Here are 100 books that Women in the Viking Age fans have personally recommended if you like
Women in the Viking Age.
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George Hagen is a Brooklyn writer who has written two adventure books for children about talking ravens. Hagen lived on three different continents by the time he was eleven, and developed a tremendous passion for folktales of all cultures from Africa, Egypt, Greece, Europe, and Celtic and Norse myth. His children's books were inspired by the myth of the Viking God Odin whose two ravens, Huginn and Muninn, flew around the land of ice and fire, reporting all the news. Hagen has appeared before hundreds of students, unraveling the secret mystery of riddles (modern and ancient) at schools from New York to Los Angeles.
The D'Aulaire's book is a visual feast of stories from the land of ice, fire and Viking culture. The tales are well-told and exciting. It comes with lively illustrations which offer children who haven't encountered Thor, Odin, Freya or Loki before, a panorama of this marvelous world and the many adventures of the Norse Gods.
The Caldecott medal-winning d'Aulaires once again captivate their young audience with this beautifully illustrated introduction to Norse legends, telling stories of Odin the All-father, Thor the Thunder-god and the theft of his hammer, Loki the mischievous god of the Jotun Race, and Ragnarokk, the destiny of the gods. Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
This is one of the first books of Viking history that approached the Vikings on their own terms rather than their effect on Christian Europe. It illuminates areas of their lives like Viking technology, laws, and social organizations, and then how Viking explorers, traders, and raiders exported those abroad. As I began researching my Viking novels, this was one of the books that brought me into the Viking world the most fully.
This is an account of the Norsemen in the period A.D. 800-1200, and is written primarily for the general reader but will also serve the needs of many university students.
I am a writer of historical fiction. When I was in my teens, my family embarked on a project to trace our ancestry and identify our living relatives. Through church records in Sweden and Norway, we found that Harald Fairhair (Harfagr), the first king of Norway is one of our ancestors. Those explorations gave me the seeds of my first novel of Viking-Age Norway, The Half-Drowned King, and the subsequent books in the trilogy.
One of the best ways to envision a historical period is to see its artifacts. Vikings: The North Atlantic Saga is a companion to a Smithsonian exhibit of the same name and contains a rich trove of images and descriptions of viking physical culture, along with essays about the archeology of their discovery, and how they were used in the exploration of the North Atlantic, and the eventual journey to the New World.
Replete with color photographs, drawings, and maps of Viking sites, artifacts, and landscapes, this book celebrates and explores the Viking saga from the combined perspectives of history, archaeology, oral tradition, literature, and natural science. The book's contributors chart the spread of marauders and traders in Europe as well as the expansion of farmers and explorers throughout the North Atlantic and into the New World. They show that Norse contacts with Native American groups were more extensive than has previously been believed, but that the outnumbered Europeans never established more than temporary settlements in North America.
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.
An Indie Next pick for December 2012, Song of the Vikings brings to life Snorri Sturluson, wealthy chieftain, wily politician, witty storyteller, and the sole source of Viking lore for all of Western literature. Tales of one-eyed Odin, Thor and his mighty hammer, the trickster Loki, and the beautiful Valkyries have inspired countless writers, poets, and dreamers through the centuries, including Richard Wagner, JRR Tolkien, and Neil Gaiman, and author Nancy Marie Brown brings alive the medieval Icelandic world where it all began. She paints a vivid picture of the Icelandic landscape, with its colossal glaciers and volcanoes, steaming hot…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
Recent genetic research on the human remains of a 10th-century Viking grave excavated in 1878 in Birka, Sweden, rocked the world of Viking studies when it determined that the warrior buried with numerous weapons and two horses was not male, but female. I loved how this author imagines what that woman’s life might have been like. She also suggests that the woman buried in the Birka grave was merely one of many female Viking warriors, offering data drawn from archaeological finds, from historical accounts, from language studies, and from the sagas to support the theory that ‘shield maids’ really did exist. I had been dubious about the possibility of female Vikings, but the arguments presented in this book are too compelling. Reading it changed my mind. Now I’m a believer.
