Here are 84 books that Molly Molloy and the Angel of Death fans have personally recommended if you like
Molly Molloy and the Angel of Death.
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Joseph D’Agnese grew up in the Bicentennial-fueled excitement of the 1970s, and spent 1976 fake-playing a fife and sporting a tricorn hat in various school events. Besides teaching him how to get in and out of Revolutionary-period knickers, this experience awakened in him a love for the Founding Era of American history. He has since authored three history titles with his wife, The New York Times bestselling author Denise Kiernan.
When I was kid, it was a rite of passage to watch the movie version of this musical with my parents on TV during Fourth of July week in the U.S.. I’ve since seen regional theater productions as well.
Yes, the play is fun and funny, but what did not sink in until I’d done my own research into the lives of the signers was how marvelously the words and lyrics lay out the history. When one of the flashy South Carolina delegates sings “Molasses to Rum,” you understand the underlying economics of the slave trade. The songs still hold up and advance the plot, as all great Broadway songs must do.
But if you miss the words in the 1972 film or modern staged versions, the only way to absorb it all is to dip into the official libretto itself.
Winner of five 1969 Tony Awards, including Best Book and Best Musical, this oft-produced musical play is an imaginative re-creation of the events from May 8 to July 4, 1776 in Philadelphia, when the second Continental Congress argued about, voted on, and signed the Declaration of Independence.
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
Full disclosure, Darcie was a producer on Legally Blonde and was president of MGM On Stage. Darcie was a real character, and she also dripped with worship for the theater.
This book is a meticulously researched love letter to the fusion of film and theater, filled with phenomenal photos and teeming with love. Chronicling West Side Story, Gypsy, Chicago, and beyond, it’s a great coffee table book you’ll actually want to read.
Fans of musicals will sing when a division president of MGM and industry insider presents her entertaining, illuminating insights on exactly what happens when stage meets screen.
I've been reading science fiction since the age of seven, when I first read Madaleine L’Engle’s A Wrinkle in Time. Then it was Podkayne of Mars by Robert Heinlein,A Rite of Passage by Alexei Panshin, Dune by Frank Herbert, The Lord of the Rings by J.R.R. Tolkien, etc. My list is in honour of Women’s History Month and to recognize the gifted female writers of the past who faced discrimination in the publishing world and yet still triumphed. When I started writing fiction, with my medical background, it had to be about medicine. Thus The Grace Lord series was born. My protagonist, Dr. Grace Lord, is a fearless and compassionate combat surgeon.
Choosing this book was tough, because there were so many great science fiction novels written by women in the twentieth century and I want to tell you about all of them! Brightness Falls From the Air is brilliant and will leave you in awe, written by an author who was not revealed to be a woman until many years after the publication of her books.
Alice B. Sheldon, who was winner of both the prestigious Hugo and Nebula Awards, wrote under the pen name, James Tiptree Jr., until her death.
The arrival of an odd assortment of suspicious tourists on the planet Damiem parallels the final moves in a twenty-year-old interplanetary war that ends in the destruction of a star
From the time I was a small, shy child, books and dogs were my best friends. I loved nothing better than reading books about dogs in the company of my dog. I decided that when I grew up, I wanted to be an author. My love of books led to a career as a librarian that lasted over thirty years. Still, I never gave up on my dream of becoming an author. Since then, I have written seven novels for young readers including A Dog’s Way Home, The Dogs of Winter, and my latest award-winning novel, Stay. When I’m not writing, I can be found hiking with my dogs in the Blue Ridge Mountains of North Carolina.
Barbara O’Connor is one of my very favorite authors for this age group. Her books are funny, sweet, and full of heart! She also does a great job of creating books set in the South without relying on tropes. In Wonderland, two very different girls team up to help a runaway greyhound find a more satisfying home. Mavis is brave and bold but has never had a best friend. Rose is timid and a worrier. She’s never really fit in with the other kids in the neighborhood. And then there’s Henry, a greyhound who’s run away from the Wonderland race track. Henry’s best days are behind him which could lead to his being euthanized. Alternating between the voices of Mavis, Rose, and Henry, O’Connor weaves a wonderful story of friendship, home, and redemption. Give this book to your reader who loves to laugh and to cry.
Mavis Jeeter is fearless and bold, but she has never lived in one place long enough to have a real best friend. Her flighty mother has uprooted them again to another new home and taken a job as a housekeeper for the Tully family. Mavis wants this home to be permanent-which means finding herself a best friend. Rose Tully is a worrier who feels like she doesn't quite fit in with the other girls in her neighborhood. Her closest friend is Mr. Duffy, but he hasn't been himself since his dog died. Rose may have to break a few of…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
An early and still one of the best works on the subject, Green'sThe World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.
Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to include such recent shows as A Chorus Line, Barnum, They're Playing Our Song , and Annie . In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
If you’ve never done theater, this book will have you running for the nearest audition. The non-fiction book contains heartwarming reflections from the cast, crew, and creative team for Fiddler on the Roof in Yiddish, including director Joel Grey. Readers get an inside look at show life, from cast bonding to pre-opening stress to performance mishaps. The vignettes convey what each cast and crew member contributes to making the magic happen. While heavy on the feel-good memories, it rings true and mesmerizes.
Theatre Quotient: High. It’s all theater, all the time!
A look inside Off-Broadway's Fiddler on the Roof in Yiddish, the ground-breaking, award-winning musical. Samantha Hahn, the youngest member of the cast, tells the story of how "Yiddish Fiddler" came to be. Samantha has interviewed the cast, crew, and creative team - each with a unique take on the show and the impact it has had on their lives - for a behind-the-scenes look at what makes "Yiddish Fiddler" so special. On the Roof takes the reader on a never before seen journey - from rehearsals that end in tears and screaming in elevators, to the beautiful bonds between company…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
What? A scholarly book about Broadway to kick things off? Absolutely. If you think you know everything about musicals, Jack Viertel (a jack-of-all-trades with a career seeped in working in and around the stage) is here to take you a step deeper. From the evolution of what is “popular” and preferred, to the aspects that make a show into a hit, Viertel leads you through the decades of American musicals for a thorough education that is equal parts analysis and a shared love of the genre. The best part is that he loves Broadway as much as you do! He pulls the curtains aside to probe how this amazing world works, in an entertaining and informative way.
One of my favorite books on the genre, and indispensable if you’ve moved beyond show scores and behind-the-scenes anecdotes (although he has those too!).
For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?
In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together,…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
This weighty reference book is not something to be read from cover to cover but, for browsing or looking up a plot or commentary on Broadway musicals, it is still the leader in its field. Bordman published his Chronicle in 1978 and he revised it up until his death, critic Richard Norton helping on the fourth edition. The coverage is impressive: musicals from the late 1700s up to 2010. The writing is concise and to the point. This book discusses shows you're not likely to find in any other book or website.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical.
In my first career as an actress, I often got cast as the “comic relief” in more serious films and plays. I cut my acting chops on improv comedy before getting my BFA in drama from NYU and performing in everything from Shakespeare to Seinfeld. I wrote and performed in stage shows at Disneyland and Disney World and screamed myself hoarse in B-horror films. As an author, I like to write about serious topics but I just can’t help being funny. I received my MFA from Antioch University and have had over 30 short stories and essays published. While I read voraciously (and genre-indiscriminately), my favorite books are often “darkly comedic” or “funny yet poignant.”
Although Moore is one of my favorite authors, most of his books are not exactly about austere topics. His brand of absurdism features outlandish characters such as demons, vampires, stupid angels, tricksters, and lustful sea beasts. Yet Moore writes with a superlative intelligence that never disappoints me. This novel was an easy pick for my list. In it, Moore retells the story of Christ with a paradoxically reverent irreverence. It’s well-researched and details facts about Eastern religious traditions and Roman history as well Biblical events. I’ve recommended this book to so many people. And only a few of them were deeply offended. :-)
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years - except Biff, the Messiah's best bud, who has been resurrected to tell the story in this divinely hilarious, yet heartfelt work 'reminiscent of Vonnegut and Douglas Adams' (Philadelphia Inquirer). Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes, Even the considerable wiles and devotion of the…
I have always loved horses and riding. My dream was to become a showjumper but, unfortunately, my opportunities in London were limited and although I rode a lot in Australia, my jumping was limited to the odd log in the bush. I’m an avid reader and particularly enjoy horse books written for adults, which is why I wrote a book for horse lovers. I have recommended books that gave me pleasure and which I am sure other horse lovers will enjoy.
Jump for Joy was written by my favourite showjumper when I was growing up in London, Pat Smythe. One of the first two women to compete in the Olympics, Pat was a household name in England in the 1950s and 1960s and was awarded an OBE. Jump for Joy is one of several books she authored, and tells stories about some of her most famous horses, including Prince Hal and Tosca. I was thrilled to own this book in my teenage years.
