Here are 100 books that Don't Let's Go to the Dogs Tonight fans have personally recommended if you like
Don't Let's Go to the Dogs Tonight.
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Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
Radiant Wound is both an anthem and lament—a poetic exploration of life between cultures, languages, and the landscapes of Côte d'Ivoire. In this debut collection, Cara Waterfall captures the vibrant textures and deep dissonances of life abroad after the Second Ivorian Civil War, navigating the complex experience of being a…
I’m a native New Yorker whose recent move to the UK gives me both unique insight into a city I lived the hell out of for decades and space and time to look back and wonder what it was all about, like with a lover you still adore but are relieved you’re no longer with. I’ve partied in squats and walked red carpets. I can sniff out a fake-take on this city so many people feel they know long before ever visiting it, and that always offends/bores/turns me off. These books got it right, and I’m thrilled to point more people in their direction.
While most of the action doesn’t take place in NY, key scenes do and those are generally heartbreaking and speak to a city that allows for new beginnings and fresh starts for all, as well as a place that can swallow you whole.
Written about streets and squats I knew, the sentimental aspect was off the charts for me. But even without that connection, Jeannette’s writing is so moving that it will bring you emotionally into a unique, often hidden world.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.
I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.
I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.) Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.…
WEST WITH THE NIGHT appeared on 13 bestseller lists on first publication in 1942. It tells the spellbinding story of Beryl Markham -- aviator, racehorse trainer, fascinating beauty -and her life in the Kenya of the 1920s and 30s.
Markham was taken to Kenya at the age of four. As an adult she was befriended by Denys Finch-Hatton, the big-game hunter of OUT OF AFRICA fame, who took her flying in his airplane. Thrilled by the experience, Markham went on to become the first woman in Kenya to receive a commercial pilot's license.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I am at heart a storyteller, with a special interest in archiving and weaving the tales of my people to give you insight into a culture that is quite different from yours. Like an archaeologist digging a forgotten world, I want to bring these stories to life in the form of words. After a long day of animal herding and chores, my family and I would sit by the fire in a vast, open desert covered in blackness, and share century-old stories. My big ears consumed these stories like a thirsty desert after a long drought, so I could one day share this library of wisdom with others.
This memoir captures the journey of child soldiers during the civil war in Sierra Leone, and shows how once-innocent children with ordinary lives became killing machines in the hands of a ruthless rebel leader. Beah doesn't shy away from the gruesomeness of civil war, but there is beauty in how he weaves this memoir that reads like a novel. Though I am not usually a fan of books with a lot of violence, I was drawn to this one and could not put it down. I believe history is best learned from those who have first-hand experience. This is a one-of-a-kind book and to Beah’s credit, well-written as well.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this…
I’m an Australian writer and journalist. I’ve written several humour books, as well as a history of Australia in the 1960 and 1970s called The Land Before Avocado. I also write for the Sydney Morning Herald and The Washington Post and present a radio show on ABC Radio Sydney. Of the books I’ve written, the one that’s closest to my heart is my memoir Flesh Wounds.
In my book I talk about how many people miss out on the love they expect—the love of a mother, father, spouse, or child—and yet how most of us survive by finding the love we need elsewhere. In Cider with Rosie, Laurie’s father abandons his family, but Laurie’s mother shines: her frisks and gaieties, her fits of screams, her love of man. This is the childhood memoir of one of the great (somewhat unacknowledged) poets of the twentieth century.
A re-issue of the evocative and nostalgic account of Lee's country childhood in a secluded Cotswold valley. Lee describes a vanished rural world of village schools and church outings but also touches on the darker side of village life as it comes into contact with murder, rape, suicide and depression.
I’ve always loved horses, in real life and fiction. I guzzled up pony stories as soon as I was old enough to read, then I started writing them, tales of teenage orphans adopted by distant aunts who lived in crumbling stately piles with fields full of ponies. When I started writing fiction for a living, it stood to reason horses would feature, and three decades after one trotted into my debut novel French Relations – then galloped off into the sunset in its sequelWell Groomed- they’re still a mainstay. Of the twenty novels I’ve written, more than half have horses at their heart, including my new Comptons series.
