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I am a professor of American Jewish history who has written extensively on how sports have impacted the lives of American Jews. I have been especially interested in how the acceptance or rejection of Jews in the sports arena has underscored that group’s place within this country’s society. I have been likewise intrigued by how the call of athleticism has challenged their ethnic and religious identity. The saga of Marty Glickman, a story of adversity and triumph, speaks boldly to critical issues that this minority group has faced.
During the mid-1960s, Sandy Koufax was a dominant baseball pitcher and was destined to be the youngest player to be inducted into the Baseball Hall of Fame.
For Jewish fans however, of my generation and beyond, he was an iconic Jewish hero most notably for his determination in 1965 to sit out a World Series game in deference to Yom Kippur, the holiest day on the Jewish calendar. Leavy, an extraordinarily talented writer, tells this sports and Jewish story with keen insights into Koufax’s personality.
“The incomparable and mysterious Sandy Koufax is revealed…. This is an absorbing book, beautifully written.” —Wall Street Journal
“Leavy has hit it out of the park…A lot more than a biography. It’s a consideration of how we create our heroes, and how this hero’s self perception distinguishes him from nearly every other great athlete in living memory… a remarkably rich portrait.” — Time
The instant New York Times bestseller about the baseball legend and famously reclusive Dodgers’ pitcher Sandy Koufax, from award-winning former Washington Post sportswriter Jane Leavy. Sandy Koufax reveals, for the first time, what drove the three-time Cy…
Why do I use the word “fraud?” The answer is agonizingly simple. My whole life, and I mean since I was ten, I wanted to be “a real writer.” Whatever that was. And now here we are, 55 years later. Despite my great good fortune to spend 24 years coming up with jokes for Dave Letterman, three years as a columnist at Sports Illustrated, and to have my name on four novels, if you asked me, “Are you a real writer?” I would tell you, “not yet….” Here are five real writers.
Note-perfect 200-page tent flap pullback of the gloriously flawed Henry Chinaski, the poster manchild for living life on your own terms. But you already knew that. Gambling, drinking, aimlessness, and all the stuff we love to get neck deep in. And by “we,” I mean me. And maybe the greatest opening line in the history of literature: “It began as a mistake.” Here’s why I am a fraud: I didn’t know about this book until four years ago.
Henry Chinaski is a lowlife loser with a hand-to-mouth existence. His menial post office day job supports a life of beer, one-night stands and racetracks. Lurid, uncompromising and hilarious, Post Office is a landmark in American literature, and over 1 million copies have been sold worldwide.
The new edition is augmented with an anecdotal introduction by the modern Welsh cult-literary author, Niall Griffiths - a writer who was working in a British post office when he first read Bukowski's Post Office.
Why do I use the word “fraud?” The answer is agonizingly simple. My whole life, and I mean since I was ten, I wanted to be “a real writer.” Whatever that was. And now here we are, 55 years later. Despite my great good fortune to spend 24 years coming up with jokes for Dave Letterman, three years as a columnist at Sports Illustrated, and to have my name on four novels, if you asked me, “Are you a real writer?” I would tell you, “not yet….” Here are five real writers.
My favorite novelist. Laureate of Broken People. Criminally underappreciated. In 1987, 15 years before I was lucky enough to be published, I wrote to Yates after I got his address from his daughter Monica, who was dating my fellow stand-up comic friend, some unknown guy named Larry David. In the letter, I revealed that I had just stolen his out-of-print 1969 novel about a post-WWII mother and homecoming son from the NYC Public Library and that it would always be my favorite book of his because it was the only one I had not yet read. He wrote back that it was hisfavorite work as well, then added, “I admire comics because it is much easier to break people’s hearts than to make them laugh.” (Spoiler alert: Larry David turns out okay…)
An ebook compilation of inspirational writings, featuring seven classic works in one high quality, fully searchable edition:
The compilation includes:
'Mere Christianity' 'The Screwtape Letters' 'Surprised by Joy' 'The Four Loves' 'The Problem of Pain' 'The Great Divorce' 'Miracles'
C. S. Lewis's works continue to attract thousands of new readers every year, appealing to those seeking wisdom and calm in a hectic and ever-changing world. Each volume is written with the lucidity, warmth and wit that has made Lewis revered as a writer the world over.
From 'The Problem of Pain' - a wise and compassionate exploration of suffering -…
These books are all by or about comic geniuses. I have always expressed myself through humor. I never felt I was pretty, so making people laugh was another way of seducing people. I started out by doing improvisational theater on the streets of New York, went on to have a recurring role on Seinfeld, and performed my solo shows on three continents. One of my greatest thrills has been to share the stage with other storytellers while touring with The Moth. When I used my storytelling skills on TikTok, I was amazed at the response. Eleven million Likes is a lot of love. I hope I deserve it.
I love showbiz biographies full of the inside dope on glamorous, brilliant people, because I’ve always wanted to be one of those glamorous, brilliant people.
