Here are 100 books that The Memoirs of Anne, Lady Halkett and Ann, Lady Fanshawe fans have personally recommended if you like
The Memoirs of Anne, Lady Halkett and Ann, Lady Fanshawe.
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I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
If you’re looking for a balanced and warm-hearted ‘cradle to grave’ survey of women’s lives in the past, I think this is the best.
The authors describe the experiences shared by all women, and explain the huge gulf in other areas of life between the worlds of rich and poor. As well as the obvious themes of childhood, courtship, marriage, parenting, and old age, they explore women’s work (both paid and unpaid), their friendships and cultural lives, and their involvement with politics and religion.
And I love the fifty well-chosen illustrations that bring each of these topics to life.
This is an original, accessible, and comprehensive survey of life as it was experienced by most Englishwomen during the sixteenth and seventeenth centuries. The authors examine virtually all aspects of women's lives: female life-stages from birth to death; the separate culture of women, including female friendship and feminist consciousness; the diverse roles of women in the religious and political movements of the day; and the effect of prevailing perceptions of gender differences. Comparisons are made between the makeshift economy of poor women and the occupational identities, and preoccupations, of the middling and elite classes. This fascinating and well-illustrated book reconstructs…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
Did you think that all women married in former centuries? This fine and path-breaking book will put you right.
Amy Froide reveals that about one in five never married, and tells their stories to throw light on lives traditionally overlooked. Among the landed classes, many remained single because fathers couldn’t or wouldn’t raise a dowry to attract a suitable husband. Middle-class girls might be pressed to stay home and look after ageing parents or orphaned siblings. But we learn that other women remained single from choice, prizing their independence.
A lucky few had inherited the means to pay their way, while others opened a shop or practiced a craft, and took pride in supporting themselves.
Never Married: Singlewomen in Early Modern England investigates a paradox in the history of early modern England: although one third of adult women were never married, these women have remained largely absent from historical scholarship. Amy Froide reintroduces us to the category of difference called marital status and to the significant ways it shaped the life experiences of early modern women. By de-centring marriage as the norm in social, economic, and cultural terms, her book critically refines our current understanding of people's lives in the past and adds to a recent line of scholarship that questions just how common 'traditional'…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
I found this book fascinating. The guilds of early modern London were a male-only ‘closed shop’. But Laura Gowing’s pioneering study shows how resourceful women found ways to exploit loopholes and carve out a role in the world of skilled trades and crafts.
A guild member’s widow was permitted to continue her husband’s trade (provided she didn’t remarry), and she might take on a female apprentice and use the signing-on ‘premium’ to grow her business. Once the apprenticeship was completed, the young woman would now have the skills to set up on her own in the suburbs or provinces where guilds had no control.
I liked the case-studies where Gowing has been able to reconstruct individual lives to bring this new world vividly to life.
Ingenious Trade recovers the intricate stories of the young women who came to London in the late seventeenth century to earn their own living, most often with the needle, and the mistresses who set up shops and supervised their apprenticeships. Tracking women through city archives, it reveals the extent and complexity of their contracts, training and skills, from adolescence to old age. In contrast to the informal, unstructured and marginalised aspects of women's work, this book uses legal records and guild archives to reconstruct women's negotiations with city regulations and bureaucracy. It shows single women, wives and widows establishing themselves…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
Men thought women had no place in politics, but when England was engulfed in civil war in the 1640s women couldn’t opt out.
Ann Hughes explores the lives of those trapped in cities and castles under siege, or left to support their families when their husbands went off to war, perhaps never to return. I like the way she widens the scope of her book to show, for example, how both Cavalier and Roundhead propagandists exploited gender images, mocking their adversaries as effeminate cuckolds.
Hughes demonstrates too how the war broke down gender barriers, just as the twentieth-century world wars were to do. Women found a new voice, and played new roles, unparalleled until modern times.
