Here are 100 books that Before They Were Authors fans have personally recommended if you like
Before They Were Authors.
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I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
This book offers delightful details about Judy Blume, from her time growing up in New Jersey to the purchase of her first electric typewriter.
With the publication of Are You There God, It’s Me, Margaret in 1970, Judy made history with a unique book about a 12-year-old girl exploring religion and friendship.
I appreciate how Kathleen Krull takes us on the rollercoaster of Judy’s life, showing us her heartbreak when facing rejection letters, her steadfast determination to keep writing, and her joy when she finally achieved her goals. Judy Blume never gave up!
"Well-behaved women seldom make history." -Laurel Thatcher Ulrich
Many awe-inspiring women have changed the course of history. From fighting for social justice and women's rights to discovering and shaping our amazing country, women have left an indelible mark on our past, present, and future. But it's not easy to affect change, and these women didn't always play by the rules to make a difference! Kathleen Krull blends history and humor in this accessible young biography series.
Judy Blume wrote her way through controversy and censorship to become a pioneer who helped make it okay for kids and teens to discuss…
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.
I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.
My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”
From bestselling, award-winning creators Renee Watson and Bryan Collier comes a stunningly crafted picture book chronicling the life of poet and activist Maya Angelou.
This unforgettable picture book introduces young readers to the life and work of Maya Angelou, whose words have uplifted and inspired generations of readers. The author of the celebrated autobiography I Know Why the Caged Bird Sings, Maya was the first Black person and first woman to recite a poem at a presidential inauguration, and her influence echoes through culture and history. She was also the first Black woman to appear on the United States quarter.…
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
With charming illustrations, this picture book biography tells the story of E.B. White with exquisite language.
I love how Barbara Herkert provides details about his interest in animals from a young age, such as how he collected pigeons, snakes, polliwogs, caterpillars, chameleons, and more.
In a fitting ending, the book shows how E.B. White gets the idea for one of my favorite books, Charlotte’s Web. I love these lines from A Boy, a Mouse, and a Spider:“One cold October evening, Andy watched a spider spin. He climbed a ladder for a closer look. He’d found the hero of his story…”
A lyrical biography of E. B. White, beloved author of Charlotte's Web and Stuart Little, written by Barbara Herkert and illustrated by Caldecott honoree Lauren Castillo.
When young Elwyn White lay in bed as a sickly child, a bold house mouse befriended him. When the time came for kindergarten, an anxious Elwyn longed for the farm, where animal friends awaited him at the end of each day. Propelled by his fascination with the outside world, he began to jot down his reflections in a journal. Writing filled him with joy, and words became his world.
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
I love how this book describes what Ida B. Wells was like as a young child, as well as her parents. Ida learned about standing up for what’s right from them. Dinah Johnson effectively weaves this theme throughout the whole book.
I think kids can learn so much from this story of courage. Page by page, kids will see how Ida wasn’t afraid to write newspaper articles about Black people being lynched so that she could bring attention to racism and injustice. Kids will also see how she wasn’t afraid to step forward in the Women’s March of 1913.
I was especially drawn to the back matter of this book, which includes rare pictures of Ida with her family from the 1900s and a comprehensive timeline of her life.
A stunning picture book biography about the early life of Ida B. Wells, her incredible work as a suffragist, and her critical role in the Women's March of 1913.
Ida B. Wells grew up during a time when women did not have the right to vote. But Ida aspired for equality; she had learned from her parents to forge a life through hope and bravery, so she worked tirelessly to fight for an America that was fair to everyone regardless of race and gender. Her courageous activism made her one of the most influential civil rights leaders in American history.…
"Two tickets to ride!" Most people get only one life.... and on only one coast. This book is an overview of an era 1948-2020 of cultural shifts and expectations for "girls". At seventeen I left my family and NYC for college, a commune, and then art school on the West coast.Visual artist, woman, mother, and descendant, Joan describes the lifetime challenges that she has met with creativity, humor, and resilience. Two NW cities, two marriages, and two sons born 23 years apart inspire many of her stories.
Rummer Godden’s autobiography A Time to Dance, No Time to Weep offers the stories, context, and sense of place for many of her novels. I so enjoyed her ability to write like a bright child thinks about the world, as well as how she is feeling. It is laugh-out-loud funny in spots, despite describing the dislocation of war.
