Fans pick 100 books like The Real Valkyrie

In many ways, Antonia Fraser's Warrior Queens spurred my long-term interest in women warriors. Fraser not only introduced me to historical women I had never heard of, but to the idea that women had fought as a normal part of the army in far more epochs and far more civilizations than is normally appreciated. Fraser looks at her warring queens as a group as well as individually, trying to understand the tropes that (mostly male) historians have used both to make them bigger than life and to demean them as women. A fascinating read that has held up well over time.

In this fascinating book, which combines flowing prose, a lively and engaging presentation, and wonderful illustrations, Adrienne Mayor brings the reader into the excitement of discovering the historical truth about the mysterious Amazons of Greek mythology. 

Mayor demonstrates that the Amazon traditions derive from the undeniable fact that nomadic, armed horsewomen existed on the fringes of the ancient Greek world. The author, who describes herself as a classical folklorist, is the first to examine the intriguing evidence systematically and in detail.

In 2012, former Air National Guard pilot and Purple Heart recipient Mary Jennings Hegar joined forces with the ACLU to challenge the ban that kept American women out of ground combat units. In Shoot Like A Girl, Hegar tells the story of the career that led her to that point.

Hegar’s love for flying, her commitment to her job, and her bonds with teammates are vividly portrayed. The incident for which she received the Purple Heart–her helicopter shot down in Afghanistan with wounded men aboard—is gripping. But the heart of the book is the systemic sexism Hegar faced throughout her career. This is a powerful account of one woman's determination to serve in the face of acts of casual prejudice, active hazing, sexual assault—and institutional cover-ups.

Lynn was one of my graduate advisors decades ago, but he wrote this long after I finished.

A highly respected military historian, Lynn did a remarkably sympathetic and nuanced job of explaining the vital role women played in early modern warfare. No, he doesn’t concentrate on the few who took on male garb and actually fought, but rather the tens of thousands of mostly nameless “camp followers” who provided essential services: food and fodder, as sutlers, and yes, as prostitutes. Quite simply, an early modern army couldn’t function without its extensive “tail.” 

One of the salient characteristics separating premodern and modern armies is how governments eventually, over a long period of time, froze out women from participating in any aspects of warfare by bringing under their aegis all the services (save prostitution) that women had heretofore provided.

Having made my creative name as project designer responsible for the original Jorvik Viking Centre in York, UK, this book uses words and historical illustrations to do what we attempted to do. It was to place the observer into an experience from the past, which would be in such detail and authenticity that it’s as close, I believe, to time travel as our generation will achieve. Truth, fascination, and amazement. Why I like this book is it achieved what archaeologists, scientists, and interpretive designers strove to achieve. 

In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.

I’m a sucker for any story about a real woman in history.

Hild is the story of Hilda of Whitby, whom we meet as a child in 7th-century Britain. It's a novel that revels in language and sensory detail, when it comes to both the natural world and the human one. It is particularly interested in relationships between women.

This novel puts us into the mindset of a girl growing up in an age of political ferment, in the context of a whole set of traditions and stories, and helps us understand why she makes the choices she does.

So many brilliant authors have explored the Arthurian legends that I had trouble believing that there could be more to say. Signe Pike, though, researched the earliest appearance of the legend of Merlin and traced it, surprisingly, to 6th-century Scotland where she set this tale. Merlin and his sister are given their early Celtic names, Lailoken and Languoreth and there is a Scottish/Celtic feel to the book that evokes that historical time and place. I was particularly moved by Pike’s exploration of the dilemma of the peace-weaving queen, forced to choose between loyalty to her birth family and loyalty to the family into which she married. Sadly, that was the bitter fate of many peace-weaving brides as rival tribes vied against each other for power and ultimate control.  

Myths about viking women abound, but Judith Jesch’s book is grounded in what we can know from the archeological, historical, and literary record. That still paints a vivid picture of the Viking women who remained in the traditional feminine sphere, and those who ventured into men’s. As Women in the Viking Age reveals, Viking women were farmers, housewives, managers of hundreds of servants, explorers, priestesses, rich benefactors, and war-leaders. In many ways, their lives were more varied than men’s.

In the “traders vs. raiders” approach to Viking history, women stay home and look after the farm while the men go off on adventures. Three books published in the 1990s by Judith Jesch and Jenny Jochens brought the lives of these women out of the shadows, showing how vital their role was.

In Valkyrie: The Women of the Viking World, Jóhanna Kristín Friðriksdóttir brings these early studies up to date. With her mastery of detail from the Icelandic sagas, Friðriksdóttir follows an ordinary Viking woman from birth to death. She tells stories of women who are bold and successful, others who are battered and victimized.

She hopes to introduce us, she says, “to the diverse and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power.” Like the mythical valkyries of her title, these are “women who decided.” To learn… show more.