Here are 61 books that The Lost Queen fans have personally recommended if you like
The Lost Queen.
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Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
Recent genetic research on the human remains of a 10th-century Viking grave excavated in 1878 in Birka, Sweden, rocked the world of Viking studies when it determined that the warrior buried with numerous weapons and two horses was not male, but female. I loved how this author imagines what that woman’s life might have been like. She also suggests that the woman buried in the Birka grave was merely one of many female Viking warriors, offering data drawn from archaeological finds, from historical accounts, from language studies, and from the sagas to support the theory that ‘shield maids’ really did exist. I had been dubious about the possibility of female Vikings, but the arguments presented in this book are too compelling. Reading it changed my mind. Now I’m a believer.
In the tradition of Stacy Schiff’s Cleopatra, Brown lays to rest the hoary myth that Viking society was ruled by men and celebrates the dramatic lives of female Viking warriors
“Once again, Brown brings Viking history to vivid, unexpected life―and in the process, turns what we thought we knew about Norse culture on its head. Superb.” ―Scott Weidensaul, author of New York Times bestselling A World on the Wing
"Magnificent. It captured me from the very first page." ―Pat Shipman, author of The Invaders
In 2017, DNA tests revealed to the collective shock of many scholars that a Viking warrior…
I’m a storyteller. I studied graphic design, animation, and film and became the title designer of Yorkshire Television’s game show 3*2*1 and directed an art-directed film and animation for British television and cinema. I was the Project Designer of the original Jorvik Viking Centre (1984). By 2008 I designed and built 25 award-winning cultural heritage centres and completed 150 international consultancies, producing and directing my exhibition documentaries. I learned how important writingwas to my work. When it came down to it, whatever technique I used in the telling, there was always the storybehind it as the way to transport the audience into a mentally immersive experience.
Having made my creative name as project designer responsible for the original Jorvik Viking Centre in York, UK, this book uses words and historical illustrations to do what we attempted to do. It was to place the observer into an experience from the past, which would be in such detail and authenticity that it’s as close, I believe, to time travel as our generation will achieve. Truth, fascination, and amazement. Why I like this book is it achieved what archaeologists, scientists, and interpretive designers strove to achieve.
What life was like at the turn of The First Millennium
The Year 1000 is a vivid and surprising portrait of life in England a thousand years ago - no spinach, no sugar, but a world which already knew brain surgeons and property developers, and yes, even the occasional gossip columnist.
Uncovering such wonderfully unexpected details, authors Robert Lacey and Danny Danziger bring this distant world closer than it has ever been before. How did monks communicate if they were not allowed to speak? What punishments could the law impose without stone and iron prisons in which to lock up…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.
A beautiful epic of love, longing, redemption, and enchantment in the tradition of Marion Zimmer Bradley?s The Mists of Avalon
Iceland, AD 1000 Freya knows that her people are doomed. Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland?s people, and tangled amidst it all…
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
I’m a sucker for any story about a real woman in history.
Hildis the story of Hilda of Whitby, whom we meet as a child in 7th-century Britain. It's a novel that revels in language and sensory detail, when it comes to both the natural world and the human one. It is particularly interested in relationships between women.
This novel puts us into the mindset of a girl growing up in an age of political ferment, in the context of a whole set of traditions and stories, and helps us understand why she makes the choices she does.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
Queens and queenship is a topic that has fascinated me since childhood when I first read about women like Cleopatra and Eleanor of Aquitaine. They ignited a passion to learn about the lives of royal women which led me from the ancient Mediterranean to medieval Europe, on into the early modern era, and has now gone truly global. I am particularly passionate to draw out the hidden histories of all the women who aren’t as well-known as their more famous counterparts and push for a fully global outlook in both queenship and royal studies in the works I write and the journal and two book series that I edit.
This is a weighty tome at well over 500 pages but well worth the investment as this edited collection is bursting with case studies of royal women from ancient Egypt and Mesopotamia to the end of Imperial Rome. The editors have brought together a large group of experts to offer chapters on groups of women, issues in an ancient monarchy such as Egyptian brother-sister marriages, and the representation of royal women in ancient sources, historiography, and modern popular culture. Cleopatra and the ancient world was my original gateway into queens and queenship—there are plenty of interesting women to inspire anyone to learn more about the pivotal role they played in the development of monarchy in the ancient world.
This volume offers the first comprehensive look at the role of women in the monarchies of the ancient Mediterranean. It consistently addresses certain issues across all dynasties: title; role in succession; the situation of mothers, wives, and daughters of kings; regnant and co-regnant women; role in cult and in dynastic image; and examines a sampling of the careers of individual women while placing them within broader contexts. Written by an international group of experts, this collection is based on the assumption that women played a fundamental role in ancient monarchy, that they were part of, not apart from it, and…
I’m a blogger, vlogger, historian, and author of 14 history books, and have a true passion for Tudor history. Tudor history grabbed me at the age of 11, when I had to do a project on Henry VIII and his six wives, and has never let me go. Anne Boleyn is my historical heroine and area of expertise, but I love anything to do with the Tudors. I’m a complete Tudor nut and if I’m not researching and writing about Tudor history, I’m talking about it or getting lost in a good book about it. I love any book that brings my favourite character to life or transports me back to the 16th century.
