Here are 100 books that In the Shadow of the Sword fans have personally recommended if you like
In the Shadow of the Sword.
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I write about mythology, history, art, music, and cosmology. I also write science fiction. Mythology for me is an expression of a people trying to explain the world around them within the limits of their own knowledge. We are the same. Our search to understand the origins of the universe are limited by our language and mathematics, as were the Scandinavians who discovered countries for the first time, always expanding their horizons and adapting their legends accordingly. The Vikings had a rare vitality that sprang from every mythic tale and I love to explore both the deep origins of their worldview, and their influence in the cultures of today.
Beowulf is fascinating because it was written in Angle-land, probably Suffolk, probably in the 900s AD, when the Angles (Southern Scandinavians) held sway, with the Danes in Northumbria and Mercia, before the Anglo Saxons began to create the first truly English dynasty in Alfred the Great. It tells of a hero from Geats (in modern Sweden, possibly in the 600s AD) who rids the king of the Danes of the monster Grendel. Of all the translations Seamus Heany is the most vigorous and beautiful, and I often return to it as a reference.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.
The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the…
My upbringing in refined Bucharest, surrounded by books and Romania's rich folklore, as well as my youth excursions in the idyllic Transylvanian countryside, instilled in me a love for storytelling. Although I have a medical degree, my insatiable curiosity about historical figures' lives, journeys, and the landscapes they encountered has driven me to investigate and write about these enthralling tales. This allowed me to share the wonders of travel through historical and contemporary fiction with a strong historical foundation - and a dog or two. On my blog I share enchanting gems from Romania’s past, while on social media I promote Romania’s history and culture under the hashtag #Im4Ro.
I'd heard a lot about Norse myths on social media recently, but I was unfamiliar with them.
The idea of Gaiman weaving his narrative magic through the tapestry of these ancient tales intrigued me, and it surely made for an exciting read.
Even if you're unfamiliar with Norse mythology (as I was), this retelling will awe you with the strangeness and wonder of these ancient tales. Norse Mythology is more than a book; it's an invitation to a hypnotic world inhabited by gods, giants, undead goats, betrayals, a mischievous squirrel, elves, dwarves, and Valkyries.
This collection is an enthralling journey through a selection of Norse myths, narrated with Neil Gaiman's trademark wit and simplicity.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
This is the book to read if you want to learn about Norse mythology and the Norse gods, and is certainly one I enjoyed.
I loved reading all the different sagas, from the creation of the universe all the way to Ragnarök. This is a book I regularly revisit to find tales that I can sprinkle into my novels, and I also found it a great source just to understand the mentality of the Scandinavian people.
The most renowned of all works of Scandinavian literature and our most extensive source of Norse mythology
Written in Iceland a century after the close of the Viking Age, The Prose Edda tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. In prose interspersed with powerful verse, the Edda shows the gods' tragic realization that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales have proved to be among the most influential of all myths and legends, inspiring works…
I write about mythology, history, art, music, and cosmology. I also write science fiction. Mythology for me is an expression of a people trying to explain the world around them within the limits of their own knowledge. We are the same. Our search to understand the origins of the universe are limited by our language and mathematics, as were the Scandinavians who discovered countries for the first time, always expanding their horizons and adapting their legends accordingly. The Vikings had a rare vitality that sprang from every mythic tale and I love to explore both the deep origins of their worldview, and their influence in the cultures of today.
For a generation brought up with Netflix, Disney Plus, and the Marvel Cinematic Universe, the original Marvel comics are a modern form of mythology. I grew up with such comics, reading Thor and Tolkein, Dune and Asimov’s Foundation series alongside tales of Celtic and Greek mythology. Stan Lee and Jack Kirby’s version was the Thor I knew, an exaggerated, simplified but utterly compelling character with his trickster brother Loki and all-too-serious father Odin. I loved it, so I’ve included this as pure nostalgia – don’t judge me!