I’ve been ensconced in horror since childhood—from the Monster Double Feature to Creepy and Tomb of Dracula. I’m part of the Monster Squad; I’m what goes bump in the night. I live for the scare. My love for all things spooky started young, growing up with Bradbury and Matheson, before graduating to King, Koontz, and Straub. I continued to absorb horror wherever I could: books, films, and comics, drinking it in as quickly as it came out. Eventually, I found that I’d absorbed so many stories, I had one or two of my own to contribute—so I began writing short stories and novels to terrorize the genre myself!
Danielewski is as much an artist as he is a storyteller. The Fifty Year Sword is a work of literal—and literary—art. The story is brief, haunting, and beautifully told. The book is a labor of love beyond words on the page. The art accents the story, propelling it forward and assisting the tension that grows as the unread pages dwindle. It is neither grotesque, nor leave-the-lights-on scary, but it is fantastically memorable and shocking, making it a wonderful introduction to the fun-filled intensity the genre offers. For all its simplicity, it’s an unforgettable read, worth picking up for repeat visits to admire the way story and art meld into this single binding. It’s an every-October treat for me that sets the mood for Spooky Season.
In this story set in East Texas, a local seamstress named Chintana finds herself responsible for five orphans who are not only captivated by a storyteller’s tale of vengeance but by the long black box he sets before them. As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.
The blank pages in this book are a deliberate design element.
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
This coming-of-age story is set in Depression-era South Carolina. My relatives in Oklahoma from that era also were driven out of the South by racism, segregation, and the threat of death. Adam, who was my mentor and colleague at Laney College in Oakland, California, was a young Black male facing lynching. He was too intelligent to survive in the South. He reminds me of my father, a Tuskegee airman who fought the good fight and left the South for good also.
A memoir of an African American childhood in the Jim Crow South
At age nineteen, A. D. Miller sat in a jail cell. His crime? He passed a white girl a note that read, "I would like to get to know you better." For this he was accused of attempted rape.
"Ticket to Exile" recounts Miller's coming-of-age in Depression-era Orangeburg, South Carolina. A closet rebel who successfully evades the worst strictures of a racially segregated small town, Miller reconstructs the sights, sounds, and social complexities of the pre-civil rights South. By the time he is forced into exile, we realize…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
In the 1980s I was bullied for playing Dungeons and Dragons. Kids like to bully each other, but this was different: The bullies felt they had been given a moral license to pick on D&D players because pastors, talk-show hosts, and politicians were all claiming it was a Satanic, anti-Christian game. Those claims were my first inkling that adults did not know what they are talking about. After getting a PhD in the sociology of religion, I was finally able analyze and articulate why religious authorities felt threatened by a simple game of imagination.
Barrowcliffe is a humorist, but reading his autobiographical account of playing D&D in the United Kingdom in the 1970s, you realize humor is a way of coping with tragedy.
This book contains fascinating descriptions of the early history of D&D outside of the United States. Barrowcliffe is also adept at articulating what exactly is so compelling and fascinating about D&D. Most importantly, this book portrays the brutal culture of toxic masculinity that often existed around this game in its first decades.
Gen Z players may be shocked by Barrowcliffe’s account of how players treated one another.
Coventry, 1976. For a brief, blazing summer, twelve-year-old Mark Barrowcliffe had the chance to be normal.
He blew it.
While other teenagers concentrated on being coolly rebellious, Mark - like twenty million other boys in the `70s and '80s - chose to spend his entire adolescence in fart-filled bedrooms pretending to be a wizard or a warrior, an evil priest or a dwarf. Armed only with pen, paper and some funny-shaped dice, this lost generation gave themselves up to the craze of fantasy role-playing games, stopped chatting up girls and started killing dragons.
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Anyone who grew up in the Sixties and Seventies remembers baseball trading cards, using sold with a flat stick of gum. Wilker doesn’t just remember them; he uses them as a narrative device. Each chapter of this touching and honest memoir about growing up in the Me Decade is based around one card in his collection (Tom Seaver, Wade Boggs, Mark “The Bird” Fidrych, and many more) and the year and memories it evokes. What could have been a glib gimmick is transformed into a smart and insightful way to recall a life and a decade.
Cardboard Gods is the memoir of Josh Wilker, a brilliant writer who has marked the stages of his life through the baseball cards he collected as a child. It also captures the experience of growing up obsessed with baseball cards and explores what it means to be a fan of the game. Along the way, as we get to know Josh, his family, and his friends, we also get Josh's classic observations about the central artifacts from his life: the baseball cards themselves. Josh writes about an imagined correspondence with his favorite player, Carl Yastrzemski; he uses the magical bubble-blowing…
