Here are 100 books that Angels in America fans have personally recommended if you like
Angels in America.
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I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Terry Tempest Williams is a Utah-based poet and naturalist who writes in this book about her mother's devastating cancer diagnosis and the rising of the Great South Lake in 1983, which was endangering the bird population by which Terry measured her life.
The way she interweaves the human world with the natural world and how interconnected everything is, in some ways, in my memory, reminds me of the same power Mark Doty’s Heaven’s Coast had for me, in that I was mesmerized out of my misery by the incredibly specific descriptions of sights and sounds and even smells.
Her mother’s illness and the tragedy that was occurring in the lake were somehow embroidered together to feel like the same story. When my opera The Grapes of Wrath premiered in Utah in 2008, it was as if Terry’s exquisite book had iconized the state for me. Coincidentally, it was Mark Doty…
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
How to Be Sick is a soothing and strengthening book that offers tools that are useful for any creature living a life with a human body and heart. It contains many Buddhist-inspired mindfulness techniques that I use daily, such as ways to adjust one’s thoughts and approach, ways to work with acceptance and grief, and ways to find pleasure and joy when they are hard to come by.
A brand-new edition of the best-selling classic with added and updated practices.
In 2001, Toni Bernhard got sick and, to her and her partner’s bewilderment, stayed that way. As they faced the confusion, frustration, and despair of a life with sudden limitations—a life that was vastly different from the one they’d thought they’d have together—Toni had to learn how to be sick. In spite of her many physical and energetic restrictions (and sometimes, because of them), Toni learned how to live a life of equanimity, compassion, and joy. This book reminds us that our own inner freedom is limitless, regardless…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
This collection, published by Bloodaxe Books, categorizes poems loosely by theme and contains a treasure trove of the best poems to help you keep on living when life is too hard. There is a wide range of themes, as well as some uplifting poems that explore everything beautiful about being alive.
Staying Alive is an international anthology of 500 life-affirming poems fired by belief in the human and the spiritual at a time when much in the world feels unreal, inhuman and hollow. These are poems of great personal force connecting our aspirations with our humanity, helping us stay alive to the world and stay true to ourselves. Many people turn to poetry only at unreal times, whether for consolation in loss or affirmation in love, or when facing other extremes and anxieties. Staying Alive includes many of the great modern love poems and elegies, but it also shows the power…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
This is the first book where I read about experiences of childhood illness similar to my own. Reading it was both shocking and deeply cathartic in a way that felt almost dangerous. It is also a cold hard look at class, age, and intergenerational trauma in relation to health and healthcare in the US. It exists in its own category in my mind. All I can say is read it, just not on a bad pain day.
Diagnosed with cancer at age twelve and perilously pregnant at eighteen, surviving surgeries and violent accidents: sometimes you can't believe Bee Lavender is still alive; sometimes you think nothing could kill her. Bee Lavender holds nothing back as she recounts her life spent in and out of hospitals and her subsequent dissociation from her own body and emotions. She struggles with health problems from birth, which are compounded by her surroundings, including frequent encounters with street fights, domestic violence and poverty. Her voice is as strong as the front she puts up for the multitude of doctors she sees, and…
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
I was absolutely stunned when I read "Unspeakable Conversations" by Harriet McBryde Johnson, one of the many brilliant pieces included in this reader. My edition is from 2010, but new and updated editions have come out since. It explores questions of interdependency and independence, gender, the body, sexuality, biases in science and medicine, and physical disabilities, and investigates issues around pain, mental disability, and invisible disabilities.
Becoming familiar with some disability theories has been invaluable to me. My capacity to read myself as disabled has grown and still fluctuates. To know that sharp minds have been working on this and that it isn’t only a private issue but a political and theoretical one, one that can be marked by joy and humor as well as grief, struggle, and hardship, is immensely helpful.
