100 books like Before They Were Authors

This book offers delightful details about Judy Blume, from her time growing up in New Jersey to the purchase of her first electric typewriter.

With the publication of Are You There God, It’s Me, Margaret in 1970, Judy made history with a unique book about a 12-year-old girl exploring religion and friendship.

I appreciate how Kathleen Krull takes us on the rollercoaster of Judy’s life, showing us her heartbreak when facing rejection letters, her steadfast determination to keep writing, and her joy when she finally achieved her goals. Judy Blume never gave up!

Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.

I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.

My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”   

With charming illustrations, this picture book biography tells the story of E.B. White with exquisite language.

I love how Barbara Herkert provides details about his interest in animals from a young age, such as how he collected pigeons, snakes, polliwogs, caterpillars, chameleons, and more.

In a fitting ending, the book shows how E.B. White gets the idea for one of my favorite books, Charlotte’s Web. I love these lines from A Boy, a Mouse, and a Spider: “One cold October evening, Andy watched a spider spin. He climbed a ladder for a closer look. He’d found the hero of his story…” 

I love how this book describes what Ida B. Wells was like as a young child, as well as her parents. Ida learned about standing up for what’s right from them. Dinah Johnson effectively weaves this theme throughout the whole book.

I think kids can learn so much from this story of courage. Page by page, kids will see how Ida wasn’t afraid to write newspaper articles about Black people being lynched so that she could bring attention to racism and injustice. Kids will also see how she wasn’t afraid to step forward in the Women’s March of 1913.

I was especially drawn to the back matter of this book, which includes rare pictures of Ida with her family from the 1900s and a comprehensive timeline of her life.

Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.

Danielewski is as much an artist as he is a storyteller. The Fifty Year Sword is a work of literal—and literary—art. The story is brief, haunting, and beautifully told. The book is a labor of love beyond words on the page. The art accents the story, propelling it forward and assisting the tension that grows as the unread pages dwindle. It is neither grotesque, nor leave-the-lights-on scary, but it is fantastically memorable and shocking, making it a wonderful introduction to the fun-filled intensity the genre offers. For all its simplicity, it’s an unforgettable read, worth picking up for repeat visits to admire the way story and art meld into this single binding. It’s an every-October treat for me that sets the mood for Spooky Season.

The Chain is one of my most recent reads.

I’d categorise it as a dark thriller that created some of the tightest knots in my stomach. The concept alone was enough to generate terror, anxiety, and anger from the first page onward. But anything that involves the endangerment of children does that to me.

A gripping tale that puts the victims, both the kidnapped and the kidnappers, in peril from an unseen syndicate who controls their actions with a phone call.

Very realistic. Very scary.

Children of the 17th and 18th centuries were raised far more strictly than today. In the 17th century, initially without schools, they would likely be uneducated. Encouraged to walk as soon as possible, children would be incorporated into the work of the family at an early age, to ensure the survival of the community. Alice Morse Earl conducted years of research, based on letters, official records, diaries, and other accounts to create and detailed portrait of a child’s world of that time. For me, it answered questions, such as: Did the children work? How were they educated? How did parents teach respect, manners, and religion? How were children disciplined? Were children allowed to play and what toys or games did they have? I found her book to be enormously helpful in creating the life of Mary Allerton as a child in the Plymouth Colony and the home life of the… show more.

Barrowcliffe is a humorist, but reading his autobiographical account of playing D&D in the United Kingdom in the 1970s, you realize humor is a way of coping with tragedy. 

This book contains fascinating descriptions of the early history of D&D outside of the United States. Barrowcliffe is also adept at articulating what exactly is so compelling and fascinating about D&D. Most importantly, this book portrays the brutal culture of toxic masculinity that often existed around this game in its first decades. 

Gen Z players may be shocked by Barrowcliffe’s account of how players treated one another.

Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.