Here are 81 books that Jar City fans have personally recommended if you like
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I grew up on a Viking battlefield, in an English coastal village once raided then occupied by Norsemen. We had ancestors who lived on the Isle of Orkney, and in the Celtic south-west. From a young age, I read Norse and Celtic myths and legends, and went on to study history and philosophy – and then became an author. Now, I have family in Sweden and grandchildren of Ash and Elm. My list offers pure escapism, but also shows how our ancestors lived in an age with no electricity or compulsory schooling. It’s the wonderful combination of the ‘other world’ myths and history that I believe makes us who we are.
This very readable non-fiction is an account of how the people we call the Vikings lived and why they wenta’viking.
Historian Neil Price describes in an easy-to-comprehend manner the Scandinavian world of long ago – when gods, spirits, and humans co-existed in a brutal axe-age. The author explains strange superstitions and how the belief in supernatural beings affected daily life.
Readers also learn about the terrible climate catastrophe that made northern lands virtually uninhabitable, and where Viking explorers sailed to in search of fertile land and treasure. My own family background gives me a strong connection to this history and its special mythology.
'As brilliant a history of the Vikings as one could possibly hope to read' Tom Holland
The 'Viking Age' is traditionally held to begin in June 793 when Scandinavian raiders attacked the monastery of Lindisfarne in Northumbria, and to end in September 1066, when King Harald Hardrada of Norway died leading the charge against the English line at the Battle of Stamford Bridge. This book, the most wide-ranging and comprehensive assessment of the current state of our knowledge, takes a refreshingly different view. It shows that the Viking expansion began generations before the…
I'm the granddaughter of a Finno-Swedish immigrant and I grew up on his stories and insights. Because he came from the melting-pot generations of immigrants, he kept very little of the traditions of his origins, but his culture and sense of his ancestral home informed my interests. For as long as I can recall, I've been trying to fill in the gaps in that cultural experience, which led me to researching and writing about Viking and Nordic history and culture, and visiting the Nordic countries whenever I've been able to manage it.
This is a modern Icelandic Noir crime novel about a divorced personal attorney in Reykjavik who gets sucked into a horrific mystery at a university. It delves into Icelandic myth and Medieval black magic (the infamous Necropants make an appearance). I think it's very revealing about the frontier mentality that in some ways still persists in Iceland, and which saturates the Sagas. It's got a great sense of place and offers a nice cross-section of life in a modern Nordic country.
Also, it's really entertaining, and a little bit grotesque.
The first Thora Gudmundsdottir novel from Yrsa Sigurdardottir - 'Queen of Icelandic crime'.
'Yrsa is one of the most exciting new voices in the crime thriller world.' - Peter James
A young man is found brutally murdered, his eyes gouged out. A student of Icelandic history in Reykjavik, he came from a wealthy German family who do not share the police's belief that his drug dealer murdered him. Attorney Thora Gudmundsdottir is commissioned by his mother to find out the truth, with the help - and hindrance - of boorish ex-policeman Matthew Reich. Their investigations into his research take them…
I'm the granddaughter of a Finno-Swedish immigrant and I grew up on his stories and insights. Because he came from the melting-pot generations of immigrants, he kept very little of the traditions of his origins, but his culture and sense of his ancestral home informed my interests. For as long as I can recall, I've been trying to fill in the gaps in that cultural experience, which led me to researching and writing about Viking and Nordic history and culture, and visiting the Nordic countries whenever I've been able to manage it.
This is a fun light book on Viking material culture, aimed at kids or adults who like pictures. (Me!) It's a delightful, breezy overview of exactly what it says on the box, and serves as a great entry point for readers who aren't sure what they need to know or where to start.
Vikings, those ancient Norse seafarers, have inspired plenty of pop culture phenomena, from the A&E hit show Vikings to Thor Ragnarok to the ever-expanding world of Viking larp. Known for being skilled craftspeople, accomplished merchants, hardworking farmers, and masters of the sea, the Vikings were a complex and captivating people.The Viking Hondb?k is an engaging, compelling guide -- with a sense of humor -- exploring who the Vikings were and how they lived, from ancient Norse daily life to battles and adventuring. Readers will learn how Vikings ate, dressed, and fought, and even how they weaved the perfect beard braid…
I'm the granddaughter of a Finno-Swedish immigrant and I grew up on his stories and insights. Because he came from the melting-pot generations of immigrants, he kept very little of the traditions of his origins, but his culture and sense of his ancestral home informed my interests. For as long as I can recall, I've been trying to fill in the gaps in that cultural experience, which led me to researching and writing about Viking and Nordic history and culture, and visiting the Nordic countries whenever I've been able to manage it.
It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.
'For Vikings done right, come to Snorri Kristjansson' - Mark Lawrence
'Truly entertaining' - Yrsa Sigurdardottir
'A dark mystery in a dark age brought vividly to life' - Robert Fabbri
Everyone loves a family reunion.
970: For the first time since Helga was adopted, her family will be gathered in one place. But her siblings are coming with darkness in their hearts.
Everyone knows their father, the Viking warlord Unnthor Reginsson, has a great chest of gold hidden somewhere on his land - and each of his heirs is determined to find it.
