Here are 100 books that Childhood in World History fans have personally recommended if you like
Childhood in World History.
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As a social historian, I have helped to direct scholarly attention to the history of family life and helped to create the field of history of children. I'm the editor of a pioneering three-volume encyclopedia on the history of children and the author of six books and editor of three others based on extensive research about children’s experiences in the United States and the Western world. I've also been widely interviewed on the subject. The End of American Childhood brings this research experience and broad expertise in the field to a subject of urgent interest to today’s parents who want to understand how their own views about children and their child-rearing perspectives are grounded historically.
Huck’s Raft: A History of American Childhood is a comprehensive and important history of American children and their varied experiences.
By synthesizing a large literature in engaging prose, Mintz introduces readers to children’s lives across four centuries of the American past, starting in the seventeenth century and reaching into the present. Mintz strives to encompass different racial, class, and gender experiences.
This is the best book to begin exploring the new field of children’s studies.
Like Huck's raft, the experience of American childhood has been both adventurous and terrifying. For more than three centuries, adults have agonized over raising children while children have followed their own paths to development and expression. Now, Steven Mintz gives us the first comprehensive history of American childhood encompassing both the child's and the adult's tumultuous early years of life.
Underscoring diversity through time and across regions, Mintz traces the transformation of children from the sinful creatures perceived by Puritans to the productive workers of nineteenth-century farms and factories, from the cosseted cherubs of the Victorian era to the confident…
I've been interested in children’s lives for as long as I can remember. I think my own childhood experiences provoked my curiosity about the world as observed and perceived by children. My own childhood was affected by globalization in the broadest sense. When I was a child, my family moved to the United States from Iran. I grew up in Utah where I encountered a different way of life than the one I left behind. The shift from one culture to another was thrilling and scary. The encounter with a new world and a different culture has taught me important lessons about children’s creativity, strength, and curiosity as well as their fears, insecurities, and vulnerabilities.
I am very interested in the unique challenges that African American children face in the United States. The impacts and continuing effects of slavery and systemic racism begin affecting them before they can articulate the discrimination they experience. This book makes me question the root causes of prejudice and how it is instilled in and inflicted on children.
African American Childhoods seeks to fill a vacuum in the study of African American children. Recovering the voices or experiences of these children, we observe nuances in their lives based on their legal status, class standing, and social development.
I've been interested in children’s lives for as long as I can remember. I think my own childhood experiences provoked my curiosity about the world as observed and perceived by children. My own childhood was affected by globalization in the broadest sense. When I was a child, my family moved to the United States from Iran. I grew up in Utah where I encountered a different way of life than the one I left behind. The shift from one culture to another was thrilling and scary. The encounter with a new world and a different culture has taught me important lessons about children’s creativity, strength, and curiosity as well as their fears, insecurities, and vulnerabilities.
Growing up, I moved from one culture to another, and I know being a teenager can be difficult. The lives of teenage girls are complex, even more so for the children of Asian immigrants, who not only face the pressures of school and society but also serve as cultural mediators, negotiators, community builders, and bridges between the many worlds they grow up in. His book looks at the lives of Asian American girls and their roles in globalization and boundary crossing as they struggle, dream, grow, and thrive. As an immigrant myself, I connected to many of the ideas in this book.
This book provides a complex and intricate portrayal of Asian American high school girls - which has been an under-researched population - as cultural meditators, diasporic agents, and community builders who negotiate displacement and attachment in challenging worlds of the in-between. Based on two years of ethnographic fieldwork, Tomoko Tokunaga presents a portrait of the girls' hardships, dilemmas, and dreams while growing up in an interconnected world. This book contributes a new understanding of the roles of immigrant children and youth as agents of globalization and sophisticated border-crossers who have the power and agency to construct belonging and identity across…
I've been interested in children’s lives for as long as I can remember. I think my own childhood experiences provoked my curiosity about the world as observed and perceived by children. My own childhood was affected by globalization in the broadest sense. When I was a child, my family moved to the United States from Iran. I grew up in Utah where I encountered a different way of life than the one I left behind. The shift from one culture to another was thrilling and scary. The encounter with a new world and a different culture has taught me important lessons about children’s creativity, strength, and curiosity as well as their fears, insecurities, and vulnerabilities.
This book is very emotional and affecting to read for me. It presents two of the earliest autobiographical accounts from American women, with an introduction by Sharon Halevi. As they trace their lives, they depict a world in which childhood, as modern readers understand, does not exist, and even young women need to navigate the intricacies of their controlling and patriarchal world. I often ask what has changed and what has unfortunately stayed the same.
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. I’ve never really liked reading travel guidebooks. They date so quickly and can be too limiting but I’ve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
Another book about youthful innocence and optimism.
As I Walked Out One Midsummer Morning is the story of Laurie Lee leaving England in 1935 on a boat for Spain with just a violin and a blanket and few possessions.
He busks his way around Spain heading south to Andalucía, playing in cafes and town squares for a few coins.