A masterpiece of immortal action, cosmic scope and boundless drama, Stan and Jack's THOR collaborations mark a cornerstone of the Marvel Universe - and that's no small accomplishment coming from the imaginations of the most celebrated creators in comics! This second Omnibus edition brings you milestone stories including the first appearances of Ego the Living Planet, Ulik the Troll and the Wrecker; battles with the Absorbing Man, the Destroyer and the Super-Skrull; adventures into Pluto's underworld and atop the High Evolutionary's Wundagore Mountain; the debut of Lady Sif as Thor's love interest; and classic tales featuring Thor and Hercules. Backed…
The excitement of new visions! Ever since growing up surrounded by Arabian deserts and then Iran’s mountains, I’ve been fascinated with diverse cultures. My path led me to Cairo and Berkeley for university and then onto Greece, Indonesia, and Italy. Today’s dominant world histories remain rooted in Anglo-American narratives. Only by challenging enshrined status quos, can we capture the truth, often long hidden. Now, an interest for critical storytelling may capture a fuller picture. History needs to be told not only from the point-of-view of the victors, but also the vanquished. Counter histories create bridges of dialogue, where there were none.
This is what inspires me.
This Paris-based Lebanese author may soon be awarded the Nobel Prize! His first book is a classic that forces readers into a completely different perspective. Maalouf offers in his own vivacious style, a vivid portrait of a society torn by internal conflicts and shaken by a traumatic encounter with an alien culture of invaders. His fascinating insights delve deeply into the Arab and Islamic consciousness today. All Maalouf’s books should be read! Each opens unexpected, illuminated windows on the Middle East with compassion, wisdom, and drama.
European and Arab versions of the Crusades have little in common. For Arabs, the twelfth and thirteenth centuries were years of strenuous efforts to repel a brutal and destructive invasion by barbarian hordes. In "The Crusades Through Arab Eyes", Amin Maalouf has sifted through the works of a score of contemporary Arab chroniclers of the Crusades, eyewitnesses and often participants in the events. He retells their stories in their own vivacious style, giving us a vivid portrait of a society rent by internal conflicts, and shaken by a traumatic encounter with an alien culture. He retraces two critical centuries of…
I am a history professor who is drawn to history out of a love of recovering and making accessible otherwise forgotten voices and stories of the past. I’m especially interested in relationships between Jews and Muslims and how they’ve dealt with minorityhood, displacement, colonialism, and modernization. I’ve written four books, two focusing on Muslims and two on Jews, as well as numerous articles. Among my greatest pleasures as a scholar is seeing my readers begin with an interest in the stories of one religious group (either Muslims or Jews) and then become so curious about the drama, joy, and conflicts of the era that they become interested in the stories of the other as well.
Drawing on memoirs, Jews and Islamic Law in Early 20th-Century Yemenprovides an engaging portrait of Yemeni Jews in the decades before their mass migration to Israel. Wagner chronicles the vast social and political challenges that Yemenis faced and how these impacted the intimate ties and sometimes formidable tensions between Jews and Muslims. His book is one of the most entertaining in Jewish studies. Like the memoir writers upon whom he draws, Wagner has an eye for a good story. We learn about Jews from all walks of life – upstanding rabbis and merchants, but also practitioners of magic, bootleggers, swindlers, and ruffians who are unafraid to brawl with Muslims. All of these stories are carefully analyzed and contextualized by Wagner, who is deeply learned in both Jewish and Islamic literature.
In early 20th-century Yemen, a sizable Jewish population was subject to sumptuary laws and social restrictions. Jews regularly came into contact with Islamic courts and Muslim jurists, by choice and by necessity, became embroiled in the most intimate details of their Jewish neighbors' lives. Mark S. Wagner draws on autobiographical writings to study the careers of three Jewish intermediaries who used their knowledge of Islamic law to manipulate the shari'a for their own benefit and for the good of their community. The result is a fresh perspective on the place of religious minorities in Muslim societies.
I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Warrior Womenof Islam opens a window into the world of medieval Muslim authors as they drew upon a mixture of fiction and reality in order to captivate the imagination of their readers/auditors.
Yet although fictitious, not to mention fantastic, Kruk demonstrates how the female protagonists of medieval Islamic epics served to promote ideals of female piety, devotion, and courage in moments of religious conflict.
Colloquial Arabic storytelling is most commonly associated with The Thousandvand One Nights. But few people are aware of a much larger corpus of narrative texts known as popular epic. These heroic romantic tales, originating in the Middle Ages, form vast cycles of adventure stories whose most remarkable feature is their portrayal of powerful and memorable women. Wildly appreciated by medieval audiences, and spread by professional storytellers throughout the cities of the Muslim world, these fictions were printed and reprinted over the centuries and comprise a vital part of Arab culture. Yet virtually none are available in translation, and so remain…
As a religious person, I’ve always believed religion is a force for good while being constantly reminded of the horrors it causes. This became a real-world concern with the 9/11 attacks (which happened my second week in college) and the faith-tinged US response. I spent ten years in Washington, DC working at the intersection of faith and counterterrorism, hopeful religion could solve our problems but worried it will only make things worse. I’ve continued that work as a Professor at the University of Vermont. This book reflects that tension and my desire to resolve it.