We’ve all heard of Lady Jane Grey, "The Nine Day Queen”, but not many know that all three Grey sisters had tragic lives. Their Tudor blood and proximity to the throne made them rivals to the monarch, whether they wanted to be or not.
Leanda de Lisle does a wonderful job telling the stories of these three fascinating women: Jane, Katherine, and Mary. I love how she banishes the many myths surrounding them. Jane may have been a victim of the executioner, but the Jane that rises from the pages of this book was one tough cookie, as were her sisters.
All three of them challenged authority and were willing to pay the price. An excellent read.
`Leanda de Lisle brings the story of nine days' queen, Lady Jane Grey and her forgotten sisters, the rivals of Elizabeth I, to vivid life in her fascinating biography' Philippa Gregory
The dramatic untold story of the three tragic Grey sisters, all heirs to the Tudor throne, all victims to their royal blood.
Lady Jane Grey is an iconic figure in English history. Misremembered as the `Nine Days Queen', she has been mythologized as a child-woman destroyed on the altar of political expediency. Behind the legend, however, was an opinionated and often rebellious adolescent who died a passionate leader, not…
The two people I love most, my husband and my son, manage obsessive-compulsive disorder. Their struggles constantly inspire me and illustrate the courage it takes to navigate everyday life with an invisible disability. We don’t talk enough about that courage. Instead, society passes judgment and shares OCD jokes. There’s nothing funny about a chronic, potentially fatal illness that demands lifelong management. After all, we don’t laugh at diabetics, and people aren’t defined by their disabilities. (Think of Helen Keller’s achievements!) My passion is to create characters who chip away at the stigma, shame, and stereotypes of mental illness. They also prove the mantra, “You are not your disorder.” Amen.
This historical romance features an ambitious heroine, who doesn’t allow undiagnosed OCD to define her life, and a displaced immigrant determined to reclaim his birthright, despite a physical disability. The parallel between their struggles illustrates how physical and mental illnesses share similar challenges. Why can’t we treat them equally?
Libby Shaw refuses to accept society's dictates. She's determined to become a member of Edinburgh's all-male Royal College of Surgeons. Disguising herself as a man, she attends the surgical theater and fools everyone-except the one man who has never forgotten the shape of her exquisitely sensual lips.
...will make a prince say yes to her every desire
Forced to leave his home as a boy, famed portraitist Ziyaeddin is secretly the exiled prince of a distant realm. When he first met Libby, he memorized every detail of her face and drew her. But her perfect…
I started out on this journey with an entirely different book in mind based on a Chinese tale about beauty, masking, and deception. Somewhere along the way, I transposed the idea to 15th-century Venice where Neo-Platonic beliefs were parallel to those in the fairy tale. The country that preceded Montenegro became part of the story and I fell in love with both those places. Finally, I read everything I could find in nonfiction on the 15th century, and developed two characters, a Slav brigand, Rade, and a Venetian maiden, Caterina. To my great surprise, the book began to write itself.
In the character of Francis Crawford of Lymond, Dorothy Dunnett created one of the most memorable heroes in historical fiction. I lived for the next book in the series. Lymond was mercurial, malicious, loving, insouciant, flawed, and fearless – and yet believable and very human. Dunnett brought 16th-century Scotland and the borderlands to life, even to the songs and the literature. It was a world entirely real to the reader and one in which, despite unexpected tragedy, elsewhere in the story, there could be a sense of humor.
In this first book in the legendary Lymond Chronicles, Francis Crawford of Lymond, traitor, murderer, nobleman, returns to Scotland to redeem his reputation and save his home.
It is 1547 and Scotland has been humiliated by an English invasion and is threatened by machinations elsewhere beyond its borders, but it is still free. Paradoxically, her freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, posessed of a scholar's erudition and a tongue as wicked as a rapier. In The Game of Kings, this…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
In research for my own books, I have learned how present the British were in the Caribbean for centuries.
Yet it is not often that I find Caribbean characters when reading historical romances. That is one of the reasons I was so excited to pick up A Caribbean Heiress in Paris– and I was not disappointed!
In this novel, you get a heroine who is trying to defend her identity on three fronts: as a businesswoman, as a mixed-race woman, and as a woman who does not want marriage to be the solution to her problems.
Much of the hero’s growth is discovering how to witness and learn about Luz Alana’s challenges without barging in and “solving” them.
This is a great read with a delightful plot, new insight into Caribbean-European history, and an endearing romance.
'A Caribbean Heiress in Paris is a triumph!' Sarah MacLean
'Historical romance at its very best - fresh, lush and full of steam!' Sophie Jordan
Paris, 1889.
Luz Alana Heith-Benzan, heiress to the Cana Brava rum empire, has sailed all the way from Santo Domingo with one purpose: expanding her family's business.
Enter James Evanston Sinclair, Earl of Darnick. From their first tempestuous meeting, Luz Alana is conflicted - why is this titled, and infuriatingly charming, Scottish man so willing to help her?
Evan might have his own reasons for supporting Luz Alana but every day they spend together makes…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