Life in Spain was poor and primitive and the country was on the verge of civil war but his cheery demeanour was always met with warmth and humanity. It’s a life-affirming story.
The author of Cider with Rosie continues his bestselling autobiographical trilogy with “a wondrous adventure” through Spain on the eve of its civil war (Library Journal).
On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change of…
I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior.
As an anthropologist, I am always trying to enlighten Westerners that not everyone looks or acts as they do. So, I love this book with the usually great quality photos and accurate explanations by DK. Its point is not that you might have new kids in your classroom who don’t yet speak English and maybe eat food that you don’t recognize.
The point is that there are vast differences in the ways kids grow up around the world because there are so many different cultures and customs besides Western culture. In fact, Western culture only accounts for 1.2 billion people on the planet, while the remaining 6.8 live and act differently than we do. They dress, think, worship, play, and eat differently as well. And yet (also the point), we are all one species with so very much in common.
Read this, look and look at the photos by yourself,…
A favorite in classrooms, libraries, and homes, Children Just Like Me is a comprehensive view of international cultures, exploring diverse backgrounds from Argentina to New Zealand to China to Israel. With this brand new edition, children will learn about their peers around the world through engaging photographs and understandable text laid out in DK's distinctive style.
Highlighting 36 different countries, Children Just Like Me profiles 44 children and their daily lives. From rural farms to busy cities to riverboats, this celebration of children around the world shows the many ways children are different and the many ways they are the…
I am what is euphemistically called an "independent scholar," meaning I have no academic affiliation, no straightforward road I must follow (in order, let’s say, to gain tenure), and no duty per se to follow a pre-ordained or politically correct point of view. But being a "freelance" has obligations which I take very seriously. I feel that my job, in any subject I choose to pursue, is to engage the reader in a joint venture. I must instill in them the same enthusiasm I have for whatever I’m writing about, which in this case is the history of Prussia, and the state of this footprint on earth which war and ceaseless conflict have rearranged countless times. To do that, I usually take an often oblique and "off the radar" approach that I think will pull the reader along with me, making the journey for both of us something that matters.
Marion Dönhoff was born into privilege, 1909, at Schloss Friedrichstein, one of the largest semi-feudal estates in East Prussia, and her memoir lovingly recreates her childhood there amongst a family of cultured and benevolent Junkers. The values they espoused were contrary to everything Nazism represented, but that did not prevent the deaths of nearly all her adult male relatives in either combat or purges after the failed assassination plot against Hitler in 1944. In 1945 she, along with thousands of other refugees, fled west during harsh winter weather, as the Red Army ruthlessly advanced for Berlin and victory. Dönhoff, on a horse from the Friedrichstein stables, rode alone over 800 miles to safety. From 1946 until her death in 2002, she was associated (as both editor and publisher) with the prestigious, Hamburg-based weekly newspaper, Die Zeit. Her memoir is exceptional.
I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.
Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.
How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.
As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle…
The tagline on the cover of my book reads: Family life is not always easy. And never a truer word was spoken. I was inspired to write my book while raising my own daughter, Nina, who was diagnosed with autism at age ten. My book is fiction, but my knowledge of autism is from my lived experience. As Nina got older, she began to join me in doing talks about my book–where she was the autism expert, and I was the expert in writing. Together we have done many talks on TV, radio, newspapers, schools and libraries. I hope you enjoy these autistic characters–real and fictional–as much as I do.
I could hardly put down this memoir written by the sibling of an autistic boy–set in a time when the term ‘autistic’ did not exist. Mary-Ann Tirone Smith was brought up in New England in the fifties when there was no understanding of autism at all. There was no welfare dept, social services, or health service to turn to for help because no one understood.
Instead, the family ‘absorbs’ Tyler, the autistic brother, and protects and cares for him themselves. Getting this ‘sibling’s view’ is really fascinating. I loved all the quirky characters and the inevitable humor when the outside world does not understand Tyler.
Running alongside the story of Tyler is a true crime story about a school friend of Mary-Ann’s who was murdered by a pedophile. I found the book to be gripping, heartbreaking, funny, and moving.
Mary-Ann Tirone Smith grew up in New England during the 1950s, the daughter of an extended French-Italian family. Smith's neighbourhood was typical small-town America - everyone's door was left unlocked at night, and the school, church, library, pub and grocery shop were all within walking distance. In many ways, it was a typical rough-and-tumble childhood, but someone would shatter it and change Smith's life and that of the town, forever. Smith's family is peopled with wonderful characters - her mother who's always on the verge of a nervous breakdown; her adoring father who sees to waking Mary-Ann each morning to…
I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me.
Because my first introduction to bell hooks was through her scholarly writing, I wasn’t sure what to expect from this memoir. A few pages in, I was already dazzled, challenged, and addicted to her storytelling genius—I read it in one sitting and immediately began reading it again. The perfect memoir for those who are looking for unconventional storytelling, hooks uses techniques like point-of-view shifts to paint a realer-than-real-life portrait of her childhood in rural Kentucky.
Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child’s journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman’s color—worn…