This is a “big picture” book, providing a grand sweep of international history to readers.
Owen argues world politics involves recurring ideological divides that lead states to forcefully intervene in others’ politics. He looks at Catholic-Protestant tensions in Europe, republican-monarchical conflicts in the 18th and 19th centuries, and the 20th century fight between democracy and totalitarianism.
He then argues the contemporary secular-Islamist division is another case of such a transnational divide, both highlighting the significance of this struggle and rejecting those who would argue there is something exceptionally disruptive about political Islam.
While my scope is much narrower—specific cases of states trying to use religion as a foreign policy tool—I drew on Owen to argue that this is most likely in the case of broad transnational ideological struggles.
Some blame the violence and unrest in the Muslim world on Islam itself, arguing that the religion and its history is inherently bloody. Others blame the United States, arguing that American attempts to spread democracy by force have destabilized the region, and that these efforts are somehow radical or unique. Challenging these views, "The Clash of Ideas in World Politics" reveals how the Muslim world is in the throes of an ideological struggle that extends far beyond the Middle East, and how struggles like it have been a recurring feature of international relations since the dawn of the modern European…
My interest in Islam was kindled when I lived in Eritrea, East Africa as a teenager, and in my youth fell in love with the mystical Sufi tradition. I went on to live in the Muslim world for over a decade, making many dear friends whose kindness overwhelmed me. I studied the Qur’an in Cairo and exploring various corners of Muslim civilization, including in India. I have taught Islam and Middle East History for nearly 40 years at the University of Michigan and devoted myself to writing several books and many essays on Islam. For geopolitical reasons, the subject often gets a bad rap these days, but it is an impressive religion that produced a beautiful, intricate civilization. I hope you enjoy these books about it.
Aslan writes engagingly and urgently about Islamic history from a contemporary Muslim-American perspective. He grounds his account in academic scholarship but does not let it overshadow the excitement of the rise of a new world civilization. Aslan attends to the potential within Islam for democracy and for greater rights for women and rejects the bigotted “clash of civilizations” model that sees Muslims as always outsiders in Western society.
Much of the Muslim faith remains largely unknown and misunderstood in the West. To many in the west, Islam means jihad, veiled women and suicide bombers. Yet these represent only fringe elements of the world's fastest growing religion. While there have been a number of successful books on the topic of Islamic history - from Karen Armstrong's Islam: A Brief History to Bernard Lewis's The Crises of Islam, there is surprisingly no book for a popular audience about Islam as a religion, let alone one by an author from an Islamic background. No God But God fills that gap, addressing…
As a Moldovan emigrant growing up in Greece, I believed that Western institutions were centers of excellent knowledge. After studying in the USA and the UK and conducting research with Muslim and Christian communities in Africa, I became aware of colonial, ethnocentric, and universalizing tendencies in gender, religion, and domestic violence studies and their application in non-western contexts. International development had historically followed a secular paradigm congruent with Western societies’ perception of religion and its role in society. My work has since sought to bridge religious beliefs with gender analysis in international development work so that the design of gender-sensitive interventions might respond better to domestic violence in traditional religious societies.
Saba Mahmood’s book is an intellectually stimulating and insightfully written study of a grassroots women’s mosque movement in Cairo, Egypt.
Speaking to a North American audience, Mahmood challenged secular-liberal theorizations of human agency and views that depicted Muslim women in patriarchal societies as without agency. Her nuanced and multi-dimensional study evidenced a considerably more complex picture of moral choice, agency, and Islamist politics that centered on the women’s own understandings and interpretation of a complex religious and political landscape.
It is Mahmood’s balanced and reflexive approach that makes this book a deeply educational study for students and scholars alike.
Politics of Piety is a groundbreaking analysis of Islamist cultural politics through the ethnography of a thriving, grassroots women's piety movement in the mosques of Cairo, Egypt. Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. Saba Mahmood's compelling exposition of these practices challenges this assumption by showing how the ethical and the political are indelibly linked within the context of such movements. Not only is this book a sensitive ethnography of a critical but largely ignored dimension…
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