In this fascinating and unique study, Ann Hughes examines how the experience of civil war in seventeenth-century England affected the roles of women and men in politics and society; and how conventional concepts of masculinity and femininity were called into question by the war and the trial and execution of an anointed King. Ann Hughes combines discussion of the activities of women in the religious and political upheavals of the revolution, with a pioneering analysis of how male political identities were fractured by civil war. Traditional parallels and analogies between marriage, the family and the state were shaken, and rival…
I am a historical fiction writer, specializing in ancient history through a female perspective. My first series, The Queens of the Conquest, follows the wives of the men fighting to be King of England in 1066 for a vitally neglected take on a key year. My second, Shakespeare’s Queens, revisits three of the bard’s greatest female characters via the real historical figures who inspired them. I love the way fiction can lift facts, settings, and cultures into something hopefully more vibrant than a straightforward history lesson and aim to offer the best possible time travel for readers. I believe the books on this list do that beautifully.
Lady Jane Grey is an enticing character. Famous as a nine-day-queen, her story is a poignant segment of the brutal succession battle that tore the English crown apart for too many years. I’ve tended to see her as a tiny, tragic protestant foreshadowing of the far more ruthless Elizabeth to come and not thought much more about her, but this novel really brought her awful story to life. Told from the perspective of a fictional girl employed as Jane’s companion in her days in the Tower of London, it gives us a fresh and very real insight into her fate. A light but poignant read, this will draw you into another world and carry you through to the inevitably sad sending.
Escorting the nine-day queen Lady Jane Grey across the Tower of London from throne room into imprisonment is Elizabeth Tilney, who surprised even herself by volunteering for the job. All Elizabeth knows is she's keen to be away from home; she could do with some breathing space. And anyway, it won't be for long: everyone knows Jane will go free as soon as the victorious new queen is crowned. Which is a good thing because the two sixteen-year-olds, cooped up together in a room in the Gentleman Gaoler's house, couldn't be less compatible. Protestant Jane is an icily self-composed idealist,…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
I will start by admitting that I had ambivalent feelings about this book for some time simply because it takes a different view on certain historical events and people than I do. Still, I cannot notrecommend it, because it stunned me over and over with its vivid characters and the slowly unravelling mystery that is at the heart of the story. Above all, I was delighted to find that this novel centres around two young women who have been overshadowed by more prolific historical figures, bringing lesser-told stories to the forefront.
Two women separated by time but linked by twin destinies investigate the mysterious, tragic fate of the young princes in the tower in this engrossing novel, “a juicy mix of romance, drama, and Tudor history” (Ladies’ Home Journal).
“Alison Weir’s strong suit as a fiction writer is making her novels living history.”—The Courier-Journal
When her older sister, Lady Jane Grey, is executed in 1554 for unlawfully accepting the English crown, Lady Katherine Grey’s world falls apart. Barely recovered from this tragic loss she risks all for love, only to incur the wrath of her formidable cousin Queen Elizabeth I, who…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.
BARRY AWARD WINNER • Heralding the arrival of a brilliant new heroine, Mr. Churchill’s Secretary captures the drama of an era of unprecedented challenge—and the greatness that rose to meet it.
“With any luck, the adventures of red-haired super-sleuth Maggie Hope will go on forever. . . . Taut, well-plotted, and suspenseful, this is a wartime mystery to sink your teeth into.” —Kate Quinn, New York Times bestselling author of The Rose Code
London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none…
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
I loved this book. It’s an absolute classic coming-of-age story, beginning when Emma is a schoolgirl on the brink of teens, and ending with her as a newly-married novelist. I particularly identified with the author as the bookish youngest of three, growing up in Devon – there were lots of parallels with my own teenage self – and I wonder how I would have coped with emerging into adulthood just as war broke out, as Emma did – highly recommended!
Uprooted from her beloved Great Western Beach, Emma Smith moves with her family from Newquay to the Devonshire village of Crapstone. But the dust has hardly settled when tragedy strikes, and Emma's father, a DSO-decorated hero of the Great War, is so frustrated by the hardship of life as a lowly bank clerk and by his thwarted artistic ambitions that he suffers a catastrophic breakdown - from which disaster Emma's resourceful mother rallies courageously. Then, in 1939, the war again becomes a reality. Emma's sister Pam at once enlists with the WAAF and Jim, her politically minded brother, after initially…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealer…