Mike Nichols knew everyone important in the arts, ate at the most fabulous restaurants, traveled to the most luxurious locations, and owned several grand homes. And I am pleased to report that he was frequently anxious and depressed.
I find it very reassuring to learn that someone who has everything I’ve ever dreamed of is no happier than I am. I know that sounds a little mean, but I never claimed to be perfect.
A National Book Critics Circle finalist • One of People's top 10 books of 2021 •An instant New York Times bestseller • Named a best book of the year by NPR and Time
A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back
Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
Paula Fox, the late great novelist and revered children’s book author, wrote a wonderful memoir of effectively not having parents. Oh, Fox’s parents were around, but they were drunk, careless, and inattentive, often shuffling young Paula to and from locales as varied as Hollywood and pre-Revolutionary Cuba. Her parents are depicted in this memoir as both monstrous and sympathetic, providing aspiring memoirists with a model of artful ambivalence. The book is also filled with extraordinary walk-ons by Orson Welles, James Cagney, Stella Adler, and F. Scott Fitzgerald. It’s a beautiful book by one of the most effortlessly commanding writers this country has ever produced. (Full disclosure: As a twenty-eight-year-old greenhorn editor, I had the pleasure of line-editing this book, which wasn’t editing so much as polishing silver.)
An astonishing, devastating memoir of a 1930s American childhood. A New York Times Best Book of 2001
Born in the 1920s to young, bohemian parents, Paula Fox was left at birth in a Manhattan orphanage. Rescued by her grandmother, Fox eventually landed with a gentle, poor minister in upstate New York. Uncle Elwood, as he came to be known, gave Paula a secure and loving home for many years, but her parents constantly re-surface. Her father is a good-looking, hard-drinking Hollywood screenwriter (among his credits is The Last Train to Madrid, which Graham Greene declared was 'the worst movie I…
The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry?
Delightful, clear, and unpretentious. The author shared what she thought as a child during each stage of her unique upbringing. The juxtaposition of her state of happiness while living in poverty compared to that of her affluent teenage classmates was a stark revelation. Racial issues were not shied away from, but dealt with tenderly and humorously.
Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. 'He strutted around with a short perm, a Cosby-esqe sweater, gold chains and a Kangol - telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried', writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, and she was the…
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
Celebrated author and Stanford professor Tobias Wolff recounts his perilous teenage years in the 1950s Pacific Northwest. Clever, conniving Toby (self-named Jack Wolff) will do whatever it takes to reinvent himself in a memoir full of larger-than-life characters, thrilling events, emotional rollercoasters of betrayals, broken dreams, and hard-won triumphs, all conveyed in prose so lucid that the book has been college assigned for its poetic honesty at the sentence level for decades. Guaranteed you’ll be floored by what it takes for Wolff to ultimately transcend the merciless circumstances of his life.
The 30th anniversary edition of Tobias Wolff's "extraordinary memoir" (SF Chronicle), now with a new introduction by the author.
Thirty years ago Tobias Wolff wrote a memoir that changed the form. The “unforgettable” (Time) This Boy’s Life is the story of the young, tough-on-the-outside but vulnerable Toby Wolff. Separated by divorce from his father and brother, Toby and his mother travel from Florida to Utah to a small village in Washington state, with many stops along the way. As each place doesn’t quite work out, they pick up to find somewhere new. In…
I have expertise and a passion for this topic because I suffered from a terrible addiction to drugs for many years and was considered a hopeless case. If I can beat my addiction then anyone can!
This was another true story of someone who suffered a terrible addiction and was able to overcome it. I liked it because Jim was a regular guy and not a celebrity sharing his life story as so many of these book are. It was one of the first books that gave me inspiration to write a book. It also became a movie where Leonardo DeCaprio played Jim Carrol.
The urban classic coming-of-age story about sex, drugs, and basketball
Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960s, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for…
My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.
I came of age in the seventies, and this book took me through that time, specifically 1977 again, able to view events through the lens of a particularly insightful adult.
This book encompasses more than baseball. There’s the battle to be mayor between Ed Koch and Mario Cuomo, Rupert Murdoch buying the New York Post, disco and dancing at Studio 54, the dawn of punk rock, but at its heart is the story of the Yankees and that crazy love triangle of Reggie Jackson, Billy Martin, and George Steinbrenner. I was delighted to relive all of that craziness.
“Masterful . . . In Mahler’s expert hands, the city’s outsized citizens are flawed, fierce, bickersome, and as indomitable as the metropolis itself.” —Mike Sokolove, author of The Ticket Out
A passionate and dramatic account of a year in the life of a city, when baseball and crime reigned supreme, and when several remarkable figures emerged to steer New York clear of one of its most harrowing periods.
By early 1977, the metropolis was in the grip of hysteria caused by a murderer dubbed “Son of Sam.” And on a sweltering night in July, a citywide power outage touched off…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