This first of Sassoon’s semi-biographical Sherston trilogy is a nostalgic amble along Edwardian English lanes, across its village greens, and over its hedges, tracing the early years of likeable, witty George Sherston before the Great War. It depicts a bygone era of pearl-clutching maiden aunts, rumbustious village cricket matches, and the rigours of the hunting field, in which enthusiastic recruit George is a terrific observer of the larger-than-life characters he encounters. He is winningly grateful to his horses for being so much better at it than him, from flighty first pony Sheila to trusty hunter Harkaway, and ‘bargain’ point-to-pointer Cockbird who is gifted to the cavalry at the book’s close, just as George accepts his commission to the Flintshire Fusiliers to fight in the Great War, saying farewell to his halcyon childhood. Sassoon, famous for his war poetry, is such a warm and intelligent writer that his affection for characters…
The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell
A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.
In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's…
When writing my memoir about serving in the Peace Corps, I knew with every keystroke I was opening myself up for public censure. The things that I needed to get down on paper were not pretty things; they did not show me in a favorable light. I also knew it was the only way to tell my tale. Honesty is compelling even (perhaps especially)when the truth is ugly. Female voices in contemporary literature are raw, messy, and unapologetic. The appeal of candid “femoir” is undeniable, as evidenced by runaway bestsellers in recent years (I’m looking at you, Eat, Pray, Love and Wild). Discover more hidden gems below.
An uproarious tell-all about blooming late, taking chances, and being vulnerable. In an effort to cope with the loss of a defining career and face down a lifetime of insecurities about her body, the author decides to tackle anything (self-exploratory-wise) that would normally send her screaming for the hills. Reluctantly but determinately, she takes the plunge into internet dating, professional cuddling, sensory deprivation, polyamory, Brazilian waxing, and more—all the while getting throat-punched by anxiety. Self-deprecating and ribald, Hameister’s anecdotes illustrate that sometimes pulling up one’s big girl panties can actually mean taking them off.
During the nine years Courtenay Hameister hosted NPR's Live Wire, she lived in a state of near-constant dread and anxiety and she didn't just fret about and fear her next radio show; she fretted about and feared everything.
Until about a year ago, when she decided to take arms against a sea of anxieties and by opposing... maybe not end them but at least become a little more adventurous, spontaneous and comfortable in her own skin. OKAY FINE WHATEVER tells the story of Courtenay's year-long fight against her own nature, which took the form of pushing herself to try new…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
This memoir is one of the most compelling accounts of confronting trauma that I’ve ever read. In the case of the author, the traumas are multiple: fear of deportation due to her “illegal” status; years of sexual abuse by her paternal grandfather; and later in life, the discovery that she carries a gene that leaves her susceptible to breast and ovarian cancer. I was moved as I learned how Talusan found the words—both as a writer and as a daughter, a sister, an aunt, a romantic partner, and a citizen—to speak of these difficulties. Her writing about this journey is both spare and powerful, and it bears re-reading and deep reflection. Whenever I return to this book, I find inspiration.
Winner of The Restless Books Prize for New Immigrant Writing, Grace Talusan’s critically acclaimed memoir The Body Papers, a New York Times Editors’ Choice selection, powerfully explores the fraught contours of her own life as a Filipino immigrant and survivor of cancer and childhood abuse.
Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns…
When writing my memoir about serving in the Peace Corps, I knew with every keystroke I was opening myself up for public censure. The things that I needed to get down on paper were not pretty things; they did not show me in a favorable light. I also knew it was the only way to tell my tale. Honesty is compelling even (perhaps especially)when the truth is ugly. Female voices in contemporary literature are raw, messy, and unapologetic. The appeal of candid “femoir” is undeniable, as evidenced by runaway bestsellers in recent years (I’m looking at you, Eat, Pray, Love and Wild). Discover more hidden gems below.
This debut memoir is an absolute triumph. From teenage runaway, to bohemian hippie, to cross-continental cyclist, to lost soul, the author candidly invites us to journey with her through ebullient highs and devastating lows. In a surprising twist—while navigating the nadir of her odyssey—the author finds solace for her wandering soul in a harbor she least expects. This is, in essence, a story of finding salvation in arms everlasting.
A restless child of the 1960s, Marilyn yearns for love, hippiedom, and escape from her mother’s control. At 14, she runs nearly a thousand miles away to Vancouver, British Columbia, eventually landing herself in a Catholic home for troubled girls. At 16, she’s emancipated, navigating adulthood without a high school diploma, and craving a soulmate. When she falls in love with Jack, the grad student living next door, life finally seems perfect. The two embark on a cross-continental bicycle trip, headed for South America, but before they reach Mexico, Jack dies. Utterly shattered, Marilyn does the hardest thing she can…