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
Lisbeth Salander, the lead female character, is one of the most beautifully drawn, exciting, indomitable, and powerful women I have ever read about in a story. She is not just strong, she is also brilliant – as a super-hacker on the internet to boot.
Thankfully there were two sequels as I could read book after book with her in it.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I’ve been exploring Scandinavian authors for several years after working my way through the American masters of the genre (Chandler, McDonald, Parker, Burke, Stout, and others). For some reason, Scandinavians seem a lot more vicious in their writing, crafting murder scenes that are beyond gruesome. After reading the works of several Icelandic authors, I was inspired to go there and see firsthand what I was reading about, then to create my own mystery in that setting.
I wish I could write like Jo Nesbø. His detective, Harry Hole, faces the worst of the worst sadistic criminals and somehow succeeds, but not always without cost, both to himself and those near to him. In this first Hole story, the Oslo police detective is dispatched to Australia to investigate the murder of a Norwegian citizen. The case is complex, he falls in love, falls off the wagon, and finds suspects who later become victims. Nesbø has a way of keeping you guessing, with plenty of red herrings, a slew of suspects and many grisly deaths along the way. The prose is precise, inventive, compelling. In short, a master at the craft, even in his first story.
Detective Harry Hole is meant to keep out of trouble. A young Norwegian girl taking a gap year in Sydney has been murdered, and Harry has been sent to Australia to assist in any way he can.
HE'S NOT SUPPOSED TO GET TOO INVOLVED.
When the team unearths a string of unsolved murders and disappearances, nothing will stop Harry from finding out the truth. The hunt for a serial killer is on, but the murderer will talk only to Harry.
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Ragnar is one the most successful contemporary crime authors hailing from Iceland, also as his series featuring rookie policeman Ari Thór Arnarson is not set in the urban sprawl of the Icelandic capital Reykjavík but instead in the small town of Siglufjörður on the north coast and provides fascinating insight into Icelandic topography, history, and culture of the remote regions of the country. Snowblind is the first of the series, a slow-burning but gripping whodunnit set in a Siglufjörður cut off from the rest of the country by avalanches and snowstorms...
FIRST IN THE INTERNATIONAL BESTSELLING DARK ICELAND SERIES
OVER A MILLION COPIES SOLD
A murder takes place in the isolated Icelandic town of Siglufjoerdur, where an avalanche has cut off all communication and the unrelenting snow threatens rookie police officer Ari Thor Arason first investigation...
'A modern Icelandic take on an Agatha Christie-style mystery, as twisty as any slalom...' Ian Rankin
'Ragnar J nasson writes with a chilling, poetic beauty' Peter James
'Seductive ... Ragnar does claustrophobia beautifully' Ann Cleeves
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Siglufjoerdur: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via…
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
The effect of Scandinavian crime writing has been far-reaching and, to my mind, one aspect that has helped its growth has been the addition of psychological aspects in the characters and—in a very particular sense—the response to this from the reader. I feel I’ve learned more of this deeper level from the writings of Adler-Olsen, particularly his Department Q novels with their lead, Detective Carl Mørck (a deeplyflawed man, although written without a cliché in sight). Adler-Olsen has said the reader must have the opportunity to create their own images from his not-very detailed descriptions, which he calls the “missing voice”, and his light, but masterfulcreation of Carl Mørck succeeds in this, making the Department Q novels a ‘must’ for any reader.
Get to know the detective in charge of Copenhagen's coldest cases in the first electrifying Department Q mystery from New York Times bestselling author Jussi Adler-Olsen.
Carl Morck used to be one of Denmark's best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl-who didn't draw his weapon-blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl's got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at…
I’ve always been drawn to stories of good versus evil and watching a hero overcome a great struggle to beat a villain and win the day. I feel it’s innate in humans to want to hear such tales ever since the days gathered around the campfires thousands of years ago, and when it’s done well, it can be a story that inspires you in your own life. Hopefully, these novels can do the same for you!
Another slightly left-field pick, but the atmosphere in this author’s books is just as compelling as in Without Fail as mentioned above. In a snowy, cold Iceland, a beleaguered detective investigates the murder of a local man who was once a shining light as a child.
Lost potential, old vendettas, and evil preying on the weak are all elements here, in a very unique setting, with a dogged lead who refuses to give up. Slower and colder but just as gripping.
Detective Erlendur encounters memories of his troubled past in this gripping and award-winning continuation of the "Reykjavik Murder Mysteries". At a grand Reykjavik hotel the doorman has been repeatedly stabbed in the dingy basement room he called home. It is only a few days before Christmas and he was preparing to appear as Santa Claus at a children's party. The manager tries to keep the murder under wraps. A glum detective taking up residence in his hotel and an intrusive murder investigation are not what he needs. As Erlendur quietly surveys the cast of grotesques who populate the hotel, the…
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
A mother is murdered, and her seven-year-old daughter is the only witness, but she does not speak. Detective Huldar and psychologist Freyja must find out what the girl saw and stop the killer.
Yrsa Sigurdardottir puts her own stamp on the Nordic Noir genre and combines crime fiction with a touch of horror, which I really like. Although this book is more of a police procedural, the plot is layered and complex, and still brings out that dark, chilling, and disturbing side of the crimes and the secrets the characters hold.
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