In the tradition of Stacy Schiff’s Cleopatra, Brown lays to rest the hoary myth that Viking society was ruled by men and celebrates the dramatic lives of female Viking warriors
“Once again, Brown brings Viking history to vivid, unexpected life―and in the process, turns what we thought we knew about Norse culture on its head. Superb.” ―Scott Weidensaul, author of New York Times bestselling A World on the Wing
"Magnificent. It captured me from the very first page." ―Pat Shipman, author of The Invaders
In 2017, DNA tests revealed to the collective shock of many scholars that a Viking warrior…
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
In the “traders vs. raiders” approach to Viking history, women stay home and look after the farm while the men go off on adventures. Three books published in the 1990s by Judith Jesch and Jenny Jochens brought the lives of these women out of the shadows, showing how vital their role was.
In Valkyrie: The Women of the Viking World, Jóhanna Kristín Friðriksdóttir brings these early studies up to date. With her mastery of detail from the Icelandic sagas, Friðriksdóttir follows an ordinary Viking woman from birth to death. She tells stories of women who are bold and successful, others who are battered and victimized.
She hopes to introduce us, she says, “to the diverse and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power.” Like the mythical valkyries of her title, these are “women who decided.” To learn…
LONGLISTED FOR THE 2020 CUNDILL HISTORY PRIZE
Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Hundreds (possibly thousands) of biographies of Austen have been written, but Tomalin’s work has long been a favourite of mine.
Her sympathetic portrait of Jane digs deep into her early family life, schooldays, literary influences, and early authorship. Jane’s relationship with her mother; her family’s encouragement of her writings; the fear of poverty after her father’s death; the disastrous (rejected) marriage proposal, and her literary legacy are all detailed with warmth and energy.
The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I think every woman should read this book. In a time when we need a “movement” to be seen or heard, Dragons reminded me of our strength, of how often the world has its boot on the back of our necks.
I loved the story of 2 sisters-one who desperately wants to be a dragon and the other, who does not. It was my first audiobook and I finished it in 2 days.
A KIRKUS BEST BOOK OF 2022 • A rollicking feminist tale set in 1950s America where thousands of women have spontaneously transformed into dragons, exploding notions of a woman’s place in the world and expanding minds about accepting others for who they really are. • The first adult novel by the Newbery award-winning author of The Girl Who Drank the Moon
Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a…
As a commercial sociologist who studies drinking cultures by day and a cocktail lover who partakes in those same cultures by night, I have always been fascinated with the rituals and traditions of hospitality. As a child, my parents disliked taking me to restaurants because my attention would always be focused on the other diners rather than whatever was on my plate. Academically, I am fascinated by the social construction of fact and how the documentation of what we understand to be true in science or history can be heavily influenced by such factors as class, gender, and race. It’s putting these two interests together that led me to research and ultimately write a book on how women have been systematically excluded from the historical record of the cocktail.
If there were a single riposte to the cliché that men inherently know more about booze than women, then Girly Drinks by Mallory O’Meara would be it.
Mallory is neither a drinks journalist nor a professional bartender, but she is an unstoppable force on a mission to set the record straight about women and booze. Going deep into women’s history while simultaneously reflecting on her own experiences with alcohol, she takes us on a whistle-stop tour across the ages and around the world.
Her style is witty, assertive, and just the right side of combative. I couldn’t help but fist bump the air in solidarity as she dispels myth after myth about the so-called girly drink.
This is the forgotten history of women making, serving and drinking alcohol. Drink has always been at the centre of social rituals and cultures worldwide-and women have been at the heart of its production and consumption. So when did drinking become gendered? How have patriarchies tried to erase and exclude women from industries they've always led, and how have women fought back? And why are things from bars to whiskey considered 'masculine', when, without women, they might not exist?
With whip-smart insight and boundless curiosity, Girly…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through the skillful interweaving of personal experiences mixed with scholarly observations and references, Kern catalogs all the ways that cities have historically been designed for men by men.
Stories all women recognize, like the extra costs of keeping oneself safe in the city, or the boundaries imposed on women with young children who can’t get strollers up staircases or into trolley cars, or the discomfort with dining alone at restaurants, remind readers of how urban planners could and must do better.
Kern is attentive to race, ability, and gender in her observations and references as she seeks to balance the here-and-now with pragmatic solutions for future feminist cities capable of serving everyone equally.
What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.
Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for…
