100 books like The Elfish Gene

Peterson is the foremost historian on the history of Dungeons and Dragons. 

To research this book, he tracked down countless documents from the early history of the game––including things like greeting cards from game creator Gary Gygax. But this book doesn’t just cover D&D.  It traces the history of simulation games from chess through nineteenth-century military training exercises and finally into the emergence of fantasy role-playing games. 

This is the definitive source on the history of these games.

This was the first sociological study of fantasy role-playing games. Fine was able to detect and articulate what is sociologically significant about these games. 

The book takes dynamics that role-players just “get” and articulates them as sociological concepts. For example, he uses “frame theory” to explain how players verbally transition from the frame of the game mechanics and the story world of their characters. 

He also explains how games like Dungeons and Dragons are “autotelic.” In other words, you do not “win” at and these games, the purpose is “engrossment” or being absorbed into the fantasy world. 

Fine also did a great deal of participant observation for this book and it provides a great historical insight into the culture surrounding these games in the early 1980s––warts and all.

If you want to know about the origins of Dungeons and Dragons but are intimidated by Jon Peterson’s massive tome, this is a good alternative. 

Ewart’s writing is fun and enjoyable to read. This book also came out right before the release of 5th edition D&D. Readers who first learned that edition may be interested in Ewart’s coverage of playtesting and design.

This book is an exploration of “geek culture” including Dungeons and Dragons but also other aspects of fandom like live-action-role-playing (LARPing), and Harry Potter fandom. 

This is not a theoretically weighty book, but the author did substantial field work trying to explore and understand these subcultures. The throughline of the book concerns the human fascination with imaginary realms and the cultural forms people will invent to connect with these realms and bring them to life. As a religious studies scholar, I see this longing for other worlds as a “religious” impulse.

There are many reasons to love this book, and the subtitle says it all. This book is A History, A Story, And A Memory Of The Last Plains Frontier.

That last frontier was an arid, desolate corner of southwestern Saskatchewan where his American parents tried homesteading between 1914 and 1920 when Stegner was a child. The family returned to the U.S., but Stegner re-visited this land of his youth in the early 1950s and wrote one of the best accounts of the last frontier in the North American West.   

McGinley’s 2011 autobiography That Unearthly Valley: A Donegal Childhood is a carbon copy of my own upbringing in a small rural, Irish and narrow-minded community in County Donegal in the mid-twentieth century where the dominance and hypocrisy of the Catholic priest and school instilled fear and religious compliance in daily life. 

McGinley’s clearly narrated memories reveal a young man’s frustration at the silent and secret practices of those in authority from which his only escape was education and by disowning his birthplace. His descriptions of feeling like an outcast hhelpme to question the traumatic impact of our childhoods upon our adult lives. Like myself, it was only by distancing himself from home that he was able to lay bare a disturbing existence of repression.

What experiences might children have that inspire them to write poetry? Author Yolen brings readers into the Dickinson home in Amherst, Massachusetts, where young Emily scribbles on scraps of paper in her father’s study. Emily reads her three-word poem to her parents, to the flowers in the garden, and to Mrs. Mack, who provides encouragement that’s as warm and appreciated as the desserts they share. Just as Emily takes time to ponder what is the essence of a poem, this imagined story unfolds at an unhurried pace. That pace, combined with the engaging illustrations, permits readers to linger on small moments and let their own imaginations wander. Poetry takes time, just as growing up does.

Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.  

Paula Fox, the late great novelist and revered children’s book author, wrote a wonderful memoir of effectively not having parents. Oh, Fox’s parents were around, but they were drunk, careless, and inattentive, often shuffling young Paula to and from locales as varied as Hollywood and pre-Revolutionary Cuba. Her parents are depicted in this memoir as both monstrous and sympathetic, providing aspiring memoirists with a model of artful ambivalence. The book is also filled with extraordinary walk-ons by Orson Welles, James Cagney, Stella Adler, and F. Scott Fitzgerald. It’s a beautiful book by one of the most effortlessly commanding writers this country has ever produced. (Full disclosure: As a twenty-eight-year-old greenhorn editor, I had the pleasure of line-editing this book, which wasn’t editing so much as polishing silver.)

Marion Dönhoff was born into privilege, 1909, at Schloss Friedrichstein, one of the largest semi-feudal estates in East Prussia, and her memoir lovingly recreates her childhood there amongst a family of cultured and benevolent Junkers. The values they espoused were contrary to everything Nazism represented, but that did not prevent the deaths of nearly all her adult male relatives in either combat or purges after the failed assassination plot against Hitler in 1944. In 1945 she, along with thousands of other refugees, fled west during harsh winter weather, as the Red Army ruthlessly advanced for Berlin and victory. Dönhoff, on a horse from the Friedrichstein stables, rode alone over 800 miles to safety. From 1946 until her death in 2002, she was associated (as both editor and publisher) with the prestigious, Hamburg-based weekly newspaper, Die Zeit. Her memoir is exceptional.