Here are 100 books that The Wall fans have personally recommended if you like
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Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
This is a fantastic middle-grade book about the story of a famous Samurai’s triumph and true grit.
Turner’s ability to write such a realistic biography of someone who lived over 800 years ago is truly impressive. Turner’s research truly encapsulates "epic" in every sense of the word.
It's thrilling and isn’t afraid to push the boundaries of heroism and tragedy. Her story is an insightful window into the dark realities of history.
A samurai fights for honor and survival in a real-life Game of Thrones.
Stirring narrative nonfiction recounts the rise of Minamoto Yoshitsune from seemingly doomed infant to immortal warrior-hero (and one of the most famous samurai in Japanese history). Acclaimed author Pamela S. Turner delivers all the drama, romance, and tragedy of the original story--with delightfully dry wit and a healthy dose of modern perspective. Gorgeous ink paintings by celebrated graphic-novelist Gareth Hinds complete this irresistible package.
I am a mom, like any other mom, raising two young boys with big feelings. Those feelings grow and change and adapt as they age, but they are always strong. My experience raising them has inspired me to seek out books about managing those emotions and to write my own series about finding the joy in the chaos of kids’ “big feelings.”
This book was extremely poignant. It may not be intended for the youngest of readers. I admit, I read it on my own. But the message was deep. Children from preschool to teenage can have strong feelings about their parents’ behaviors. But what young children don’t often (can’t often) understand is where, in their parents’ history, those behaviors are born out of.
This story takes something as simple as foraging for watercress on the side of the road and examines where, in the narrator’s parents’ history, that behavior comes from. It’s sorrowful, haunting, and hopeful all at the same time. This is a beautiful book to address the “big feelings” of embarrassment kids may feel about their parents without understanding the reasoning behind their patent’s actions.
Caldecott Medal Winner Newbery Honor Book APALA Award Winner
A story about the power of sharing memories—including the painful ones—and the way our heritage stays with and shapes us, even when we don’t see it.
New England Book Award Winner A New York Times Best Children’s Book of the Year A Boston Globe-Horn Book Honor Book
While driving through Ohio in an old Pontiac, a young girl's Chinese immigrant parents spot watercress growing wild in a ditch by the side of the road. They stop the car, grabbing rusty scissors and an old paper bag, and the whole family wades…
Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
Hachiko is a tale of genuine friendship that holds an important lesson on the cultural value of loyalty.
Turner really captures the essence of Japan in her colorful and heartfelt retelling of the legend of Hachiko, the dog that faithfully waited for its owner at a train station after his passing.
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Imagine walking to the same place every day, to meet your best friend. Imagine watching hundreds of people pass by every morning and every afternoon. Imagine waiting, and waiting, and waiting. For ten years. This is what Hachiko did. Hachiko was a real dog who lived in Tokyo, a dog who faithfully waited for his owner at the Shibuya train station long after his owner could not come to meet him. He became famous for his loyalty and was adored by scores of people who passed through the station every day. This is Hachiko’s story through the eyes of Kentaro,…
Ying Chang Compestine is the multi-talented author of 25 books including fiction, picture books, and cookbooks. Frequently sought after by the media, Ying has been featured on numerous national television programs, is regularly profiled in prestigious news media outlets, and has been named one of the "50 Great Writers You Should Be Reading" by The Author's Show. Her keen interest in cuisine has led her to weave food into all of her writing–including cookbooks, novels, and picture books for young readers. Ying grew up in Wuhan, China during the Chinese Cultural Revolution. She uses these experiences, as well as her passion for food, in all her writing.
The middle-grade novel, New from Here, really hits home for me. The main character, Knox, a resilient young boy protecting his friends during the COVID-19 pandemic, makes this book incredibly relatable to young readers.
The book combats racism and promotes togetherness, issues that I am passionate about in my own writing.
Don't miss the stunning no.1 New York Times bestseller. New country. New life. Whole new world . . .
When the coronavirus hits Hong Kong, ten-year-old Knox's mom makes the last-minute decision to move him and his siblings to California, where they think they will be safe from the virus.
But life in America isn't easy. At Knox's new school, the other kids think that because he is from Asia, he must have brought over the virus. At home, Mom's freaking out because she just got fired, and Dad doesn't know when he'll see them all again, because all flights…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.
Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child’s journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman’s color—worn…
I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.
Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.
How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.
As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
I've been interested in children’s lives for as long as I can remember. I think my own childhood experiences provoked my curiosity about the world as observed and perceived by children. My own childhood was affected by globalization in the broadest sense. When I was a child, my family moved to the United States from Iran. I grew up in Utah where I encountered a different way of life than the one I left behind. The shift from one culture to another was thrilling and scary. The encounter with a new world and a different culture has taught me important lessons about children’s creativity, strength, and curiosity as well as their fears, insecurities, and vulnerabilities.
I believe this book serves as a solid foundation for the scholarly discussions surrounding the changing paradigms of childhood throughout history and the world. I find its examinations of many different times and places fascinating. This volume explores the cultural creation of concepts of childhood and the ways they have developed and evolved as the world has become more connected, something I can relate to my own childhood experiences.
Now in its fourth edition, Childhood in World History covers the major developments in the history of childhood from the classical civilizations to the present and explores how agricultural and industrial economies have shaped the experiences of children.
Through comparative analysis, Peter N. Stearns facilitates a cross-cultural and transnational understanding of attitudes toward the role of children in society, and how "models" of childhood have developed throughout history. He addresses the tension between regional and social/gender differences, on the one hand, and factors that encouraged greater convergence, including the experience of globalization. The book also deals with regional patterns as…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
This book is so subtle and intelligent that it makes me smile at almost every line. Sarraute hates nothing more than clichés and the narcissistic self-indulgence of memoirs. In Childhood, the inner dialogue between the narrator and her memory allows her to avoid these pitfalls and resurrect the past with an amazing emotional accuracy. The questions asked by her critical self deepen her memory and lead to a delicate, vivid, and funny rendering of her childhood at the beginning of the twentieth century in Paris between her divorced Russian parents.
As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including "The Golden Fruits", which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir "Childhood" may in fact be Sarraute's most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, "Childhood" is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and, indeed, the truth. Her…
The first person I ever trusted in the world was a high-school English teacher, a woman named Margaret Muth. She plucked me out of a trash-can, literally and figuratively. When I was seventeen years old, she told me: “Books will teach you. They will help you. Choose books the way you choose the risks you take in life: do it patiently, thoughtfully. Then give yourself to them with a whole heart. This is how you learn.” This is one sentence, from one teacher, given to a teenager of decidedly crude and primitive material—one sentence that changed his whole life for the better. Bless her.
It is something of a commonplace that the most important subjects in life are somehow the least amenable to the long essay. Where are the great books on love, grace, revelation, understanding, or peace?
And what about childhood? Everyone has one, and many people want to be parents, but where are the transformative and indispensable books on this subject? Now we have one, at last, this capacious, passionate, searching, learned book, by one of the most gifted prose stylists writing in English in the present day. It’s beautiful to read, and essential for our cultural moment.
While traveling the world in order to write her award winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular captured her imagination: why are so many children in Euro-American cultures unhappy – and why is it that children in traditional cultures seem happier?
In A Country Called Childhood, Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic as well as the UK, and delving…
