100 books like Women in Early Modern England 1550-1720

Did you think that all women married in former centuries? This fine and path-breaking book will put you right.

Amy Froide reveals that about one in five never married, and tells their stories to throw light on lives traditionally overlooked. Among the landed classes, many remained single because fathers couldn’t or wouldn’t raise a dowry to attract a suitable husband. Middle-class girls might be pressed to stay home and look after ageing parents or orphaned siblings. But we learn that other women remained single from choice, prizing their independence.

A lucky few had inherited the means to pay their way, while others opened a shop or practiced a craft, and took pride in supporting themselves.

I found this book fascinating. The guilds of early modern London were a male-only ‘closed shop’. But Laura Gowing’s pioneering study shows how resourceful women found ways to exploit loopholes and carve out a role in the world of skilled trades and crafts.

A guild member’s widow was permitted to continue her husband’s trade (provided she didn’t remarry), and she might take on a female apprentice and use the signing-on ‘premium’ to grow her business. Once the apprenticeship was completed, the young woman would now have the skills to set up on her own in the suburbs or provinces where guilds had no control.

I liked the case-studies where Gowing has been able to reconstruct individual lives to bring this new world vividly to life.   

Men thought women had no place in politics, but when England was engulfed in civil war in the 1640s women couldn’t opt out.

Ann Hughes explores the lives of those trapped in cities and castles under siege, or left to support their families when their husbands went off to war, perhaps never to return. I like the way she widens the scope of her book to show, for example, how both Cavalier and Roundhead propagandists exploited gender images, mocking their adversaries as effeminate cuckolds.

Hughes demonstrates too how the war broke down gender barriers, just as the twentieth-century world wars were to do. Women found a new voice, and played new roles, unparalleled until modern times. 

I love this book because it gives us the stories of two intelligent young women caught up in the turmoil of the civil war, told in their own words. Both belonged to royalist families, and they endured the hardships and dangers that came from being on the losing side.

Halkett’s vivid memoir focuses on her early life as a spirited young woman who engaged in forbidden and risky romantic liaisons. She even joined one lover in a hazardous plot that enabled the king’s younger son (the future James II) to escape from the Tower of London. It reads like the storyline of a historical novel!

This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing. 

I loved this book because it’s the best illustration of the stepmother-stepdaughter relationship that I’ve ever read. Flo and Rose’s conflicts over work, sex, and a woman’s place in the world made me remember exactly what it was like to be a teenager struggling to relate to older women in my life.

Like many of Alice Munro’s celebrated short stories, it’s about a young woman growing up in rural Ontario who strains against the prejudices of her small town, especially about girls’ education and ambition. “Who do you think you are?” is the question that comes up again and again in this novel-in-stories. Used as an insult, it challenges Rose to make a different life for herself without forgetting the women who came before her. 

Growing up during the Islamic Revolution in Iran in 1979, Marji is outspoken and brave and one of several strong female characters in this book who challenges stereotypes and kicks ass. I loved following her political, spiritual, and personal growth.

Persepolis is a much-needed history lesson in the form of a comic book. It deals with heavy themes, but not without a generous dose of humor and heart. My students and I often spent several minutes dissecting one panel—and the last panel made some of us weep. 

I read this novel while I was in my twenties—during a time I called The Age of Everyone Getting Married.

It absolutely captures that whirlwind of bridal showers, bachelorette parties, and wedding registries, but also the love, jealousy, and heartbreak of being young and just figuring life out in New York City. Close writes beautifully about real women doing the best they can with their bad choices. 

Mikki Kendall’s account of what Black women and girls are up against in America left me angry and devastated. Her description of how Black girls are sexualized at shockingly young ages and how portraying them this way enables sexual abuse absolutely gutted me.

For me, this book was a powerful reminder of why no woman is safe in a culture that says you have to be viewed as respectable in order to be worthy of protection from violence.

I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.

Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.

I also admired Kincaid’s ease in writing… show more.