The fifth edition of The Disability Studies Reader addresses the post-identity theoretical landscape by emphasizing questions of interdependency and independence, the human-animal relationship, and issues around the construction or materiality of gender, the body, and sexuality. Selections explore the underlying biases of medical and scientific experiments and explode the binary of the sound and the diseased mind. The collection addresses physical disabilities, but as always investigates issues around pain, mental disability, and invisible disabilities as well. Featuring a new generation of scholars who are dealing with the most current issues, the fifth edition continues the Reader's tradition of remaining timely,…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Marie’s poems are separated into three sections: childhood (which included an alcoholic and abusive father), the illness and death of her brother Johnny from AIDS, and life beyond his death, including her relationship with James Shannon, a tree surgeon and a fisherman. They were like lifelines to me after Jeffrey died.
I memorized the title poem and said it repeatedly in my head like a litany. These poems are clearly spoken; life boiled down to a stock with the healing power of fresh air and cool water. No other book of poems has ever helped me so much through a catastrophic time, and I ended up setting many of these poems to music.
Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
I learned so many things that I was not taught in school from this book. As if revealing a parallel universe, I was made aware of the history of LGBTQ life and culture hidden in American history.
I could think about Melville in a new way when he wrote, “..waking next morning I found Queequeg’s arm thrown over me in the most affectionate manner. You had almost thought I had been his wife”.
Or Emily Dickinson, who remained single but was steadfastly devoted to her close friend Sue Gilbert, who had married her brother. She wrote to Sue: “Susie, forgive me, darling, for every word I say–my heart is full of you, none other than you is in my thoughts…”
Winner of a 2012 Stonewall Book Award in nonfiction
The first book to cover the entirety of lesbian, gay, bisexual, and transgender history, from pre-1492 to the present.
In the 1620s, Thomas Morton broke from Plymouth Colony and founded Merrymount, which celebrated same-sex desire, atheism, and interracial marriage. Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to “Publick Universal Friend,” refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. In the mid-nineteenth century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized “female marriage.”…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
I was mesmerized by this masterfully written and engrossing page-turner that emotionally landed me in the intimate orbit of Anthony Malone and Andrew Southerland, the book’s two main characters.
Honest and unflinching, it describes a life and culture unknown to me in such a beautiful, romantic way that, although intrinsically tragic, I regretted not being a part of it.
Holleran illuminates a period essential to understanding LGBTQ history, “Imagine a pleasure in which the moment of satisfaction is simultaneous with a moment of destruction: to kiss is to poison; lifting to your lips this face after what you have dreamed, long for, the face shatters every time.”
'Astonishingly beautiful... The best gay novel written by anyone of our generation' Harpers
'A life changing read for me. Describes a New York that has completely disappeared and for which I longed - stuck in closed-on-Sunday's London' Rupert Everett
Young, divinely beautiful and tired of living a lie, Anthony Malone trades life as a seemingly straight, small town lawyer for the disco-lit decadence of New York's 1970's gay scene. Joining an unbridled world of dance parties, saunas, deserted parks and orgies - at its centre Malone befriends the flamboyant queen, Sutherland, who takes this new arrival under his preened wing.…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
I was overwhelmed with the loving simplicity of this beautifully rendered and highly charged romantic graphic novel. Reading it was akin to watching a film–I was drawn in and held tight until I had finished the last page.
Tender, emotional, cross-cultural, and cross-class, it resonated with me on so many levels but especially reaffirmed my belief that love is possible at any age and despite any obstacle.
Written by black, gay science-fiction writer, professor, and theorist Samuel R. Delany, and drawn by artist/martial arts instructor Mia Wolff, Bread & Wine, based on the poem “Bread and Wine†by the German lyric poet Friedrich Holderlin, is a graphic autobiography that flashes back to the unlikely story of how Delany befriended Dennis, and how they became an enduring couple—Delany, a professor at Philadelphia’s Temple University, Dennis, an intelligent man living on the streets. For casual readers and fans, Bread & Wine is a moving, sexually charged love story, with visuals informed by Wolff’s professional physical pursuits. Her black-and-white, pen-and-ink…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
Emotionally and historically, I was drawn into this astounding collection of riveting images. Through the direct gaze of the subjects, I could feel the love and tenderness they had for each other.
Frank and honest I felt like I was actually sitting across from the subjects while they were photographed. They all seemed so comfortable, open and free, even though living under the yoke of crushing social constraints that were hovering outside the frame.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the…
