emerging fascination with Iceland and Icelanders in our own time, has given this rare travel narrative new currency.

Reykjavik Police Inspector Erlendur and his associate, Sigurdur Oli, are sent to investigate the murder of an old man bashed with an ashtray. They soon uncover his sordid past, in which he was accused of rape. Traipsing from clue to clue, interviewing tangential witnesses, they learn more about why he was killed and eventually discover the perpetrator, whose life was tragically altered by the actions of the murdered man. Erlendur and Oli are like the Odd Couple but complement each other in their work. The title refers to the practice of keeping organs in jars for medical research, which figures into the investigation. The journey to the solution of the case is very satisfying. 

Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right. 

Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.  

Jackson Crawford’s lectures on Norse mythology make a wonderful accompaniment to any bit of hobby-doing. It fits, I think, with the venue these stories would have originally been told, something to pass the time, to make work of the hand and eye go by a bit faster. What better to help inspire some fantasy making, like painting miniatures or knitting something more elaborate than stories of gods and heroes of a bygone age, when magic was real, and the gods and giants battled around us? I started with Dr. Crawford’s YouTube lectures on all things Old Norse and came to appreciate his engaging style and masterful depth of the subject. He brings the stories to life and reveals the language as it may have been spoken. He puts the myths in their contexts. I view any day that I haven’t learned something new as a bit of a waste and… show more.

It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.